Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Ben Fero - Biladerim İçin - Chord
Key Db major – Bb minor Chords Fm, Db, Bbm Easy key C (capo 1)
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Key: Db | A#m | Bbm
Capo: 0
Fm Db
Katlanarak her an katlanarak
Bbm
From zero Fero hero bro şakgadanak
Bbm
Before trap vakit geçerdi hep sallanarak (TRAP)
Geriye dön bak deme lan bakamam (LET'S GO)
Fm
Rakama değil lan adama feat ver, Fero da girince yanıyo beatler
Db
Beni de bi ince seviyo kitlem, darlama buradan bi siktir git len
Fm
Basını tizini midini bilmem, heceler geçerim alayı dinler
Bbm
Hedefi seçerim elimde pimler, bi günde çıkarım bi ömür inmem
Fm
İvmem yükselir inmem
Db
Şarkılarım fıtık gibi kulaklarda nüksedip inler
Fm
Piller bitmedi birden (YOK YOK)
Bbm
Trenime bin n.... korkma demirden
Fm
Biladerim için (Biladerim)
Db
Zencilerim için (Zencilerim İçin)
Bbm
Kardeşler için (Kardeş Kardeş)
Db
Abiler İçin (Abiler İçin)
Fm
Değil şöhret para için
Db
Hip hop kardeşlerim için
Bbm
Bu rap biladerim için
Trap zencilerin işi
Fm Db
Kardeş abi bilader ve zenciler için, rakip olarak bul dengine bişey
Bbm Db
Sende biliyosun bizi kaslar o biçim n.... bende trap müzik hastalık işi
Fm Db
Hastalık işi, hastalık işi heves ilgi değil bu bi hastalık işi
Bbm
Anam babam için ve de hatunum için, yapıyorum bu işi biladerim için
Bbm
Biladerim için tabi semtim rich (RICH) pes edersem piçim hani piç piç piç (PİÇ)
Fm Bbm
Hem sert hem funny sen dert ben money beş vermem hadi siktir git (GİT)
Db
Lirikaliteymiş yemişim ulan (HAH) aşık Fero değil Feron.... lan (LAN)
Fm Bbm
Anlamaz inceyi dilimi falan boynumda yılan n.... badiye devam (BAS)
Fm
Lamborginhi Gucci my man Keişan (BRO) Kim O' da o Ronaldinho ben Neymar (GOL)
Db
Yarım gibi çıkıyorum sendeyim ha (TRAP HOUSE) Henny Henny Hennessy kafam leyla (KIYAK)
Fm
Biladere demem hiç gelmiyim ya (YA) çarpanın haline ben diyim vah
Bbm
(VAH) (VAH) (VAH) (VAH)
Fm
Eyvah eyvah hey maşallah, Kei neşe verdi inan bana valla
Db
Okuldaki hocalarım etti illallah, şimdi gurur duyuyolar alayına yallah
Fm
İkinci bi Fero zor hadi inşallah, mahalleyi temsil edeceğim evelallah
Bbm
Seviyorum bu müziği yukarıda Allah, orman kanunları bilader eyvallah
Fm
Biladerim için (Biladerim)
Db
Zencilerim için (Zencilerim İçin)
Bbm
Kardeşler için (Kardeş Kardeş)
Db
Abiler İçin (Abiler İçin)
Fm
Değil şöhret para için
Db
Hip hop kardeşlerim için
Bbm
Bu rap biladerim için
Trap zencilerin işi
Fm Db
Kardeş abi bilader ve zenciler için, rakip olarak bul dengine bişey
Bbm Db
Sende biliyosun bizi kaslar o biçim n.... bende trap müzik hastalık işi
Fm Db
Hastalık işi, hastalık işi heves ilgi değil bu bi hastalık işi
Bbm
Anam babam için ve de hatunum için, yapıyorum bu işi biladerim için
Fm
Semtimiz için, kentimiz için
Db
Dinleyen için ve sevenlerim için
Bbm
Ormanım için, ortamım için
Db
Yapıyorum bu işi biladerim için
End of song Play again?
Ben Fero - Biladerim İçin Tabs
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Harmony analysis
Ben Fero – Biladerim İçin: key and chord analysis
The song opens on Fm and ends on Db. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Db major side because it comes to rest on Db and Db is heard 20 times against 18 for Bbm. That is an interpretation, not a rule — hearing the same chords from Bb minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | 20× |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | — |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | 20× |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | — |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | — |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | — |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 18× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 18× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | 20× |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | — |
| v | Fm | Minor dominant — soft pull | F · Ab · C | 20× |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | — |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | — |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 3 different chords appear 58 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Fm Bbm Dbiii → vi Bbmv → inatural-minor cadence ×6
The move to watch is Fm → Bbm, heard 6 times. From the Db side it reads iii → vi; from the Bbm side it is v → i (natural-minor cadence: gentle, modal arrival). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 4 semitones up
The song's harmonic story
The opening Fm lays a solid floor for everything that follows. The backbone is Fm, Db, Bbm — iii–I–vi from the Db side, v–III–i from the Bbm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Fm → Bbm (iii → vi in Db, v → i in Bbm): natural-minor cadence — gentle, modal arrival. Ending on Db, the song seals Db as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ben Fero - Biladerim İçin Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Ben FeroMusic: Can Volkan
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