Badem - Kalpsiz - Chord

Key G major – E minor Chords D, Am, Em, C Difficulty already in its easiest key

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Capo 0

 Em                        D
İkinci ayrılık zor geldi bana 
Am         C      D
Sensiz olmadı anladım geç olsa da 
   Em                 D
Yalnız mısın sende sensiz gecelerde 
Am         C    D
Hiç düşündün mü naparım diye 


Am       Em      D          Am
Bir adım önüm sensiz gözükmüyor 
   Am        Em     D        
Kalbimdeki düğüm sensiz çözülmüyor  
   D          
Sensiz çözülmüyor


   D          Am    Em           D
Yollardasın evsiz mutlu musun bensiz 
   D          Am      Em      D
Söyle bana sebepsiz biter mi aşk? 
 D           Am       Em           D
Yollardayım evsiz bin dertliyim sensiz 
   D         Am         Em      D
Söyle bana sebepsiz affeder mi aşk? 


Em                     D
Eski sevgili merak edilmez mi? 
Am          C      D      
Beş senelik aşk unutup silinmez ki 
    Em                          D
Korktum aramaktan başkası çıkar diye 
    Am         C         D 
Hep tanrıya sordum seni iyi misin diye

 
Am       Em      D          Am
Bir adım önüm sensiz gözükmüyor 
   Am        Em     D        
Kalbimdeki düğüm sensiz çözülmüyor  
   D          
Sensiz çözülmüyor


 D           Am       Em           D
Yollardayım evsiz bin dertliyim sensiz 
   D         Am         Em      D
Söyle bana sebepsiz affeder mi aşk? 
   D          Am    Em           D
Yollardasın evsiz mutlu musun bensiz 
   D          Am      Em      D
Söyle bana sebepsiz biter mi aşk? 


Am            Em
Nerdesin yine yolculuk nereye 
  C              D
Telefonda sesin ısıttı ya işte 
  Am                     Em
Sinirle topladım tüm eşyalarını 
      C
Nolur almaya gelme 
          D                     
Bırak izlerin kalsın bende 


 D           Am       Em           D
Yollardayım evsiz bin dertliyim sensiz 
   D         Am         Em      D
Söyle bana sebepsiz affeder mi aşk? 
   D          Am    Em           D
Yollardasın evsiz mutlu musun bensiz 
   D          Am      Em      D
Söyle bana sebepsiz biter mi aşk? 

 D    Am    Em     D
Kalpsiz
 D    Am    Em     D
Kalpsiz
    Em                       D
Sen ağlama dedim hani dönecektin 
 Am          C        D               Em
Bir damla gözyaşımı silmeye bile gelmedin

End of song Play again?

Badem - Kalpsiz Tabs

NotesX

Harmony analysis

Badem – Kalpsiz: key and chord analysis

The song opens on Em and ends on Em. Its chords belong to both G major and Em, so every chord below is read both ways.

Major view

G major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F# (leading tone, pulls home)
4 = C (the note that leans on the 3rd)

Minor view

E minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = C (the minor's melancholy)
b7 = D (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the E minor side because it both starts and finishes on Em and Em is heard 26 times while G never appears. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from G major
Degree	Chord	Role	Notes	In song
I	G	Tonic — home	G · B · D	—
ii	Am	Supertonic — prepares the dominant	A · C · E	27×
iii	Bm	Mediant — a tonic-family shade	B · D · F#	—
V/vi	B	Secondary dominant V/vi — leads to Emsecondary dominant	B · D# · F#	—
IV	C	Subdominant — moves away from home	C · E · G	7×
V	D	Dominant — strongest pull home	D · F# · A	46×
vi	Em	Relative minor — the melancholy side	E · G · B	26×
vii°	F#dim	Leading-tone chord — tension	F# · A · C	—

Seen from E minor
Degree	Chord	Role	Notes	In song
i	Em	Tonic — home	E · G · B	26×
ii°	F#dim	Supertonic — prepares the dominant	F# · A · C	—
III	G	Relative major — the bright side	G · B · D	—
iv	Am	Subdominant — moves away from home	A · C · E	27×
v	Bm	Minor dominant — soft pull	B · D · F#	—
V	B	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	B · D# · F#	—
VI	C	Submediant — warm colour	C · E · G	7×
VII	D	Subtonic — steps back to the tonic	D · F# · A	46×

Analysis

The key pair is G major and its relative E minor (1 sharp). 4 different chords appear 106 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Am Em Gii → vi Emiv → iminor plagal ×20
C D GIV → VIV → V EmVI → VIIVI → VII ×7
D Em GV → videceptive cadence EmVII → iAeolian arrival ×5

The move to watch is Am → Em, heard 20 times. From the Em side it is iv → i (minor plagal: deep and melancholic); from the G side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With G major shapes

No capo — open G shapes
Capo 3 + E shapes
Capo 5 + D shapes

With E minor shapes

No capo — open Em shapes
Capo 2 + Dm shapes
Capo 7 + Am shapes

Easiest keys on guitar

The song is already written in its easiest key for guitar.

The song's harmonic story

The opening Em lays a solid floor for everything that follows. The backbone is D, Am, Em, C — V–ii–vi–IV from the G side, VII–iv–i–VI from the Em side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Am → Em (ii → vi in G, iv → i in Em): minor plagal — deep and melancholic. The final chord is Em; the ear comes to rest in Em.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.