Cem Adrian - Sen Hep Böyle Kal - Chord

Key D major – B minor Chords F#, Bm, G, F Easy key C (capo 2)

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Capo 0

    Bm   F#   G   F#
Ansızın

             Bm
Bazen böyle olur
           F#
Bazen konuşamazsın
                  G
Kayar ellerinden aşk
           F#
Onu tutamazsın

              Bm
Sen hep böyle kal
              F#                G
Böyle kal ki kalbim eğilsin önünde
             F#
Avunsun seninle

              Bm
Sen hep böyle kal
                F#             G
Böyle kal ki dünya utansın önünde
             F#
Avunsun seninle

              Bm
Sen hep böyle kal
          F#    G
Hep böyle kal
             F#
Avunsun seninle

              Bm
Sen hep böyle kal
               F#
Böyle kal ki dünya
           G
Utansın önünde
            F#
Övünsün seninle

              Bm
Sen hep böyle kal
               F#
Ne kadar büyüsen de
             G
Kimleri sevsen de
            F#
Nereye gitsen de

              Bm
Sen hep böyle kal
          F#
Hep böyle kal
             G
Sakın hiç kirlenme
             F#
Sakın hiç kirlenme

              Bm   F#   G   F#
Sen hep böyle kal

Bm                              F#
 Kapılarına dayanan tüm karanlığı
                                    G
Beyazlara boyadım, sen korkarsın diye
                                  F#
Dallarına diktim dökülen yaprakları
                            Bm
Sen Sonbahar'ı sevmezsin diye
                              F#
Gökyüzüne yıldızlar çizdim sana
                 G
Yeryüzüne umutlar
                                 F#
Geceleri düşler bıraktım yatağına
                       Bm
Sabahlarına aydınlıklar
                       F#
Yağmura aşık kelebekler
                          G
Ateşe aşık pervaneler gibi

Yana yana, döne döne
            F#
Savrula savrula

        Bm
Çok yüksekten uçtum ben
        F#
Çok yüksekten uçtum ben
        G
Çok yüksekten düştüm ben
       F
Çok yüksekten düştüm ben

        Bm
Çok yüksekten uçtum ben
        F#
Çok yüksekten uçtum ben
        G
Çok yüksekten düştüm ben
        F#
Çok yüksekten düştüm ben

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Cem Adrian - Sen Hep Böyle Kal Tabs

NotesX

Harmony analysis

Cem Adrian – Sen Hep Böyle Kal: key and chord analysis

The song opens on Bm and ends on F#. Its chords belong to both D major and Bm, so every chord below is read both ways.

Major view

D major

Brightness rank 2/7 (bright)

Characteristic notes

7 = C# (leading tone, pulls home)
4 = G (the note that leans on the 3rd)

Minor view

B minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = G (the minor's melancholy)
b7 = A (natural-minor colour)
#7 = A# (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the B minor side because it opens on Bm, Bm is heard 14 times while D never appears and the major V chord points straight at Bm. That is an interpretation, not a rule — the same chords are just as valid seen from D major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from D major
Degree	Chord	Role	Notes	In song
I	D	Tonic — home	D · F# · A	—
ii	Em	Supertonic — prepares the dominant	E · G · B	—
bIII	F	Borrowed from the parallel minorborrowed chord	F · A · C	1×
iii	F#m	Mediant — a tonic-family shade	F# · A · C#	—
V/vi	F#	Secondary dominant V/vi — leads to Bmsecondary dominant	F# · A# · C#	27×
IV	G	Subdominant — moves away from home	G · B · D	14×
V	A	Dominant — strongest pull home	A · C# · E	—
vi	Bm	Relative minor — the melancholy side	B · D · F#	14×
vii°	C#dim	Leading-tone chord — tension	C# · E · G	—

Seen from B minor
Degree	Chord	Role	Notes	In song
i	Bm	Tonic — home	B · D · F#	14×
ii°	C#dim	Supertonic — prepares the dominant	C# · E · G	—
III	D	Relative major — the bright side	D · F# · A	—
iv	Em	Subdominant — moves away from home	E · G · B	—
#IV	F	Chromatic colour chordoutside the key	F · A · C	1×
v	F#m	Minor dominant — soft pull	F# · A · C#	—
V	F#	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	F# · A# · C#	27×
VI	G	Submediant — warm colour	G · B · D	14×
VII	A	Subtonic — steps back to the tonic	A · C# · E	—

Analysis

The key pair is D major and its relative B minor (2 sharps). 4 different chords appear 56 times in total; 2 of them sit naturally inside the shared scale. The major V of Bm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from D, the same F# is V/vi, a secondary dominant heading for Bm. F is borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

F# Bm DV/vi → vi BmV → iharmonic-minor cadence ×12

The move to watch is F# → Bm, heard 12 times. From the Bm side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the D side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

D major pentatonic and B minor pentatonic are the same five notes (D – E – F# – A – B): start from D for a brighter phrase, from B for a bluesier one.
Over F#, land on F#, A#, C# — the chord's own tones always sound right on strong beats.
Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
When F# comes, swap the scale's A for A#: that single note is the harmonic-minor sound of the chord.
On F, follow the chord's notes (F · A · C) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With D major shapes

No capo — open D shapes
Capo 2 + C shapes
Capo 5 + A shapes

With B minor shapes

Capo 2 + Am shapes
Capo 7 + Em shapes

Easiest keys on guitar

2 semitones down · capo 2 keeps the original pitch
3 semitones up

The song's harmonic story

Starting on Bm, the song gives away its key from the very first bar. F#, Bm, G, F carry the song: V/vi–vi–IV–bIII relative to D, V–i–VI–#IV relative to Bm. F# is the interesting twist: in D it is a chromatic chord (V/vi), while in Bm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on F# → Bm (V/vi → vi in D, V → i in Bm): harmonic-minor cadence — the major V resolves dramatically. The final chord is F#; the ear comes to rest in D.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Cem Adrian - Sen Hep Böyle Kal Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Cem Adrian

Music: Cem Adrian

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