Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Yıldız Tilbe - Şivesi Sensin Aşkın - Chord
Key Eb major – C minor Chords Cm, Gm, Fm, Bb, Ab Easy key C (capo 3)
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Key: Eb | Cm
Capo: 0
Cm
Bu gece pembe düşlerim senin için
Aşka yolcuyum kalbine misafirim
Bb
Masada süslendiğim eflatun aynam
Tenimde yanar aşktan tutuşmus bir orman
Ab
Başım dönerse arzudandır utandırma
Fm Cm Fm Cm
Gördüğüm en güzel zalim, ne olacak halim
Cm
Deli gönlüm aşkı sevdi gözlerinde
Huzura kavuştu ruhumda bedenimde
Bb
Güneş bana doğar, ay bana ışıldar
Seninle bir anda bin yıl yaşarım öylece
Ab
Yüreğimin zincirleri elinde gez hayati
Fm Cm Fm Cm
Yıkılsın düşman tazem, ne anlar o aşktan
Gm
Yüzyıllar boyunca ekmeğin tadında
Cm
Aşık ve cesurca paylaşılan zamanlarda
Gm
Yağmurca rüzgarca, aşk özgür bir kavga
Cm
En olmaz zamanda, uçuran kanatlarıyla
Gm Cm
Sen bize hep gel kal burda
Gm Cm
Sen bize hep gel kal burda
Cm
Sevgilimin gözleri bal yüreği kor
Bileği zor hiç kini yok sevgisi çok
Bb
Seveni var soranı var yalanı yok
İhanete gıcığı var şakası yok
Ab
Öyle sinirsiz kalbi var ki yüreğinden
Fm Cm Fm Cm
Düşmanına acır bazen merhametinden
Gm
Yapıcı konuşmaları bakışları
Çekici davranışları yakınlığı
Bb
Korkusuzluğu yıkıyor duvarları
İçimi serinletiyor hoş rüzgarı
Ab
Ask bir yorumdur elbette herkes de farklı
Fm Cm Fm Cm
Şivesi sensin aşkın, bu da senin farkın
Gm
Yüzyıllar boyunca ekmeğin tadında
Cm
Aşık ve cesurca paylaşılan zamanlarda
Gm
Yağmurca rüzgarca, aşk özgür bir kavga
Cm
En olmaz zamanda, uçuran kanatlarıyla
Gm Cm
Sen bize hep gel kal burda
Gm Cm
Sen bize hep gel kal burda
End of song Play again?
Yıldız Tilbe - Şivesi Sensin Aşkın Tabs
NotesX
Harmony analysis
Yıldız Tilbe – Şivesi Sensin Aşkın: key and chord analysis
The song opens on Cm and ends on Cm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it both starts and finishes on Cm and Cm is heard 19 times while Eb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | 8× |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | 9× |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 4× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | 4× |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 19× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 19× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | 8× |
| v | Gm | Minor dominant — soft pull | G · Bb · D | 9× |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 4× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | 4× |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 5 different chords appear 44 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Fm Cm Ebii → vi Cmiv → iminor plagal ×8
- Gm Cm Ebiii → vi Cmv → inatural-minor cadence ×8
The move to watch is Fm → Cm, heard 8 times. From the Cm side it is iv → i (minor plagal: deep and melancholic); from the Eb side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 4 semitones up
The song's harmonic story
The first chord is Cm; the ear learns where home is within a second. The chords that keep coming back are Cm, Gm, Fm, Bb; read them as vi–iii–ii–V in Eb or i–v–iv–VII in Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Fm → Cm (ii → vi in Eb, iv → i in Cm): minor plagal — deep and melancholic. It closes on Cm, letting the Cm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Yıldız Tilbe - Şivesi Sensin Aşkın Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Yıldız TilbeMusic: Yıldız Tilbe
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