Major view
Gb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F (leading tone, pulls home)
- 4 = Cb (the note that leans on the 3rd)
Sezen Aksu - Koca Kıçlı - Chord
Key Gb major – Eb minor Chords Ebm, Bb, Abm, Db, Gb Easy key C (capo 6)
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Key: Gb | D#m | Ebm
Capo: 0
Ebm Bb Ebm Bb
Ebm
Neredesin be adam
Abm
Kaç gece oldu
Db Abm
Nerede söndürdün feneri
Gb Bb Ebm
Yine nerede
Ebm
Seni sokak süpürgesi
Abm
Yine unuttun adresi
Db
Elim kolum bağlı
Abm Gb Bb Ebm
Ayrılmak yok adetimizde
Ebm
Ne hayallerim vardı
Abm
Bir Türk filmiydi
Bb
Sözüm ona parlak istikbalim
Ebm
Lafta kaldı
Bb Ebm
Küfürbaz oldum
Abm
Oyunbaz oldum
Bb
Eni konu akşamcı
Ebm
Yine şişeyi masaya koydum
Bb Ebm
Ooooof kader ooooooff
Bb Ebm
Oooooof yeter oooof
Ebm
Diyorlar ki dudular
Abm
Kızım, alana kadar
Db
Bir hayra açın ağzınızı
Abm Gb Bb Ebm
Kelimelerin gücü var
Ebm
Ne çok biliyorsunuz
Abm
Vıdı vıdı bayılıyorsunuz
Db
E sizin de işiniz bu
Abm Gb Bb Ebm
Bir nevi çalışıyorsunuz
Ebm
Sizin de vardır kim bilir
Abm
Ne hatıralarınız
Bb
Boşuna mı vurdu çenenize
Ebm
Ah ne yandınız
Ebm
Bense resim yapardım
Abm
Ne güzel şarkı söylerdim
Bb
Koca kıçlı, sinirli
Ebm
Bir kadın oldum apansız
Bb Ebm
Ooooof kader ooooooff
Bb Ebm
Oooooof yeter oooof
Ebm
Yetmedi bir de çoluğu çocuğu, kaynanası, görümcesi
Db Abm Gb
Ebesi, dedesi, atası, yedi ceddi, bütün sülalesi
Ebm
Çamaşırı, bulaşığı, temizliği, fazla mesaisi
Db Abm Gb
Oyy ben miydim o anacığının kuzusu, bir tanesi
Bb Ebm
Mutsuzum mutsuz
Abm
Ev kadını umutsuz
Bb
Oynatın beni dizilerde
Ebm
Lazımsa bir huysuz
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Sezen Aksu - Koca Kıçlı Tabs
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Harmony analysis
Sezen Aksu – Koca Kıçlı: key and chord analysis
The song opens on Ebm and ends on Ebm. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.
Minor view
Eb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Cb (the minor's melancholy)
- b7 = Db (natural-minor colour)
- #7 = D (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Eb minor side because it both starts and finishes on Ebm, Ebm is heard 26 times against 6 for Gb and the major V chord points straight at Ebm. That is an interpretation, not a rule — the same chords are just as valid seen from Gb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Gb | Tonic — home | Gb · Bb · Db | 6× |
| ii | Abm | Supertonic — prepares the dominant | Ab · Cb · Eb | 15× |
| iii | Bbm | Mediant — a tonic-family shade | Bb · Db · F | — |
| V/vi | Bb | Secondary dominant V/vi — leads to Ebmsecondary dominant | Bb · D · F | 17× |
| IV | Cb | Subdominant — moves away from home | Cb · Eb · Gb | — |
| V | Db | Dominant — strongest pull home | Db · F · Ab | 6× |
| vi | Ebm | Relative minor — the melancholy side | Eb · Gb · Bb | 26× |
| vii° | Fdim | Leading-tone chord — tension | F · Ab · Cb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Ebm | Tonic — home | Eb · Gb · Bb | 26× |
| ii° | Fdim | Supertonic — prepares the dominant | F · Ab · Cb | — |
| III | Gb | Relative major — the bright side | Gb · Bb · Db | 6× |
| iv | Abm | Subdominant — moves away from home | Ab · Cb · Eb | 15× |
| v | Bbm | Minor dominant — soft pull | Bb · Db · F | — |
| V | Bb | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | Bb · D · F | 17× |
| VI | Cb | Submediant — warm colour | Cb · Eb · Gb | — |
| VII | Db | Subtonic — steps back to the tonic | Db · F · Ab | 6× |
Analysis
The key pair is Gb major and its relative Eb minor (6 flats). 5 different chords appear 70 times in total; 4 of them sit naturally inside the shared scale. The major V of Ebm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Gb, the same Bb is V/vi, a secondary dominant heading for Ebm.
Chord movement
- Bb Ebm GbV/vi → vi EbmV → iharmonic-minor cadence ×17
- Abm Bb Gbii → V/vi Ebmiv → Viv → V ×5
- Abm Db Gbii → Vii → V Ebmiv → VII ×4
The move to watch is Bb → Ebm, heard 17 times. From the Ebm side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the Gb side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- Over Abm, land on Ab, Cb, Eb — the chord's own tones always sound right on strong beats.
- When Bb comes, swap the scale's Db for D: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Gb major shapes
- Capo 2 + E shapes
- Capo 4 + D shapes
- Capo 6 + C shapes
With Eb minor shapes
- Capo 1 + Dm shapes
- Capo 6 + Am shapes
Easiest keys on guitar
- 6 semitones up · capo 6 keeps the original pitch
- 1 semitone up
The song's harmonic story
The first chord is Ebm; the ear learns where home is within a second. The backbone is Ebm, Bb, Abm, Db — vi–V/vi–ii–V from the Gb side, i–V–iv–VII from the Ebm side. Bb is the interesting twist: in Gb it is a chromatic chord (V/vi), while in Ebm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Bb → Ebm (V/vi → vi in Gb, V → i in Ebm): harmonic-minor cadence — the major V resolves dramatically. Ending on Ebm, the song seals Ebm as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Sezen Aksu - Koca Kıçlı Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Sezen AksuMusic: Sezen AksuArrangement: Ozan Bayraşa
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