Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Kahraman Deniz - Deniz ve Güneş - Chord
Key C major – A minor Chords Am, F, Dm Easy key G (capo 5)
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Key: C | Am
Capo: 0
Am F Am Dm
Am F
Sesini duymama gerek yok
Am Dm Am
Seni herkesten çok anlamak için
F Am
Bak, insanlar birbirine yakın
Dm Am
Ama bir o kadar da uzak oluyor
F Am
Esme, içim titriyor
Dm Am
Dil tutulsa bile elim senin oluyor
F Am
Kulağım şahit olmasa da sözüne
Dm Am
Gönül her söylediğini iyi duyuyor
Am F
Kaybolurum, büyür içimde bu keşmekeş
Am Dm
Ruhum bedenden ayrılmadan bulur mu eş
Am F
İnsana dert dökmeye hiç gücüm kalmadı
Am Dm
Ama söylemeden de anlıyor deniz ve güneş
Am F
Tek sorunum sen ol isterim, olmaz
Am Dm
Tek soluğum kalsa bile sana veririm
Am F
Bir çocuğun tebessümü bile hak değilse
Am Dm
Hangimiz kime nasıl adalet sorar
Am F
Ben de parlarım zaman zaman
Am Dm
Bilirsin, benim yazım sensin, benim kışım sensin
Am F
Belki karlarım yağar ve örter üstümü
Am Dm
İsyan eder gibi açan o çiçek de sensin
Am F
Kaybolurum, büyür içimde bu keşmekeş
Am Dm
Ruhum bedenden ayrılmadan bulur mu eş
Am F
İnsana dert dökmeye hiç gücüm kalmadı
Am Dm
Ama söylemeden de anlıyor deniz ve güneş
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Kahraman Deniz - Deniz ve Güneş Tabs
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Harmony analysis
Kahraman Deniz – Deniz ve Güneş: key and chord analysis
The song opens on Am and ends on Dm. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the A minor side because it opens on Am and Am is heard 27 times while C never appears. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | — |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | 13× |
| iii | Em | Mediant — a tonic-family shade | E · G · B | — |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | — |
| IV | F | Subdominant — moves away from home | F · A · C | 13× |
| V | G | Dominant — strongest pull home | G · B · D | — |
| vi | Am | Relative minor — the melancholy side | A · C · E | 27× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | 27× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | — |
| iv | Dm | Subdominant — moves away from home | D · F · A | 13× |
| v | Em | Minor dominant — soft pull | E · G · B | — |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | — |
| VI | F | Submediant — warm colour | F · A · C | 13× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | — |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 3 different chords appear 53 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- F Am CIV → vi AmVI → iVI → i ×13
- Dm Am Cii → vi Amiv → iminor plagal ×12
The move to watch is F → Am, heard 13 times. From the Am side it is VI → i (VI → i: falls a half step into home); from the C side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
Starting on Am, the song gives away its key from the very first bar. The chords that keep coming back are Am, F, Dm; read them as vi–IV–ii in C or i–VI–iv in Am. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on F → Am (IV → vi in C, VI → i in Am): VI → i — falls a half step into home. It closes on Dm, letting the C side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Kahraman Deniz - Deniz ve Güneş Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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