Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Farah Zeynep Abdullah - Bir Mazi Bin Hatıra - Chord
Key Bb major – G minor Chords Gm, Cm, Bb, F, D, Eb, Am Easy key C
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Key: Bb | Gm
Capo: 0
Gm Gm Cm Bb Gm Gm Cm Bb Gm Cm F Bb Gm Cm F Bb Cm F Bb Eb Am D Gm Cm F Bb Eb Am D Gm Gm Cm Islak gözlerime bitkin yüreğime F Bb Bi çare buldum canım Gm Cm Çatlak dudağıma tatsız kadehime F Bb Yeni bir sevda lazım Cm F Bb Eb Sana bir iyilik hem kendime de Cm D Sessiz sakin gidiyorum Cm F Bb Eb Bana bir keder bir de kalem ver Cm D Gm Son kez yazıyorum sana Gm Cm Üç dört mektupla birkaç kuru gül F Bb Senden yadigar bana Eb Am Zamanı geldi sabrım tükendi D Gm Eski bir dostsun bana Gm Cm Hüzün gözyaşı bir de kırık kalp F Bb Senden yadigar bana Eb Cm Geri gelmez ki parlayan gözler D Gm Bir mazi bin hatıra D Gm Bir mazi bin hatıra
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Farah Zeynep Abdullah - Bir Mazi Bin Hatıra Tabs
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Harmony analysis
Farah Zeynep Abdullah – Bir Mazi Bin Hatıra: key and chord analysis
The song opens on Gm and ends on Gm. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
- #7 = F# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G minor side because it both starts and finishes on Gm, Gm is heard 16 times against 12 for Bb and the major V chord points straight at Gm. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | 12× |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | 15× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | — |
| V/vi | D | Secondary dominant V/vi — leads to Gmsecondary dominant | D · F# · A | 7× |
| IV | Eb | Subdominant — moves away from home | Eb · G · Bb | 6× |
| V | F | Dominant — strongest pull home | F · A · C | 10× |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | 16× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| vii | Am | Chromatic colour chordoutside the key | A · C · E | 3× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | 16× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| ii | Am | Chromatic colour chordoutside the key | A · C · E | 3× |
| III | Bb | Relative major — the bright side | Bb · D · F | 12× |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | 15× |
| v | Dm | Minor dominant — soft pull | D · F · A | — |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | 7× |
| VI | Eb | Submediant — warm colour | Eb · G · Bb | 6× |
| VII | F | Subtonic — steps back to the tonic | F · A · C | 10× |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 7 different chords appear 69 times in total; 5 of them sit naturally inside the shared scale. The major V of Gm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Bb, the same D is V/vi, a secondary dominant heading for Gm. Am step outside the scale as colour chords.
Chord movement
- F Bb BbV → Iauthentic cadence GmVII → III ×10
- Cm F Bbii → Vii → V Gmiv → VII ×10
- D Gm BbV/vi → vi GmV → iharmonic-minor cadence ×6
- Cm D Bbii → V/vi Gmiv → Viv → V ×3
The move to watch is F → Bb, heard 10 times. From the Gm side it is VII → III; from the Bb side it reads V → I (authentic cadence: the strongest arrival home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- When D comes, swap the scale's F for F#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 2 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
The opening Gm lays a solid floor for everything that follows. The chords that keep coming back are Gm, Cm, Bb, F; read them as vi–ii–I–V in Bb or i–iv–III–VII in Gm. D is the interesting twist: in Bb it is a chromatic chord (V/vi), while in Gm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on F → Bb (V → I in Bb, VII → III in Gm): authentic cadence — the strongest arrival home. Ending on Gm, the song seals Gm as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Farah Zeynep Abdullah - Bir Mazi Bin Hatıra Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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