Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Sancak - Vur - Chord
Key F major – D minor Chords Dm, Bb Easy key G
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Key: F | Dm
Capo: 0
Dm Bb
Dm
Gidişinle dertleşemem dur
Bb
Yaşamaya gel de bahanemi bul
Ölesim var nefesinde
Dm Bb
Ben bittim, şimdi gözünü yalnızlığıma diktin
Bi rahat ver ki gönlüm kendi yoluna gitsin
Ama ne mümkün, tam da keşke bitmeseydi demişken
Sen sahnelerde ter döktüğüm kardeşlerime gittin
Dilinden düşürmediğin o meşhur namus bu mu
Paramparça sırtımda birkaç tane delik durur
Beni tanıştır, deyişin hala gözümde
Ne hayal ettin kim bilir, umduğun kadar oldu mu
Bakma sen bana, her şeye içerlerim
Bilirsin hayatım hep yalnızlıkla geçer benim
Zaten tanıyorum seni, o yüzden üzülmedim
Fotoğrafların önümde ve hala tükürmedim
Sağ olmasın canın gülüm, verdiğim her şey için
Otur da sor kendine; neredeyim ve kimleyim
Sağ olmasın canın gülüm, o güzel gözler için
Oturmuş yazıyorum bak bu nefretimi kusmak için
Dm
Gidişinle dertleşemem dur
Bb
Yaşamaya gel de bahanemi bul
Ölesim var nefesinde
Dm
Ya çık aklımdan ya da gel hemen vur
Dm Bb
İsterdim bunun yerine kendini gidip uçurumdan bırakmanı
Hiçbir şey, hiç kimse senin kadar kanatmadı
Anlatamadıklarımı gösterir göz altlarım
Hakkında onca şey dediler ben geçmişe göz atmadım
Kaç tane yüzün var? O hangisini gördü
Tek parça dünya sendin, paramparça böldün
Onu ilk hangi akşam gördün
Haberin yoktu, hala yaşıyordun bende, işte o akşam öldün
Senin için kırdığım eşim, dostum hepsine selam olsun
Her şeyin telafisi için canım alınsa helal olsun
İsterdim sana gönülden mutluluklar dilemeyi
Ama tanıdığım o sen değilsin bu ilk ve son vedam olsun
Sağ olmasın canın gülüm, verdiğim her şey için
Otur da sor kendine, neredeyim ve kimleyim
Sağ olmasın canın gülüm, o güzel gözler için
Oturmuş yazıyorum bak bu nefretimi kusmak için
Dm
Gidişinle dertleşemem dur
Bb
Yaşamaya gel de bahanemi bul
Ölesim var nefesinde
Dm
Ya çık aklımdan ya da gel hemen vur
End of song Play again?
Sancak - Vur Tabs
NotesX
Harmony analysis
Sancak – Vur: key and chord analysis
The song opens on Dm and ends on Dm. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it both starts and finishes on Dm and Dm is heard 8 times while F never appears. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | — |
| iii | Am | Mediant — a tonic-family shade | A · C · E | — |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 6× |
| V | C | Dominant — strongest pull home | C · E · G | — |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 8× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 8× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | — |
| v | Am | Minor dominant — soft pull | A · C · E | — |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VI | Bb | Submediant — warm colour | Bb · D · F | 6× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | — |
Analysis
The key pair is F major and its relative D minor (1 flat). 2 different chords appear 14 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Bb Dm FIV → vi DmVI → iVI → i ×6
The move to watch is Bb → Dm, heard 6 times. From the Dm side it is VI → i (VI → i: falls a half step into home); from the F side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 2 semitones up
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
The opening Dm lays a solid floor for everything that follows. The backbone is Dm, Bb — vi–IV from the F side, i–VI from the Dm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bb → Dm (IV → vi in F, VI → i in Dm): VI → i — falls a half step into home. Ending on Dm, the song seals Dm as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Sancak - Vur Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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