Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Key F major – D minor Chords Dm, Bbmaj7, Gm Easy key G
Dm Bbmaj7 Gm Dm Dm I look and stare so deep in your eyes Bbmaj7 I touch on you more and more every time Gm When you leave I'm begging you not to go Dm Call your name two or three times in a row Dm Such a funny thing for me to try to explain Bbmaj7 How I'm feeling and my pride is the one to blame Gm 'Cuz I know I don't understand Dm Just how your love your doing no one else can Dm Got me looking so crazy right now, your love's Bbmaj7 Got me looking so crazy right now Gm Got me looking so crazy right now, your touch Dm Got me looking so crazy right now Dm Got me hoping you'll page me right now, your kiss Bbmaj7 Got me hoping you'll save me right now Gm Looking so crazy in love's Dm Got me looking, got me looking so crazy in love Dm When I talk to my friends so quietly Bbmaj7 Who he think he is? Look at what you did to me Gm Tennis shoes, don't even need to buy a new dress Dm If you ain't there ain't nobody else to impress Dm The way that you know what I thought I knew Bbmaj7 It's the beat my heart skips when I'm with you Gm But I still don't understand Dm Just how the love your doing no one else can Dm Got me looking so crazy right now, your love's Bbmaj7 Got me looking so crazy right now Gm Got me looking so crazy right now, your touch Dm Got me looking so crazy right now Dm Got me hoping you'll page me right now, your kiss Bbmaj7 Got me hoping you'll save me right now Gm Looking so crazy in love's, Dm Dm Bbmaj7 Got me looking, got me looking so crazy in loooove Gm Got me looking so crazy right now, your touch Dm Got me looking so crazy right now Dm Got me hoping you'll page me right now, your kiss Bbmaj7 Got me hoping you'll save me right now Gm Looking so crazy in love's Dm Got me looking, got me looking so crazy in love
End of song Play again?
Harmony analysis
The song opens on Dm and ends on Dm. Its chords belong to both F major and Dm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it both starts and finishes on Dm and Dm is heard 22 times while F never appears. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | 11× |
| iii | Am | Mediant — a tonic-family shade | A · C · E | — |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IVmaj7 | Bbmaj7 | Subdominant — moves away from home | Bb · D · F · A | 11× |
| V | C | Dominant — strongest pull home | C · E · G | — |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 22× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 22× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | 11× |
| v | Am | Minor dominant — soft pull | A · C · E | — |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VImaj7 | Bbmaj7 | Submediant — warm colour | Bb · D · F · A | 11× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | — |
The key pair is F major and its relative D minor (1 flat). 3 different chords appear 44 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is Gm → Dm, heard 11 times. From the Dm side it is iv → i (minor plagal: deep and melancholic); from the F side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The first chord is Dm; the ear learns where home is within a second. The chords that keep coming back are Dm, Bbmaj7, Gm; read them as vi–IVmaj7–ii in F or i–VImaj7–iv in Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gm → Dm (ii → vi in F, iv → i in Dm): minor plagal — deep and melancholic. The final chord is Dm; the ear comes to rest in Dm.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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