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Kesmeşeker - Tek Kişiyim Ben Hala - Chord

Key C major – A minor Chords G, C, F, Am Easy key G (capo 5)

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Capo 0
Am               C     F                          C
Bırakın beni gideyim, gitmek istediğim yer deniz kumundan
Am                 C         F                      C
Oraya doğru fazla gidersem, buraya dönmem coğrafya gereği
Am           G       F   G
Tek kişiyim ben hala

Am                C        F                        C
Kendimi zenginden sayarak, gençliğimden bir şeyler sakladım
Am                 C         F              C
Düşsel faizlerimle geçindim, eksiğim bu yüzden
G                 Am         F               C
Her şey güzelmiş sonunda, hatta bozgunlar bile
G                  Am            F                C
Aşk istiyorduk ağızdan damardan, gözler parlasın soluk açılsın

Am          G          F           C            G
Tek kişiyim ben hala, ayıldım düşlerimden daha dün
Am          G        F          C            G
Hiç uğruna üzüldüm, çarşılara süzüldüm daha dün
Am          G          F            C            G
Tek kişiyim ben hala, ayrıldım dünlerimden daha dün
Am       G            F            C             G
Para verdim bir şey aldım, sana baktım sen bilmezsin

G                     Am           F                    C
Taksim'den Kadıköy'e dönmek için, günlükler okuduk hep onaylanmak için
G                  Am                 F                   C           G    F
Geceleri bir yanım hep gitmek istedi, ama buradan başka gidecek yer yoktu ki
Am               C                F
Zaman aralığını süpürmeyi unutma ben yokken
Am                       C                     F
Başka türlü bir hayatta bilmezdik zaten beraberken
Am          G               
Tek kişiyim ben hala
G                 Am                  F                 C
Bütün o sankiler beynindeki cankiler, bitmeyen eskizler bitmezler
G              Am             F                        C
aldattın beni kendi kendinle, mecburi hizmetteyken ben yaşam bölüğünde

Am          G          F           C            G
Tek kişiyim ben hala, ayıldım düşlerimden daha dün
Am          G        F          C            G
Hiç uğruna üzüldüm, çarşılara süzüldüm daha dün
Am          G          F            C            G
Tek kişiyim ben hala, ayrıldım dünlerimden daha dün
Am       G            F            C             G
Para verdim bir şey aldım, sana baktım sen bilmezsin

             Am
Aradım seni savaş meydanında
F                 C             G        F
Sonrası eve dönüş ki yalnızlık dahildir içine

End of song Play again?

Kesmeşeker - Tek Kişiyim Ben Hala Tabs

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Harmony analysis

Kesmeşeker – Tek Kişiyim Ben Hala: key and chord analysis

The song opens on Am and ends on F. Its chords belong to both C major and Am, so every chord below is read both ways.

Major view

C major

Brightness rank 2/7 (bright)

Characteristic notes

  • 7 = B (leading tone, pulls home)
  • 4 = F (the note that leans on the 3rd)

Minor view

A minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

  • b6 = F (the minor's melancholy)
  • b7 = G (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between C major and A minor because it opens on Am and C is heard 25 times against 23 for Am. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from C major
Degree Chord Role Notes In song
I C Tonic — home C · E · G 25×
ii Dm Supertonic — prepares the dominant D · F · A —
iii Em Mediant — a tonic-family shade E · G · B —
V/vi E Secondary dominant V/vi — leads to Amsecondary dominant E · G# · B —
IV F Subdominant — moves away from home F · A · C 24×
V G Dominant — strongest pull home G · B · D 27×
vi Am Relative minor — the melancholy side A · C · E 23×
vii° Bdim Leading-tone chord — tension B · D · F —
Seen from A minor
Degree Chord Role Notes In song
i Am Tonic — home A · C · E 23×
ii° Bdim Supertonic — prepares the dominant B · D · F —
III C Relative major — the bright side C · E · G 25×
iv Dm Subdominant — moves away from home D · F · A —
v Em Minor dominant — soft pull E · G · B —
V E Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor E · G# · B —
VI F Submediant — warm colour F · A · C 24×
VII G Subtonic — steps back to the tonic G · B · D 27×

Analysis

The key pair is C major and its relative A minor (no sharps or flats). 4 different chords appear 99 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

  1. F C CIV → Iplagal cadence AmVI → III ×19
  2. G Am CV → videceptive cadence AmVII → iAeolian arrival ×14
  3. F Am CIV → vi AmVI → iVI → i ×3
  4. F G CIV → VIV → V AmVI → VIIVI → VII ×1

The move to watch is F → C, heard 19 times. From the C side it reads IV → I (plagal cadence: the soft 'amen' ending); from the Am side it is VI → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

  • C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
  • Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
  • Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
  • Over F, land on F, A, C — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

  • Played in the song — chord of the key
  • Played — the minor's harmonic V or a secondary dominant
  • Played — borrowed or outside chord
  • Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

    Capo and easier keys

    With C major shapes

    • No capo — open C shapes
    • Capo 3 + A shapes
    • Capo 5 + G shapes

    With A minor shapes

    • No capo — open Am shapes
    • Capo 5 + Em shapes
    • Capo 7 + Dm shapes

    Easiest keys on guitar

    • 5 semitones down · capo 5 keeps the original pitch
    • 2 semitones up

    The song's harmonic story

    Starting on Am, the song gives away its key from the very first bar. The backbone is G, C, F, Am — V–I–IV–vi from the C side, VII–III–VI–i from the Am side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on F → C (IV → I in C, VI → III in Am): plagal cadence — the soft 'amen' ending. Ending on F, the song seals C as home.

    This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

    Kesmeşeker - Tek Kişiyim Ben Hala Chords on Guitar, Ukulele and Piano

    Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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