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Mother Mother - Hayloft - Chord

Key C major – A minor Chords Am, C/G, F, G# Easy key E

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Capo 0
Am  C/G  F  G#

Am               C/G                   F
My daddy's got a gun, my daddy's got a gun
                 G#
My daddy's got a gun, you better run
Am               C/G                   F
My daddy's got a gun, my daddy's got a gun
                 G#
My daddy's got a gun, ga ga ga ga ga ga

Am                  C/G
It started with the hay loft a-creaking
F                            G#
Well it just started in the hay loft
Am            C/G
With his long John's on Pop went a-creeping
F                       G#
Out to barn out to the hay
 
Am                    C/G
Young lovers and they are not sleeping
F                   G#
Young lovers in the hay loft
Am                  C/G
With his gun turned on Pop went a-creeping
F                          G#
Out to the barn out to the hay loft
 
Am               C/G                   F
My daddy's got a gun, my daddy's got a gun
                 G#
My daddy's got a gun, you better run
Am               C/G                   F
My daddy's got a gun, my daddy's got a gun
                 G#
My daddy's got a gun, ga ga ga ga ga ga
 
Am    C/G  F    G#  Am    C/G  F    G#
Aaaah yaaa yaaa ya! Aaaah yaaa yaaa ya
Am    C/G  F    G#  Am    C/G  F    G#
Aaaah yaaa yaaa ya! Aaaah yaaa yaaa ya
 
Ga ga ga ga ga ga
 
Am               C/G                   F
My daddy's got a gun, my daddy's got a gun
                 G#
My daddy's got a gun, you better run
Am               C/G                   F
My daddy's got a gun, my daddy's got a gun
                 G#
My daddy's got a gun, ga ga ga ga ga ga
 
Am                  C/G
It started with the hay loft a-creaking
F                           G#
Well it just started in the hay
Am                   C/G
With his long John's on Pop went a-creeping
F                          G#
Out to the barn out to the hay loft

Am                      C/G
Young lovers with their legs tied up in knots
F                       G#
Young lovers with their legs tied up in knots
Am                     C/G
With his long tall gun Pop went a-creeping
F                    G#
To blow the hay loft dead head straight of

Am               C/G                   F
My daddy's got a gun, my daddy's got a gun
                 G#
My daddy's got a gun, you better run
Am               C/G                   F
My daddy's got a gun, my daddy's got a gun
                 G#
My daddy's got a gun, ga ga ga ga ga ga

Am    C/G  F    G#  Am    C/G  F    G#
Aaaah yaaa yaaa ya, aaaah yaaa yaaa ya
Am    C/G  F    G#  Am    C/G  F    G#
Aaaah yaaa yaaa ya, aaaah yaaa yaaa ya 
 
Ga ga ga ga ga ga

End of song Play again?

Mother Mother - Hayloft Tabs

NotesX

Harmony analysis

Mother Mother – Hayloft: key and chord analysis

The song opens on Am and ends on G#. Its chords belong to both C major and Am, so every chord below is read both ways.

Major view

C major

Brightness rank 2/7 (bright)

Characteristic notes

  • 7 = B (leading tone, pulls home)
  • 4 = F (the note that leans on the 3rd)

Minor view

A minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

  • b6 = F (the minor's melancholy)
  • b7 = G (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the A minor side because it opens on Am. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from C major
Degree Chord Role Notes In song
I C/G Tonic — home C · E · G 25×
ii Dm Supertonic — prepares the dominant D · F · A —
iii Em Mediant — a tonic-family shade E · G · B —
V/vi E Secondary dominant V/vi — leads to Amsecondary dominant E · G# · B —
IV F Subdominant — moves away from home F · A · C 25×
V G Dominant — strongest pull home G · B · D —
bVI G# Borrowed from the parallel minorborrowed chord G# · B# · D# 25×
vi Am Relative minor — the melancholy side A · C · E 25×
vii° Bdim Leading-tone chord — tension B · D · F —
Seen from A minor
Degree Chord Role Notes In song
i Am Tonic — home A · C · E 25×
ii° Bdim Supertonic — prepares the dominant B · D · F —
III C/G Relative major — the bright side C · E · G 25×
iv Dm Subdominant — moves away from home D · F · A —
v Em Minor dominant — soft pull E · G · B —
V E Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor E · G# · B —
VI F Submediant — warm colour F · A · C 25×
VII G Subtonic — steps back to the tonic G · B · D —
#VII G# Chromatic colour chordoutside the key G# · B# · D# 25×

Analysis

The key pair is C major and its relative A minor (no sharps or flats). 4 different chords appear 100 times in total; 3 of them sit naturally inside the shared scale. G# is borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

  • C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
  • Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
  • Over C/G, land on C, E, G — the chord's own tones always sound right on strong beats.
  • Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
  • On G#, follow the chord's notes (G# · B# · D#) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

  • Played in the song — chord of the key
  • Played — the minor's harmonic V or a secondary dominant
  • Played — borrowed or outside chord
  • Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

    Capo and easier keys

    With C major shapes

    • No capo — open C shapes
    • Capo 3 + A shapes
    • Capo 5 + G shapes

    With A minor shapes

    • No capo — open Am shapes
    • Capo 5 + Em shapes
    • Capo 7 + Dm shapes

    Easiest keys on guitar

    • 4 semitones up
    • 5 semitones down · capo 5 keeps the original pitch

    The song's harmonic story

    The opening Am lays a solid floor for everything that follows. The chords that keep coming back are Am, C/G, F, G#; read them as vi–I–IV–bVI in C or i–III–VI–#VII in Am. G# briefly darkens the picture: borrowed from the parallel minor. Ending on G#, the song seals C as home.

    This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

    Mother Mother - Hayloft Chords on Guitar, Ukulele and Piano

    Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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