Son Feci Bisiklet - Çar Bomba - Chord

Key Eb major – C minor Chords Cm, Fm, Gm, Bb, G#, Eb, C# Easy key C (capo 3)

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Capo 0

Cm  Fm  Cm  Fm

Cm
Uçtu kuzgun
Fm
Aklı kızgın
Cm
Kim getirsin
Fm
O hale

Cm
Beş parasızdım
Fm
Hayatta sızdım
Cm
Dalga dalga 
Fm
Nevale

Cm
Gel şimdi dinle dinle
Fm
Rüzgar süslü sesinle
Cm
Gel şimdi dinle dinle
Fm
Her şey yerli yerinde

Cm    Fm                Cm   Fm 
   Her  şey yerli yerinde

Cm
Yangın izliyorum
Fm
Kalmayınca renk
Cm
Yollar bana yorgan
Fm
Kalbim bana denk

Cm
Sönmesin belki beterse
Fm                          Cm
Geniz nefret ben belli ki beter
    G#
Bul izimizi gel

Cm
Gel şimdi dinle dinle
Fm
Rüzgar süslü sesinle
Cm
Gel şimdi dinle dinle
Fm
Her şey yerli yerinde

Cm    Fm                Cm
   Her  şey yerli yerinde

Gm      Eb
Her gün aklımdasın da
Gm    C# 
Sanki farkındasın da
Fm          Bb
Ne yaprağı kaldı
       Fm 
Çar bomba
           Bb
Ne de yoncası

Cm  Fm

Cm
Gel şimdi dinle dinle
Fm
Rüzgar süslü sesinle
Cm
Gel şimdi dinle dinle
Fm
Her şey yerli yerinde

Cm    Fm                Cm
   Her  şey yerli yerinde

Cm                   Bb          Gm   
İnsanların hissettiği karanlıktan karanlıktan
Cm                   Bb             Gm   
Gül bana bir kez daha kırılmayacağım kırılmayacağım
Cm                        Bb
Yaz bir günah bir gün daha ne farkeder
Gm 
İşin sonunda
Cm                   Bb          Gm
İnsanların hissettiği karanlıktan kurtar bizi 

Bul izimizi

Cm
Gel şimdi dinle dinle
Fm
Rüzgar süslü sesinle
Cm
Gel şimdi dinle dinle
Fm
Her şey yerli yerinde

Cm    Fm                Cm
   Her  şey yerli yerinde

End of song Play again?

Son Feci Bisiklet - Çar Bomba Tabs

NotesX

Harmony analysis

Son Feci Bisiklet – Çar Bomba: key and chord analysis

The song opens on Cm and ends on Cm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because it both starts and finishes on Cm and Cm is heard 31 times against 1 for Eb. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	1×
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	25×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	6×
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	—
IV	G#	Subdominant — moves away from home	G# · B# · D#	1×
V	Bb	Dominant — strongest pull home	Bb · D · F	6×
vi	Cm	Relative minor — the melancholy side	C · Eb · G	31×
bVII	C#	bVII — borrowed (Mixolydian / parallel minor)borrowed chord	C# · E# · G#	1×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	31×
bII	C#	Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord	C# · E# · G#	1×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	1×
iv	Fm	Subdominant — moves away from home	F · Ab · C	25×
v	Gm	Minor dominant — soft pull	G · Bb · D	6×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VI	G#	Submediant — warm colour	G# · B# · D#	1×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	6×

Analysis

The key pair is Eb major and its relative C minor (3 flats). 7 different chords appear 71 times in total; 6 of them sit naturally inside the shared scale. C# is borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

Fm Cm Ebii → vi Cmiv → iminor plagal ×23
Gm Cm Ebiii → vi Cmv → inatural-minor cadence ×4
Fm Bb Ebii → Vii → V Cmiv → VII ×2
Bb Cm EbV → videceptive cadence CmVII → iAeolian arrival ×1
G# Cm EbIV → vi CmVI → iVI → i ×1

The move to watch is Fm → Cm, heard 23 times. From the Cm side it is iv → i (minor plagal: deep and melancholic); from the Eb side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
On C#, follow the chord's notes (C# · E# · G#) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
4 semitones up

The song's harmonic story

The first chord is Cm; the ear learns where home is within a second. Cm, Fm, Gm, Bb carry the song: vi–ii–iii–V relative to Eb, i–iv–v–VII relative to Cm. C# briefly darkens the picture: bvii — borrowed (mixolydian / parallel minor). Keep an ear on Fm → Cm (ii → vi in Eb, iv → i in Cm): minor plagal — deep and melancholic. Ending on Cm, the song seals Cm as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.