Major view
A major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G# (leading tone, pulls home)
- 4 = D (the note that leans on the 3rd)
Burcu Güneş - Gözlerinde Bıraktım Aşkı - Chord
Key A major – F# minor Chords D, Bm, E, F#m, C#m, Bm7, C#m7 Easy key C
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Key: A | Gbm | F#m
Capo: 0
F#m C#m D Bm
Al gönlümü bir kuru dalla, bir tatlı sözle
E D Bm C#m
Her vuruşunda kalbim ağlıyor, ağlıyor ince ince
F#m E D Bm
Ses ver, sana zalim demeye dilim varmıyor
E D Bm C#m
Ah aşk affedilmişliğine minnet et diyor
Bm D
Senin eşin, bir benzerin yok
E F#m
Ben aşkı sende bildim
Bm D
Zulümlerin hüzün vermiyor
E F#m
Önce Allah sonra sensin
F#m E
Gözlerinde bıraktım aşkı sevdayı yok diyemem
D Bm C#m
Hiçbir şeye değişemem ki bu rüyayı
F#m
Sende öyle bir yürek var ki
E C#m
Bu dünyayı yak istersen
Geri dönüş kaçınılmaz olur
D F#m
Aşk gözlerindeyken
Bm7 C#m7 D E
F#m C#m D Bm
Gel benim baktığım yerden bir bak kendine
E D Bm C#m
Gör hayatımın senden öncesi hatırlanmıyor bile
F#m C#m D Bm
Sus, söylemediğin sözleri duydum saydım üzülme
E D Bm C#m
Biz iki kişilik bir dünya yarattık ya seninle
End of song Play again?
Burcu Güneş - Gözlerinde Bıraktım Aşkı Tabs
NotesX
Harmony analysis
Burcu Güneş – Gözlerinde Bıraktım Aşkı: key and chord analysis
The song opens on F#m and ends on C#m. Its chords belong to both A major and F#m, so every chord below is read both ways.
Minor view
F# minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = D (the minor's melancholy)
- b7 = E (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F# minor side because it opens on F#m and F#m is heard 9 times while A never appears. That is an interpretation, not a rule — the same chords are just as valid seen from A major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to A or to F#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | A | Tonic — home | A · C# · E | — |
| ii | Bm | Supertonic — prepares the dominant | B · D · F# | 11× |
| ii7 | Bm7 | Supertonic — prepares the dominant | B · D · F# · A | 1× |
| iii | C#m | Mediant — a tonic-family shade | C# · E · G# | 9× |
| iii7 | C#m7 | Mediant — a tonic-family shade | C# · E · G# · B | 1× |
| V/vi | C# | Secondary dominant V/vi — leads to F#msecondary dominant | C# · E# · G# | — |
| IV | D | Subdominant — moves away from home | D · F# · A | 13× |
| V | E | Dominant — strongest pull home | E · G# · B | 10× |
| vi | F#m | Relative minor — the melancholy side | F# · A · C# | 9× |
| vii° | G#dim | Leading-tone chord — tension | G# · B · D | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | F#m | Tonic — home | F# · A · C# | 9× |
| ii° | G#dim | Supertonic — prepares the dominant | G# · B · D | — |
| III | A | Relative major — the bright side | A · C# · E | — |
| iv | Bm | Subdominant — moves away from home | B · D · F# | 11× |
| iv7 | Bm7 | Subdominant — moves away from home | B · D · F# · A | 1× |
| v | C#m | Minor dominant — soft pull | C# · E · G# | 9× |
| v7 | C#m7 | Minor dominant — soft pull | C# · E · G# · B | 1× |
| V | C# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C# · E# · G# | — |
| VI | D | Submediant — warm colour | D · F# · A | 13× |
| VII | E | Subtonic — steps back to the tonic | E · G# · B | 10× |
Analysis
The key pair is A major and its relative F# minor (3 sharps). 7 different chords appear 54 times in total; 7 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Bm E Aii → Vii → V F#miv → VII ×4
- E F#m AV → videceptive cadence F#mVII → iAeolian arrival ×3
- C#m F#m Aiii → vi F#mv → inatural-minor cadence ×3
- D E AIV → VIV → V F#mVI → VIIVI → VII ×3
- D F#m AIV → vi F#mVI → iVI → i ×1
The move to watch is Bm → E, heard 4 times. From the F#m side it is iv → VII; from the A side it reads ii → V (ii → V: the classic preparation of the dominant). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- A major pentatonic and F# minor pentatonic are the same five notes (A – B – C# – E – F#): start from A for a brighter phrase, from F# for a bluesier one.
- Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
- Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
- Over E, land on E, G#, B — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With A major shapes
- No capo — open A shapes
- Capo 2 + G shapes
- Capo 5 + E shapes
With F# minor shapes
- Capo 2 + Em shapes
- Capo 4 + Dm shapes
Easiest keys on guitar
- 3 semitones up
- 2 semitones down · capo 2 keeps the original pitch
The song's harmonic story
Starting on F#m, the song gives away its key from the very first bar. The backbone is D, Bm, E, F#m — IV–ii–V–vi from the A side, VI–iv–VII–i from the F#m side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bm → E (ii → V in A, iv → VII in F#m): ii → V — the classic preparation of the dominant. The final chord is C#m; the ear comes to rest in A.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Burcu Güneş - Gözlerinde Bıraktım Aşkı Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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