Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Ogün Sanlisoy - Yağmur Çocuk (Ozan Barış Sanlısoy) - Chord
Key G major – E minor Chords C, G, Em, Am, D Difficulty already in its easiest key
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Key: G | Em
Capo: 0
G C G C
Em C Em C
G C
Yorgun rengarenk ellerin
G C
Karanlığımızdan korktun mu?
Em C Em C
N’olur yaklaşsana, bir şey söyle bana
G C
Herkesten kaçar gözlerin
G C
Bir kez baksan son bulur mu?
Em C Em C
Hadi anlatsana, derdini paylaşsana
Am D
Hiç dinmez yağmurların
G Em
İnsanlar bilmiyorlar, farkımı görmüyorlar
C Am D
Güneşli günler güzel, yağmuru sevmiyorlar
G Em
Kirlenmiş hep vicdanlar, arınmak istiyorlar
C Am
Bu Tanrı’dan bir mesaj gel,
D
Herkes kalbinde saklar
G
Dünyayı sevgi paklar
G C G C
Em C Em C
G C
Sarsam belki affedersin,
G C
Biz savaşırken sen sustun mu?
Em C Em C
Hadi anlatsana, derdini paylaşsana
End of song Play again?
Ogün Sanlisoy - Yağmur Çocuk (Ozan Barış Sanlısoy) Tabs
NotesX
Harmony analysis
Ogün Sanlisoy – Yağmur Çocuk (Ozan Barış Sanlısoy): key and chord analysis
The song opens on G and ends on C. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G major side because it opens on G and G is heard 13 times against 12 for Em. That is an interpretation, not a rule — hearing the same chords from E minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | 13× |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 3× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | — |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 22× |
| V | D | Dominant — strongest pull home | D · F# · A | 3× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 12× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 12× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | 13× |
| iv | Am | Subdominant — moves away from home | A · C · E | 3× |
| v | Bm | Minor dominant — soft pull | B · D · F# | — |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 22× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 3× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 5 different chords appear 53 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- C Em GIV → vi EmVI → iVI → i ×10
- C G GIV → Iplagal cadence EmVI → III ×8
- D G GV → Iauthentic cadence EmVII → III ×3
- Am D Gii → Vii → V Emiv → VII ×3
The move to watch is C → Em, heard 10 times. From the G side it reads IV → vi; from the Em side it is VI → i (VI → i: falls a half step into home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The opening G lays a solid floor for everything that follows. C, G, Em, Am carry the song: IV–I–vi–ii relative to G, VI–III–i–iv relative to Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on C → Em (IV → vi in G, VI → i in Em): VI → i — falls a half step into home. The final chord is C; the ear comes to rest in G.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ogün Sanlisoy - Yağmur Çocuk (Ozan Barış Sanlısoy) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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