Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Adamlar - İnsanın Düştüğü Durumlar - Chord
Key Eb major – C minor Chords Cm, Bb, G Easy key F
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Key: Eb | Cm
Capo: 0
Cm Bb Cm Bb Cm Bb Cm Bb Cm Bb Cm Bb Yayaya yamalı laflar dilim dönmüyoooooor Cm Bb Cm Bb Cm Bb Cm Bb Yayaya yaralı yollar kimse gitmiyoooooooor Cm Bb Cm Bb Cm Bb Cm Bb Cm Bb Cm G Cm Bb Seni gördüm düşmekteydin Cm Bb İtin götün peşindeydin Cm Bb Cm Bb Sımsıkı kapalı penceresi kafanın Cm Bb İçinde havasız kalmış Cm Bb Nursuz çapsız mafyalarla Cm Bb Cm Bb Çirkin çirkin dans ettiydin Cm Bb Dar kafanın kapısının Cm Bb Anahtarı kuytularda Cm Bb Cm Bb Çöpten inşa binalarda Cm Bb Bak elim sana uzanmış, Cm Bb Soruların artık bende Cm Bb Cm Bb Yola düşüp üç beş vakte sen.. x2 Cm Bb Cm Bb Cm Bb Cm Bb Yayaya yamalı laflar dilim dönmüyoooooor Cm Bb Cm Bb Cm Bb Cm Bb Yayaya yaralı yollar kimse gitmiyoooooooor Cm Bb Cm Bb Cm Bb Cm Bb Cm Bb Cm G Cm Bb Günü geçmiş yoğurt ya da Cm Bb Kırık oyuncak gibi Cm Bb Artık elini sürmediğin Cm Bb Cm Bb Cm Bb Eski geçkin heveslerin Cm Bb Önceden ulaşmak için Cm Bb Uyumadan hayal ettiğin Cm Bb Artık elini sürmediğin Cm Bb Cm Bb Cm Eski geçkin heveslerin Bb Cm Bb Cm Bb Hatırlamıyosun di mi?
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Adamlar - İnsanın Düştüğü Durumlar Tabs
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Harmony analysis
Adamlar – İnsanın Düştüğü Durumlar: key and chord analysis
The song opens on Cm and ends on Bb. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
- #7 = B (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it opens on Cm, Cm is heard 60 times while Eb never appears and the major V chord points straight at Cm. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | — |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | — |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | 2× |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | — |
| V | Bb | Dominant — strongest pull home | Bb · D · F | 58× |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 60× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 60× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | — |
| v | Gm | Minor dominant — soft pull | G · Bb · D | — |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | 2× |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | — |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | 58× |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 3 different chords appear 120 times in total; 2 of them sit naturally inside the shared scale. The major V of Cm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Eb, the same G is V/vi, a secondary dominant heading for Cm.
Chord movement
- Bb Cm EbV → videceptive cadence CmVII → iAeolian arrival ×57
- G Cm EbV/vi → vi CmV → iharmonic-minor cadence ×2
The move to watch is Bb → Cm, heard 57 times. From the Cm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the Eb side it reads V → vi (deceptive cadence: expected Eb, lands on Cm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
- When G comes, swap the scale's Bb for B: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 2 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
The opening Cm lays a solid floor for everything that follows. Cm, Bb, G carry the song: vi–V–V/vi relative to Eb, i–VII–V relative to Cm. G is the interesting twist: in Eb it is a chromatic chord (V/vi), while in Cm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Bb → Cm (V → vi in Eb, VII → i in Cm): Aeolian arrival — rises a whole tone into home. The final chord is Bb; the ear comes to rest in Eb.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Adamlar - İnsanın Düştüğü Durumlar Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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