Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Amo988 - Anlat Anlat - Chord
Key C major – A minor Chords Fmaj7, Em Difficulty already in its easiest key
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Key: C | Am
Capo: 0
Kıta 1 Fmaj7 Anlat anlat anlatma daha Gönlüm seni dinlemiyor artık Em Gözlerine aşıktım ben Seviyodum seviyordum Fmaj7 Ruhum ruhuna ne bağlıydı Sen Leyladın ben mecnundum Em Bu aşkın sonu çok acı oldu Sen varsan da artık yokum Fmaj7 Ne gece ne gündüz Düşünmüyorum artık seni Em Teşekkür ettim Sayende buldum ben kendimi Fmaj7 Kalbim de sustu Seni anmaktan da vazgeçti yar Em Ahhhh Nakarat Fmaj7 Yüreğim ağlar, gözlerine doymadı hiç Em Sensizlik yaman, her gece ağlattın beni Fmaj7 Yüreğim yanar, hiç kimse söndüremedi Em Sensiz yapamam, kurtaramam düşlerimi x2 Kıta 2 Fmaj7 Ne kadar dinledim seni kulaklarım düştü tellere Em Seni sevdiğimi bildiğin için sürdün beni yerlere Fmaj7 Bana ait değilsin anladım bıraktım seni ben ellere Em Çok içten sevdiğimiz için aşk gelmezmiş hiç bizlere Nakarat Fmaj7 Yüreğim ağlar, gözlerine doymadı hiç Em Sensizlik yaman, her gece ağlattın beni Fmaj7 Yüreğim yanar, hiç kimse söndüremedi Em Sensiz yapamam, kurtaramam düşlerimi x2
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Amo988 - Anlat Anlat Tabs
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Harmony analysis
Amo988 – Anlat Anlat: key and chord analysis
The song opens on Fmaj7 and ends on Em. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between C major and A minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | — |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | — |
| iii | Em | Mediant — a tonic-family shade | E · G · B | 10× |
| III | E | Chromatic colour chordoutside the key | E · G# · B | — |
| IVmaj7 | Fmaj7 | Subdominant — moves away from home | F · A · C · E | 10× |
| V | G | Dominant — strongest pull home | G · B · D | — |
| vi | Am | Relative minor — the melancholy side | A · C · E | — |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | — |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | — |
| iv | Dm | Subdominant — moves away from home | D · F · A | — |
| v | Em | Minor dominant — soft pull | E · G · B | 10× |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | — |
| VImaj7 | Fmaj7 | Submediant — warm colour | F · A · C · E | 10× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | — |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 2 different chords appear 20 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over Fmaj7, land on F, A, C — the chord's own tones always sound right on strong beats.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The first chord is Fmaj7; the ear learns where home is within a second. Fmaj7, Em carry the song: IVmaj7–iii relative to C, VImaj7–v relative to Am. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Ending on Em, the song seals C as home. The lyric sheet marks 2 section types, so the same chord pattern returns in a clear, predictable order.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Amo988 - Anlat Anlat Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Amo988Music: Amo988
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