Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Ceren Gündoğdu - Seni Bulmak - Chord
Key G major – E minor Chords C, D, Em7, Am7, Bm7, B7 Difficulty already in its easiest key
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Key: G | Em
Capo: 0
Em7 D C
Cehennemden korkar gibi aşktan
Em7 D C
Korkar mı insan?
Em7 D C
Görünce seni tüm bildiklerim
Em7 D C
Uçup gitti aklımdan
Am7 D
Yalan söylemeyi bilmeyen
B7 C
Kural dinlemeyi sevmeyen, ben!
Em7 D C
Sisli puslu tozlu yollar aştım da geldim
Em7 D C
Senin için onca ezberimi bozdum da geldim
Em7 D C
Ben bu yaşıma güle oynaya değil
Hep düşe kalka
Bm7
Sanki tam zamanında
Am7
Çıktım da geldim
C D Em7
Seni bulmakmış derdim
x2
Em7 D C Em7 D C Em7 D C C Bm7 Am7 C D Em7
Am7 D
Yalan söylemeyi bilmeyen
B7 C
Kural dinlemeyi sevmeyen, ben!
Em7 D C
Sisli puslu tozlu yollar aştım da geldim
Em7 D C
Senin için onca ezberimi bozdum da geldim
Em7 D C
Ben bu yaşıma güle oynaya değil
Hep düşe kalka
Bm7
Sanki tam zamanında
Am7
Çıktım da geldim
C D Em7
Seni bulmakmış derdim
x2
End of song Play again?
Ceren Gündoğdu - Seni Bulmak Tabs
NotesX
Harmony analysis
Ceren Gündoğdu – Seni Bulmak: key and chord analysis
The song opens on Em7 and ends on Em7. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
- #7 = D# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the E minor side because it both starts and finishes on Em, Em is heard 16 times while G never appears and the major V chord points straight at Em. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | — |
| ii7 | Am7 | Supertonic — prepares the dominant | A · C · E · G | 5× |
| iii7 | Bm7 | Mediant — a tonic-family shade | B · D · F# · A | 3× |
| V7/vi | B7 | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# · A | 2× |
| IV | C | Subdominant — moves away from home | C · E · G | 19× |
| V | D | Dominant — strongest pull home | D · F# · A | 18× |
| vi7 | Em7 | Relative minor — the melancholy side | E · G · B · D | 16× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i7 | Em7 | Tonic — home | E · G · B · D | 16× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | — |
| iv7 | Am7 | Subdominant — moves away from home | A · C · E · G | 5× |
| v7 | Bm7 | Minor dominant — soft pull | B · D · F# · A | 3× |
| V7 | B7 | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# · A | 2× |
| VI | C | Submediant — warm colour | C · E · G | 19× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 18× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 6 different chords appear 63 times in total; 5 of them sit naturally inside the shared scale. The major V of Em brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from G, the same B7 is V7/vi, a secondary dominant heading for Em.
Chord movement
- C Em7 GIV → vi7 EmVI → i7VI → i ×11
- D Em7 GV → vi7deceptive cadence EmVII → i7Aeolian arrival ×3
- C D GIV → VIV → V EmVI → VIIVI → VII ×3
- Am7 D Gii7 → Vii → V Emiv7 → VII ×2
The move to watch is C → Em7, heard 11 times. From the Em side it is VI → i7 (VI → i: falls a half step into home); from the G side it reads IV → vi7. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
- Over Em7, land on E, G, B — the chord's own tones always sound right on strong beats.
- When B7 comes, swap the scale's D for D#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
Starting on Em7, the song gives away its key from the very first bar. The chords that keep coming back are C, D, Em7, Am7; read them as IV–V–vi7–ii7 in G or VI–VII–i7–iv7 in Em. B7 is the interesting twist: in G it is a chromatic chord (V7/vi), while in Em it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on C → Em7 (IV → vi7 in G, VI → i7 in Em): VI → i — falls a half step into home. Ending on Em7, the song seals Em as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ceren Gündoğdu - Seni Bulmak Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Ceren GündoğduMusic: Ceren Gündoğdu
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