Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Canfeza - Yar Beni Anlamadı - Tekir - Chord
Key F major – D minor Chords Am, Dm, Bb Easy key C (capo 5)
No ratings yet
or your user informations
Make it yours
Text size
Key: F | Dm
Capo: 0
Am Am Dm Bb Am
Am
Bir günümü geceye bağlamadı
Dm
Bu yüzden bir ömür ağlamalı
Bb
Yar yar yar yar
Am
Yar beni anlamadı
x2
Am
Bir ömür ağlamalı buna şimdi
Öyle bir karanlıktı ki ruhuma sindi
Dm
Mutluluk geldiğinden hızlı gitti
Bb
Bir gönül bağlamalı buna şimdi
Am
Yola düşmeli ardından tüm korkuların
Yerle bir etmeli en hakikatli orduları
Dm
Yolu bitirmek için en gerekli yoldur adım
Bb
Güneşe hasret bırakmalı bir çiçeği solduranı
Am
İşgal edip en hakiki düşlerini
Kirpiğinden gözlerine düşmeliyim
Dm
Hakkımdır almak bütün gülüşlerini
Bb
Seninle ömrüm vefa ettikçe gülüşmeliyim
Am
Bir an bile çatmadan kaşlarımı
Ardına düşmeliyim baharı müjdeleyen saçlarının
Dm
Olur da ağlar isem yaşlarımı
Bb
Görme diye gizli vermeliyim tüm savaşlarımı
Am
Uçurumun kenarında bir adımlık yerdeyim
Yar bir adım mesafede üç adımda bir nehir
Dm
Şanına yaraşırcasına süsleniyor her deyim
Bb
Her şeyden çok istedim sana böyle bir şiir vermeyi
Am
Bir günümü geceye bağlamadı
Dm
Bu yüzden bir ömür ağlamalı
Bb
Yar yar yar yar
Am
Yar beni anlamadı
x2
Am
Mesafeler... Seven mesafeleri hesap eder
Gönlüm yokluğunda ne sağ ne pert
Dm
Mesafe dert okunmuyor ulu orta esame de
Bb
Yola düşecek ulufem yoktu sadece
Am
Ne sade dert seni sevmek
Sensizlik yere düşmek gibi büyük bir sahneden
Dm
Ağlasan ağlanmaz değil mizah desen
Bb
Tıpkı senin gibi bazen kibar bazen de sert
Am
İç çekişlerimde gizlisin bir mermi gibi de hızlısın
Yara misali izlisin derin bir his misin nesin
Dm
Her türlü maddenin cismi
Bb
Buralarda oldukça meşhur bir öykünün ismisin
Am
Dünyanın tek harikası tanrının alameti farikası
Gülen yüzün bir mutluluk fabrikası
Dm
Görebilir miyim bir daha yari nasıl
Bb
Yari göremediğimden haraptır halim asıl
Am
Bir günümü geceye bağlamadı
Dm
Bu yüzden bir ömür ağlamalı
Bb
Yar yar yar yar
Am
Yar beni anlamadı
x2
End of song Play again?
Canfeza - Yar Beni Anlamadı - Tekir Tabs
NotesX
Harmony analysis
Canfeza – Yar Beni Anlamadı - Tekir: key and chord analysis
The song opens on Am and ends on Am. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because Dm is heard 13 times while F never appears. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | — |
| iii | Am | Mediant — a tonic-family shade | A · C · E | 18× |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 13× |
| V | C | Dominant — strongest pull home | C · E · G | — |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 13× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 13× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | — |
| v | Am | Minor dominant — soft pull | A · C · E | 18× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VI | Bb | Submediant — warm colour | Bb · D · F | 13× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | — |
Analysis
The key pair is F major and its relative D minor (1 flat). 3 different chords appear 44 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Am Dm Fiii → vi Dmv → inatural-minor cadence ×13
The move to watch is Am → Dm, heard 13 times. From the Dm side it is v → i (natural-minor cadence: gentle, modal arrival); from the F side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
- 2 semitones up
The song's harmonic story
The opening Am lays a solid floor for everything that follows. The chords that keep coming back are Am, Dm, Bb; read them as iii–vi–IV in F or v–i–VI in Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Am → Dm (iii → vi in F, v → i in Dm): natural-minor cadence — gentle, modal arrival. The final chord is Am; the ear comes to rest in F.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Canfeza - Yar Beni Anlamadı - Tekir Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: CanfezaMusic: CanfezaArrangement: İlker Adlığ
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.