Major view
E major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D# (leading tone, pulls home)
- 4 = A (the note that leans on the 3rd)
Tefo - Bir Dünyasın - Seko - Chord
Key E major – C# minor Chords G#m, F#m, C#m Easy key C (capo 4)
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Key: E | Dbm | C#m
Capo: 0
G#m
O Sokaklar senle güzel deniz görmesede
Gülüşün bi suç kalbime kelepçelesene
C#m
Şiirlerle aram hiç yok birtek bizi okudum
G#m C#m
Bu dünyaya fazla kalır bizdeki mesele
Siyah giydim bahtım gibi uyumlu geziyorum
F#m
Sabahı görmez oldum hep geceyi özlüyorum
G#m F#m
Yıldızımı istiyorum, yani "Seni"
G#m
Bu şehrin çok sineması bende bizi izliyorum
G#m
Seviyorum diyemedim kısacası sana
Küllükteki izmaritler seviyorum demek
C#m
Hatıralar biriktirdim mutluluktan yana
G#m C#m
Bi baktımki hepsi senle geri dönmüş eve
Bizi izleyen solucak darbe de vurucak
F#m
Oyun parkı gibi gönül değilki oyuncak
G#m F#m
Bi aşkta kazanan da olucak kaybeden de
G#m
Ama bizim gibisi ilk ve son kalıcak
G#m
Çok farklı bir dünyasın benim gözümde
C#m
Ben en güzel yıllarımı seninle buldum
F#m
Çok kurşun patladı inan bu şehirde
G#m F#m G#m
Ben bir tek sana vuruldum
x2
G#m
Yabancı hislerim inanmıyor o gözlere
Bir kurşun gibiydi nasıl vurulmuştum o sözlere
C#m
Artık çiçek açmıyoruz kırgınız gülmüyoruz
G#m C#m
Bizi bitirsede zaman iz bıraktık bu kalplere
Seni düşlemek adliye koridorlarında
F#m
Ya da yaşlı gözlerinle mutlu anlarında
G#m F#m
Biz seçtik bu hayatı hep kan sokaklarımda
G#m
Gül kokardı o sokaklar senle olduğumda
G#m
Bi kalp daha lazım bana diğeri yalan oldu
Bu film çok güzeldi de yaşaması biraz zordu
C#m
Kader bize uğramadı galiba mesafe koydu
G#m C#m
Bu aşk intihar gibiydi kalbimi seninle vurdum
Dumanlarla çizdim seni Bakınca bulutlara
F#m
Unutmadım ki ismini kazındı dualara
Kaybetme sen hiç kendini bakınca olanlara
G#m
Bir resim bıraktık bizden geride kalanlara
G#m
Çok farklı bir dünyasın benim gözümde
C#m
Ben en güzel yıllarımı seninle buldum
F#m
Çok kurşun patladı inan bu şehirde
G#m F#m G#m
Ben bir tek sana vuruldum
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Harmony analysis
Tefo – Bir Dünyasın - Seko: key and chord analysis
The song opens on G#m and ends on G#m. Its chords belong to both E major and C#m, so every chord below is read both ways.
Minor view
C# minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = A (the minor's melancholy)
- b7 = B (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C# minor side because C#m is heard 10 times while E never appears. That is an interpretation, not a rule — the same chords are just as valid seen from E major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to E or to C#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | E | Tonic — home | E · G# · B | — |
| ii | F#m | Supertonic — prepares the dominant | F# · A · C# | 11× |
| iii | G#m | Mediant — a tonic-family shade | G# · B · D# | 21× |
| V/vi | G# | Secondary dominant V/vi — leads to C#msecondary dominant | G# · B# · D# | — |
| IV | A | Subdominant — moves away from home | A · C# · E | — |
| V | B | Dominant — strongest pull home | B · D# · F# | — |
| vi | C#m | Relative minor — the melancholy side | C# · E · G# | 10× |
| vii° | D#dim | Leading-tone chord — tension | D# · F# · A | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | C#m | Tonic — home | C# · E · G# | 10× |
| ii° | D#dim | Supertonic — prepares the dominant | D# · F# · A | — |
| III | E | Relative major — the bright side | E · G# · B | — |
| iv | F#m | Subdominant — moves away from home | F# · A · C# | 11× |
| v | G#m | Minor dominant — soft pull | G# · B · D# | 21× |
| V | G# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G# · B# · D# | — |
| VI | A | Submediant — warm colour | A · C# · E | — |
| VII | B | Subtonic — steps back to the tonic | B · D# · F# | — |
Analysis
The key pair is E major and its relative C# minor (4 sharps). 3 different chords appear 42 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- G#m C#m Eiii → vi C#mv → inatural-minor cadence ×10
The move to watch is G#m → C#m, heard 10 times. From the C#m side it is v → i (natural-minor cadence: gentle, modal arrival); from the E side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- E major pentatonic and C# minor pentatonic are the same five notes (E – F# – G# – B – C#): start from E for a brighter phrase, from C# for a bluesier one.
- Over G#m, land on G#, B, D# — the chord's own tones always sound right on strong beats.
- Over F#m, land on F#, A, C# — the chord's own tones always sound right on strong beats.
- Over C#m, land on C#, E, G# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With E major shapes
- No capo — open E shapes
- Capo 2 + D shapes
- Capo 4 + C shapes
With C# minor shapes
- Capo 4 + Am shapes
Easiest keys on guitar
- 4 semitones down · capo 4 keeps the original pitch
- 1 semitone up
The song's harmonic story
The first chord is G#m; the ear learns where home is within a second. The chords that keep coming back are G#m, F#m, C#m; read them as iii–ii–vi in E or v–iv–i in C#m. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on G#m → C#m (iii → vi in E, v → i in C#m): natural-minor cadence — gentle, modal arrival. Ending on G#m, the song seals E as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Tefo - Bir Dünyasın - Seko Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: TefoMusic: TefoArrangement: Remzi Kıraç
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