Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Ramiz - Peki Madem - Sagopa Kajmer - Chord
Key Ab major – F minor Chords Fm, Dbmaj7, Eb, Cm Easy key C
No ratings yet
or your user informations
Make it yours
Text size
Key: Ab | Fm
Capo: 0
Fm Fm Dbmaj7 Eb Cm
Fm
Suç olsan işler miydim, seni böyle kalbime?
Dbmaj7
Bozuk bir saat gibiyim takılırım geçmişe
Eb
Tek başıma boğuldum, daldıkça hayallere
Cm
Tükenmiş bir kalemim, ilham oldum kendime
Fm
Düşüyorum eline, batıyorum derine
Dbmaj7
Yaşıyorum nerede? İki arada derede
Eb
Hayat ölüm sevene, ruhum dar bu bedene
Cm
Sorsak mı bir bilene, dur denir mi gidene?
Fm
Bi’ seramoni, bense teli kopmuş bir kemancı
Dbmaj7
Geçmiş dediler adına, geçmedi ki anca
Eb
Dizlerimin bağı bile kör düğüm
Cm
Söylen doğru mu acı ile öldüğüm?
Fm
Sanma senden yorulurum, seni düşünüp dururum
Dbmaj7
Silah gibi kurulurum, kör bir kurşuna gururum
Eb Fm
Işık olmasan da tuzaklarıma, ben yolumu bulurum
Fm Dbmaj7
Peki madem öyle olsun, git yoluna güneşler doğsun
Eb Cm
Başucumda şiirler suskun, söyle sen nasıl bir sonsun?
Fm Dbmaj7
Gidiyorsun uğurlar olsun, al bu canımı senden dursun
Eb Cm
Ben serçe, sen bir kuzgun, beni niye can evimden vurdun?
Fm
Depresyon zindanları aklıyla mı sınar insanları hep?
Dbmaj7
Nasıl olabildin bu kadar leş?
Eb
Gerçekten insanlar bu kadar da mı kötü kardeş?
Cm
Alabilemiyor aklım, sinebilemiyor içime
İnsanlıktan bir kere çıkmış, bir daha giremiyor demek içine
Fm
İyi niyetlerimin soykırımının yıldönümü
Dbmaj7
Heyecanımı öldürmek isteyen cümleni kestim yarıda gördün mü? Hıı?
Eb
İçinden bana sövdün mü? Hayat soğuk savaş
Cm
Ama bu savaşı kazanırım olsa da yavaş yavaş
Bildin mi? Beni anlayıp hazmettin mi?
Fm
İnsan yapımı hayallerim var benim kap bir tane
Dbmaj7
Ama bu soğuk savaşlarına yeterince güneş gerek bir tanem
Eb
Savaşların kadar soğuk hava donuyor bir tanen
Nefesimi sıyır ciğerlerimden
Cm
Ama beni ayır diğerlerinden, hadi bunu yapalım lütfen
Fm
Hayat ölümden beni kurtarır her gün
Dbmaj7
Başlangıçları olsa da kendi sonlarına varıyor
Başlayanlar da mutlak bir gün
Eb Fm
Sağlık olsun! Söylesene sen nasıl bir sonsun?
Fm Dbmaj7
Peki madem öyle olsun, git yoluna güneşler doğsun
Eb Cm
Başucumda şiirler suskun, söyle sen nasıl bir sonsun?
Fm Dbmaj7
Gidiyorsun uğurlar olsun, al bu canımı senden dursun
Eb Cm
Ben serçe, sen bir kuzgun, beni niye can evimden vurdun?
End of song Play again?
Ramiz - Peki Madem - Sagopa Kajmer Tabs
NotesX
Harmony analysis
Ramiz – Peki Madem - Sagopa Kajmer: key and chord analysis
The song opens on Fm and ends on Cm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it opens on Fm and Fm is heard 16 times while Ab never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | — |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 11× |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | — |
| IVmaj7 | Dbmaj7 | Subdominant — moves away from home | Db · F · Ab · C | 13× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 13× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 16× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 16× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | — |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 11× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VImaj7 | Dbmaj7 | Submediant — warm colour | Db · F · Ab · C | 13× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 13× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 4 different chords appear 53 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Dbmaj7 Eb AbIVmaj7 → VIV → V FmVImaj7 → VIIVI → VII ×13
- Cm Fm Abiii → vi Fmv → inatural-minor cadence ×10
- Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×2
The move to watch is Dbmaj7 → Eb, heard 13 times. From the Fm side it is VImaj7 → VII (VI → VII: the rising step that heads for the tonic); from the Ab side it reads IVmaj7 → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Dbmaj7, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
Starting on Fm, the song gives away its key from the very first bar. Fm, Dbmaj7, Eb, Cm carry the song: vi–IVmaj7–V–iii relative to Ab, i–VImaj7–VII–v relative to Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Dbmaj7 → Eb (IVmaj7 → V in Ab, VImaj7 → VII in Fm): VI → VII — the rising step that heads for the tonic. Ending on Cm, the song seals Ab as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ramiz - Peki Madem - Sagopa Kajmer Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Ramiz Bayraktar, Sagopa KajmerMusic: Ramiz BayraktarArrangement: Ramiz Bayraktar
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.