Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Burak Bulut - Herkes Gibi - Chord
Key Ab major – F minor Chords Fm, Eb, Bbm Easy key G (capo 1)
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Key: Ab | Fm
Capo: 0
Fm Eb
Gittin dur durak bilmeden
Bbm
Sunmadın tek bir neden
Fm Eb
Kurdun binlerce tuzak
Halime cümle alem tanık
Fm
Bir sana yenik düştü bu kalp
Fm Eb
Gittin dur durak bilmeden
Bbm
Ettin un ufak kalbimi
Sunmadın tek bir neden
Fm
Çıktın sen de herkes gibi
Fm Eb
Kurdun binlerce tuzak
Bbm
Gönlün her daim uzak
Halime cümle alem tanık
Fm
Bir sana yenik düştü bu kalp
Fm Eb
Karşıma geçsen öylece sussak
Bbm
Yüzüme gülsen orta yolu bulsak
Şahidim gök ve yıldızlar
Fm
Oldum aşkından sırılsıklam
Fm Eb
Aklımı çelsen sana yine kansam
Bbm
Razıyım inan her ne yaparsan
Ve anladım eğer konu aşksa
Fm
Kimseler geçmiyor yakınından
Fm Eb
Seni bana versin yine kader
Bbm
Dönsün şansım aşktan yana
Soruyorum aynı soruyu, neden?
Fm
Neden yüz çevirdiler bana?
Fm Eb
Eser yok artık eski bizden
Bbm
Silinmeye yüz tutmuş izler
Yakıştı mı söyle çekip gitmen?
Fm
Ben hala umutluyken bizden
Fm Eb
Gittin dur durak bilmeden
Bbm
Ettin un ufak kalbimi
Sunmadın tek bir neden
Fm
Çıktın sen de herkes gibi
Fm Eb
Kurdun binlerce tuzak
Bbm
Gönlün her daim uzak
Halime cümle alem tanık
Fm
Bir sana yenik düştü bu kalp
End of song Play again?
Burak Bulut - Herkes Gibi Tabs
NotesX
Harmony analysis
Burak Bulut – Herkes Gibi: key and chord analysis
The song opens on Fm and ends on Fm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it both starts and finishes on Fm and Fm is heard 19 times while Ab never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 9× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | — |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | — |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | — |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 10× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 19× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 19× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 9× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | — |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VI | Db | Submediant — warm colour | Db · F · Ab | — |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 10× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 3 different chords appear 38 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Bbm Fm Abii → vi Fmiv → iminor plagal ×9
- Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×1
The move to watch is Bbm → Fm, heard 9 times. From the Fm side it is iv → i (minor plagal: deep and melancholic); from the Ab side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 4 semitones up
The song's harmonic story
The first chord is Fm; the ear learns where home is within a second. The backbone is Fm, Eb, Bbm — vi–V–ii from the Ab side, i–VII–iv from the Fm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bbm → Fm (ii → vi in Ab, iv → i in Fm): minor plagal — deep and melancholic. Ending on Fm, the song seals Fm as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Burak Bulut - Herkes Gibi Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Oktay KayaMusic: Oktay KayaArrangement: Boran Şahan Çelik (R.O.W)
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