Siyam - Hasretinin Şerefine Zara - Chord

Key Ab major – F minor Chords Db, Cm, Eb, Bbm Easy key G (capo 1)

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Capo 0

Cm  Db  Cm  Db

Cm                   Db
Hasretin bir geliyor bir gidiyor bazen
Cm                 Db
Vurduğun yaraların acıyor halen
Cm                     Db
Bir şarkı yazdım gülüm sevgime hitaben
Cm                   Db
Kuşlarda mutluluktan uçmuyor ki zaten

Cm                     Db
Ayrıldık bir yıl geçti ama yaram soğumadı
Cm                   Db
Bağırdım sokaklarda, haykırışım duyulmadı
Cm                         Db
Nasıl baktın da vicdansız, gözlerin unutulmadı
Eb                       Db
İçin sevdin, terk edip gideceksen madem

Cm
Hasretine şerefine kuruldu masalar

Gidenlerin arkasından soğudu havalar
Eb                          Db
Git, benim canım sağ olsun, kadeh bana ortak olsun
Cm                      Bbm
Meyhaneci durma, doldur zaten güzel kafalar

Cm  Eb  Db  Cm  Bbm

Eb             Db
Tesellim olmuş şarkılar, ne çare
Cm                  Db          
Yüreğim kırık dökük olmuş, pare pare
Eb                   Db
Sözlerini hece hece, şiir yazdım gece gece
Cm                   Db
Düşününce gözlerimi, olmuşum bir çare

Cm                    Db
Hatıralar zaman zaman canımı yakıyor
Cm                  Db
Resmin soğuk duvarımdan, yüzüme bakıyor
Cm                 Db
Bırakmadın yakamı, iyileşmeyen yaramı
Eb                         Db
Sen sarardın bir zamanlar, şimdi eller sarıyor

Cm
Hasretine şerefine kuruldu masalar

Gidenlerin arkasından soğudu havalar
Eb                          Db
Git, benim canım sağ olsun, kadeh bana ortak olsun
Cm                      Bbm
Meyhaneci durma, doldur zaten güzel kafalar

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Siyam - Hasretinin Şerefine Zara Tabs

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Harmony analysis

Siyam – Hasretinin Şerefine Zara: key and chord analysis

The song opens on Cm and ends on Bbm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G (leading tone, pulls home)
4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Db (the minor's melancholy)
b7 = Eb (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Ab major and F minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree	Chord	Role	Notes	In song
I	Ab	Tonic — home	Ab · C · Eb	—
ii	Bbm	Supertonic — prepares the dominant	Bb · Db · F	3×
iii	Cm	Mediant — a tonic-family shade	C · Eb · G	20×
III	C	Chromatic colour chordoutside the key	C · E · G	—
IV	Db	Subdominant — moves away from home	Db · F · Ab	21×
V	Eb	Dominant — strongest pull home	Eb · G · Bb	7×
vi	Fm	Relative minor — the melancholy side	F · Ab · C	—
vii°	Gdim	Leading-tone chord — tension	G · Bb · Db	—

Seen from F minor
Degree	Chord	Role	Notes	In song
i	Fm	Tonic — home	F · Ab · C	—
ii°	Gdim	Supertonic — prepares the dominant	G · Bb · Db	—
III	Ab	Relative major — the bright side	Ab · C · Eb	—
iv	Bbm	Subdominant — moves away from home	Bb · Db · F	3×
v	Cm	Minor dominant — soft pull	C · Eb · G	20×
V	C	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G	—
VI	Db	Submediant — warm colour	Db · F · Ab	21×
VII	Eb	Subtonic — steps back to the tonic	Eb · G · Bb	7×

Analysis

The key pair is Ab major and its relative F minor (4 flats). 4 different chords appear 51 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Db Eb AbIV → VIV → V FmVI → VIIVI → VII ×3
Bbm Eb Abii → Vii → V Fmiv → VII ×1

The move to watch is Db → Eb, heard 3 times. From the Ab side it reads IV → V (IV → V: the lift that builds tension before home); from the Fm side it is VI → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Ab major shapes

Capo 1 + G shapes
Capo 4 + E shapes
Capo 6 + D shapes

With F minor shapes

Capo 1 + Em shapes
Capo 3 + Dm shapes

Easiest keys on guitar

1 semitone down · capo 1 keeps the original pitch
6 semitones up · capo 6 keeps the original pitch

The song's harmonic story

The opening Cm lays a solid floor for everything that follows. The chords that keep coming back are Db, Cm, Eb, Bbm; read them as IV–iii–V–ii in Ab or VI–v–VII–iv in Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Db → Eb (IV → V in Ab, VI → VII in Fm): IV → V — the lift that builds tension before home. The final chord is Bbm; the ear comes to rest in Ab.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.