Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Mabel Matiz - Gök Mavi - Chord
Key F major – D minor Chords Am, Dm, Gm, G, C, Bb Easy key C (capo 5)
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Key: F | Dm
Capo: 0
Dm Am G Am Dm Dm Am G Am G Am Dm Dm Am Gm Beyazıt'ta yıkılır bi' barikat Dm Am Gm Geliyo' devrim, annem, uyuma kalk Dm Am Gm "Bu çocuklar bi' harika" diyorum Dm Am Gm Bu zeka için vermeli zekât Gm Dm Beyazıt'ta başım dik yürüdüm Am Dm Yürüdüm zıttına zulmünün Gm Dm Ben o aydın günleri görürüm C Bb C Dm Görürüm inşallah, görürüm inşallah Dm Am Kaçtım, geldim, yollar hep örülü G Am Al beni kollarına, ağla asi gönül Dm Am Gök mavi hürriyet için ölürüm G Am O benim yazgımdır, vermem Dm Am Kaçtım, geldim, yollar hep örülü G Am Al beni kollarına, ağla asi gönül Dm Am Gök mavi hürriyet için ölürüm G Am O benim yazgımdır, vermem G Am Dm O benim çizgimdir, kırmızı Dm Am G Am Dm Dm Am G Am G Am Dm Dm Am Gm ODTÜ'de TOMA'nın ne işi var? Dm Am Gm Bunca filizin ortak bi' düşü var Dm Am Gm Yok armut piş ağzıma düşü ver Dm Am Gm "Geri alıca'z hayatı" diyo' sokak Gm Dm Vişnelik'de başım dik yürüdüm Am Dm Yürüdüm zıttına zulmünün Gm Dm Ben o aydın günleri görürüm C Bb C Dm Görürüm inşallah, görürüm inşallah Dm Am Kaçtım, geldim, yollar hep örülü G Am Al beni kollarına, ağla asi gönül Dm Am Gök mavi hürriyet için ölürüm G Am O benim yazgımdır, vermem Dm Am Kaçtım, geldim, yollar hep örülü G Am Al beni kollarına, ağla asi gönül Dm Am Gök mavi hürriyet için ölürüm G Am O benim yazgımdır, vermem G Am Dm O benim çizgimdir, kırmızı Gm Am Özgürlük çalgımdır, susmaz Gm Am Alnıma çizdim ay yıldızı Gm Am O benim çizgimdir, kırmızı Gm Am Alnıma çizdim ay yıldızı Gm Am O benim çizgimdir, kırmızı Gm Am Alnıma çizdim ay yıldızı Gm Am O benim damarımda akarken Gm Am Kim ona zincir vuracakmış?
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Mabel Matiz - Gök Mavi Tabs
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Harmony analysis
Mabel Matiz – Gök Mavi: key and chord analysis
The song opens on Dm and ends on Am. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it opens on Dm and Dm is heard 34 times while F never appears. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | 20× |
| V/V | G | Secondary dominant V/V — leads to Csecondary dominant | G · B · D | 16× |
| iii | Am | Mediant — a tonic-family shade | A · C · E | 46× |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 2× |
| V | C | Dominant — strongest pull home | C · E · G | 4× |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 34× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 34× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | 20× |
| IV | G | Major IV — Dorian / melodic-minor colourmodal colour | G · B · D | 16× |
| v | Am | Minor dominant — soft pull | A · C · E | 46× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VI | Bb | Submediant — warm colour | Bb · D · F | 2× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | 4× |
Analysis
The key pair is F major and its relative D minor (1 flat). 6 different chords appear 122 times in total; 5 of them sit naturally inside the shared scale. G acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- Am Dm Fiii → vi Dmv → inatural-minor cadence ×14
- Gm Dm Fii → vi Dmiv → iminor plagal ×10
- C Dm FV → videceptive cadence DmVII → iAeolian arrival ×2
- Bb C FIV → VIV → V DmVI → VIIVI → VII ×2
The move to watch is Am → Dm, heard 14 times. From the Dm side it is v → i (natural-minor cadence: gentle, modal arrival); from the F side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
- 2 semitones up
The song's harmonic story
Starting on Dm, the song gives away its key from the very first bar. The backbone is Am, Dm, Gm, G — iii–vi–ii–V/V from the F side, v–i–iv–IV from the Dm side. G adds a moment of surprise: secondary dominant V/V — leads to C. Keep an ear on Am → Dm (iii → vi in F, v → i in Dm): natural-minor cadence — gentle, modal arrival. Ending on Am, the song seals F as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Mabel Matiz - Gök Mavi Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Mabel MatizMusic: Mabel Matiz
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