Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Bertuğ Cemil - Yandım Yandım Begüm Yiğit - Chord
Key Ab major – F minor Chords C, Db, Bbm, Eb, Ab, F Easy key C
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Key: Ab | Fm
Capo: 0
C Db C Db C Db
C
Sevgilim geç kaldın aşka
Eb Db C
Beni de hayata geç bıraktın
Yaşayan bir ölüyüm şimdi
Eb Db C
Sensiz sessiz bu baharda
Ab
Cennetlik duygularla
Eb
Cehennem oldum kaldım
Db Bbm C
Yandım yandım yandım
Db Bbm C
Yandım yandım yandım
C
Sevgilim inanmadın aşka
Eb Db C
Gerçekle yüzleşince korktun kaçtın
C
Yaşayan bir ölüyüm şimdi
Eb Db C
Beni anınca için sızlamaz mı?
Ab
Cennetlik duygularla
Eb
Cehennem oldum kaldım
Db Bbm C
Yandım yandım yandım
Db Bbm C
Yandım yandım yandım
Bbm Db
Hangi yasak iki kalbe bedeldir söyle
Bbm Db C
Sitem etsem dünyaya avunmaz kalbim
F Bbm
Hangi yasak bedeldir ikimize
Db Bbm C
En tatlı rüyadan uyandım
Db Bbm C
Yandım yandım yandım
Db Bbm C
Yandım yandım yandım
End of song Play again?
Bertuğ Cemil - Yandım Yandım Begüm Yiğit Tabs
NotesX
Harmony analysis
Bertuğ Cemil – Yandım Yandım Begüm Yiğit: key and chord analysis
The song opens on C and ends on C. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
- #7 = E (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Ab major and F minor because Ab is heard 2 times while Fm never appears and the major V chord points straight at Fm. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | 2× |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 10× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | — |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | 18× |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 16× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 6× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | — |
| V/ii | F | Secondary dominant V/ii — leads to Bbmsecondary dominant | F · A · C | 1× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | — |
| V/iv | F | Secondary dominant V/iv — leads to Bbmsecondary dominant | F · A · C | 1× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | 2× |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 10× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | — |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | 18× |
| VI | Db | Submediant — warm colour | Db · F · Ab | 16× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 6× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 6 different chords appear 53 times in total; 4 of them sit naturally inside the shared scale. The major V of Fm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Ab, the same C is V/vi, a secondary dominant heading for Fm. F acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- Bbm C Abii → V/vi Fmiv → Viv → V ×7
The move to watch is Bbm → C, heard 7 times. From the Ab side it reads ii → V/vi; from the Fm side it is iv → V (iv → V: the minor side's tension builder). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- When C comes, swap the scale's Eb for E: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The opening C lays a solid floor for everything that follows. The backbone is C, Db, Bbm, Eb — V/vi–IV–ii–V from the Ab side, V–VI–iv–VII from the Fm side. C is the interesting twist: in Ab it is a chromatic chord (V/vi), while in Fm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Bbm → C (ii → V/vi in Ab, iv → V in Fm): iv → V — the minor side's tension builder. It closes on C, letting the Ab side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Bertuğ Cemil - Yandım Yandım Begüm Yiğit Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Bertuğ CemilMusic: Bertuğ CemilArrangement: Bertuğ Cemil
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