İbrahim Erkal - Ellere Düş - Chord

Key Eb major – C minor Chords Gm, Fm, Bb, Cm, Ab Easy key C (capo 3)

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Capo 0

Gm  Ab  Gm  Ab  Gm  Fm  Cm  Bb  Fm  Bb  Fm  Bb  Fm  Cm  Fm  Gm

Gm   Fm   Gm     Fm    Gm    Fm      Bb   Cm
Bu kaçıncı terk edişin? Bu kaçıncı geri dönüşün?
                      Bb             Fm  Gm
Kendini ne sanıyorsun? Bu konuyu çok iyi düşün

Gm    Fm   Gm   Fm    Gm    Fm   Bb   Cm
Her gidişin dönüşünde, beni hazır buluyorsun
                         Bb          Fm   Gm
Sabrında bir sonu vardır, hiç hesaba katmıyorsun

Gm     Cm     Gm             Gm     Fm         Gm
Hep ben yedek, hep ben yedek, artık bu iş sürmeyecek

Gm     Ab        Gm      Ab
Ellere düş, hadi dillere düş
     Fm                      Bb
Hadi gitte yabancı gönüllere düş
     Fm       Bb
İnan en kolay şey hemen kaçıp gitmek
           Cm      Fm        Gm
Mümkün olmayacak sana geri dönüş

Gm  Ab  Gm  Ab  Gm  Fm  Cm  Bb  Fm  Bb  Fm  Bb  Fm  Cm  Fm  Gm

Gm   Fm   Gm      Fm    Gm     Fm    Bb    Cm
Senin gibi yoktur sanma, böyle bir duyguya kanma
                          Bb            Fm   Gm
Öyle bir git, öyle bir git, bir daha da asla dönme
Gm  Fm     Gm     Fm    Gm    Fm   Bb    Cm
Toleranslar bitti artık, yalanların sonu geldi
                       Bb         Fm     Gm
Ettiklerin yetti artık, sana olan sevgim öldü

Gm     Cm     Gm             Gm     Fm         Gm
Hep ben yedek, hep ben yedek, artık bu iş sürmeyecek

Gm     Ab        Gm      Ab
Ellere düş, hadi dillere düş
     Fm                      Bb
Hadi gitte yabancı gönüllere düş
     Fm       Bb
İnan en kolay şey hemen kaçıp gitmek
           Cm      Fm        Gm
Mümkün olmayacak sana geri dönüş

End of song Play again?

İbrahim Erkal - Ellere Düş Tabs

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Harmony analysis

İbrahim Erkal – Ellere Düş: key and chord analysis

The song opens on Gm and ends on Gm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because Cm is heard 12 times while Eb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	—
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	34×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	38×
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	—
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	8×
V	Bb	Dominant — strongest pull home	Bb · D · F	18×
vi	Cm	Relative minor — the melancholy side	C · Eb · G	12×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	12×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	—
iv	Fm	Subdominant — moves away from home	F · Ab · C	34×
v	Gm	Minor dominant — soft pull	G · Bb · D	38×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VI	Ab	Submediant — warm colour	Ab · C · Eb	8×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	18×

Analysis

The key pair is Eb major and its relative C minor (3 flats). 5 different chords appear 110 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Fm Bb Ebii → Vii → V Cmiv → VII ×12
Bb Cm EbV → videceptive cadence CmVII → iAeolian arrival ×6
Fm Cm Ebii → vi Cmiv → iminor plagal ×4
Gm Cm Ebiii → vi Cmv → inatural-minor cadence ×2

The move to watch is Fm → Bb, heard 12 times. From the Cm side it is iv → VII; from the Eb side it reads ii → V (ii → V: the classic preparation of the dominant). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
4 semitones up

The song's harmonic story

The first chord is Gm; the ear learns where home is within a second. The chords that keep coming back are Gm, Fm, Bb, Cm; read them as iii–ii–V–vi in Eb or v–iv–VII–i in Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Fm → Bb (ii → V in Eb, iv → VII in Cm): ii → V — the classic preparation of the dominant. The final chord is Gm; the ear comes to rest in Eb.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

İbrahim Erkal - Ellere Düş Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: İbrahim Erkal

Music: İbrahim Erkal

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