Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Ziynet Sali - Uyku Tutmadı - Chord
Key Eb major – C minor Chords Cm7, Gm7, Abmaj7, Bb, Fm7 Easy key C (capo 3)
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Key: Eb | Cm
Capo: 0
Cm7 Gm7 Cm7 Gm7
Cm7
Bi selam bi duruş bi bakış
Gm7
Her şey kalbe giden son akış
Cm7
Geri sarmak zor olanı biteni
Gm7 Fm7 Cm7
Şu ana odaklan sonuçla barış
Abmaj7 Bb
Ne bana tutun ne de ona
Abmaj7 Gm7 Fm7 Abmaj7 Bb
En çok kendinle kendinle olana
Cm7 Fm7 Gm7
Of kime sorsam sorularımı
Cm7 Fm7 Gm7
Of kimden alsam tutkularımı
Abmaj7 Bb Abmaj7 Bb
Of aşk dilesem mi gece yarısı
Abmaj7 Cm7
Of ki ne of
Gm7 Bb
Yatağımda dönüp durdum
Abmaj7 Gm7 Cm7
Halaaaaaaaaaa uyku tutmadı
Cm7 Cm7 Fm7 Gm7 Cm7 Cm7 Fm7 Gm7
Abmaj7 Bb Abmaj7 Bb Abmaj7 Cm7 Gm7 Bb Abmaj7 Gm7 Cm7
Abmaj7 Bb
Ne bana tutun ne de ona
Abmaj7 Gm7 Fm7 Abmaj7 Bb
En çok kendinle kendinle olana
Cm7 Fm7 Gm7
Of kime sorsam sorularımı
Cm7 Fm7 Gm7
Of kimden alsam tutkularımı
Abmaj7 Bb Abmaj7 Bb
Of aşk dilesem mi gece yarısı
Abmaj7 Cm7
Of ki ne of
Gm7 Bb
Yatağımda dönüp durdum
Abmaj7 Gm7 Cm7
Halaaaaaaaaaa uyku tutmadı
End of song Play again?
Ziynet Sali - Uyku Tutmadı Tabs
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Harmony analysis
Ziynet Sali – Uyku Tutmadı: key and chord analysis
The song opens on Cm7 and ends on Cm7. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it both starts and finishes on Cm and Cm is heard 19 times while Eb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| ii7 | Fm7 | Supertonic — prepares the dominant | F · Ab · C · Eb | 9× |
| iii7 | Gm7 | Mediant — a tonic-family shade | G · Bb · D · F | 18× |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IVmaj7 | Abmaj7 | Subdominant — moves away from home | Ab · C · Eb · G | 18× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | 13× |
| vi7 | Cm7 | Relative minor — the melancholy side | C · Eb · G · Bb | 19× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i7 | Cm7 | Tonic — home | C · Eb · G · Bb | 19× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| iv7 | Fm7 | Subdominant — moves away from home | F · Ab · C · Eb | 9× |
| v7 | Gm7 | Minor dominant — soft pull | G · Bb · D · F | 18× |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VImaj7 | Abmaj7 | Submediant — warm colour | Ab · C · Eb · G | 18× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | 13× |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 5 different chords appear 77 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Abmaj7 Bb EbIVmaj7 → VIV → V CmVImaj7 → VIIVI → VII ×10
- Gm7 Cm7 Ebiii7 → vi7 Cmv7 → i7natural-minor cadence ×9
- Abmaj7 Cm7 EbIVmaj7 → vi7 CmVImaj7 → i7VI → i ×3
- Bb Cm7 EbV → vi7deceptive cadence CmVII → i7Aeolian arrival ×2
- Fm7 Cm7 Ebii7 → vi7 Cmiv7 → i7minor plagal ×1
The move to watch is Abmaj7 → Bb, heard 10 times. From the Cm side it is VImaj7 → VII (VI → VII: the rising step that heads for the tonic); from the Eb side it reads IVmaj7 → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Cm7, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Gm7, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over Abmaj7, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 4 semitones up
The song's harmonic story
The opening Cm7 lays a solid floor for everything that follows. Cm7, Gm7, Abmaj7, Bb carry the song: vi7–iii7–IVmaj7–V relative to Eb, i7–v7–VImaj7–VII relative to Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Abmaj7 → Bb (IVmaj7 → V in Eb, VImaj7 → VII in Cm): VI → VII — the rising step that heads for the tonic. It closes on Cm7, letting the Cm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ziynet Sali - Uyku Tutmadı Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Onur BaştürkMusic: Onur Baştürk, Özer Yener
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