Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Ati242 - 25 - Chord
Key G major – E minor Chords Em, Bm Easy key F (capo 2)
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Key: G | Em
Capo: 0
Em Em Bm Bm Em Yolu yok dediğim an başladı yol Gözü kör başı boştum sokakta Bm Beni hapseden ruhum civarda Bi mahalle bi parkta civarda limanda Em 50 lira düşünmeden harca Yunus polisleri yüzümüze bakmaz Bm Lise girişinde trafo da boğulan Ati bi gün harbi büyük adam olcak Em Em Bm Bm (Tüm şarkı boyunca aynı akor döngüsü devam eder) Yaş 18 gençtim ve savruk Nerden geldim gece beynimde kabus Peşimdeler ama atamam havlu Yatakta sabaha kadar hayal kur Kırmızı gözler evet sanma üzülerek hepsi gülünerek hatırlanır Yüzüm yere yapışmadı deme bi bembeyaz melek yapıştırır Sapıtmışız alışkınız ihanete de alkole de Yapıştırdım sigaramı tam sotede Eşofmanla katılıyom mahkemeye ya Bakamam annemin yüzüne Gece geç gelirim canım sen üzülme Çok fazla yaş aktı gözüne Takıldım ciğersiz dostların peşine Bu gece hisler pişman Tanıdık yüzler düşman Anlayamam Yine bak kafam duman Ne çabuk geçti yıllar Dönelim mi sil baştan Yaşayamam Bu sene 25 yaş Martin garrix animals Kiralık evlerde son sürat hız Akılda ve dilde bi tane kız O da eski dostlarımdan farksız Yaşamadığım hiç bişeyi yazmadım Yaşadım yaşlandım insan aşağolık Başardım sanatı Para katladım Ağladım yalnızdım ama sakladım Zirve buysa zirvedeyim evet Bilmeden konuşmak size beleş Yapayalnız olmak bana kelepçe Çıktım ortamlardan iğrenerek Demem daha sana merhaba Evet var ev ve araba İlaç olamaz yarama İnandım ben de o para denen yalana Duman duman kilo para Elbet bi gün Al Capone Miro baba Güvercin sana yolladım odana Kafama anılar düştü bu ara Şehrimden vazgeçtim çoktan Kanserli hücrede bitmez mikroplar Hasetsin ve bensiz bi hiçsin boktan Şerefsiz ruhlarla dostluk ütopya Bu gece hisler pişman Tanıdık yüzler düşman Anlayamam Yine bak kafam duman Ne çabuk geçti yıllar Dönelim mi sil baştan Yaşayamam Bu sene 25 yaş
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Ati242 - 25 Tabs
NotesX
Harmony analysis
Ati242 – 25: key and chord analysis
The song opens on Em and ends on Bm. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the E minor side because it opens on Em and Em is heard 6 times while G never appears. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | — |
| ii | Am | Supertonic — prepares the dominant | A · C · E | — |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | 6× |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | — |
| V | D | Dominant — strongest pull home | D · F# · A | — |
| vi | Em | Relative minor — the melancholy side | E · G · B | 6× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 6× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | — |
| iv | Am | Subdominant — moves away from home | A · C · E | — |
| v | Bm | Minor dominant — soft pull | B · D · F# | 6× |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | — |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | — |
Analysis
The key pair is G major and its relative E minor (1 sharp). 2 different chords appear 12 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Bm Em Giii → vi Emv → inatural-minor cadence ×3
The move to watch is Bm → Em, heard 3 times. From the Em side it is v → i (natural-minor cadence: gentle, modal arrival); from the G side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
- 2 semitones down · capo 2 keeps the original pitch
- 5 semitones up · capo 7 keeps the original pitch
The song's harmonic story
The first chord is Em; the ear learns where home is within a second. The chords that keep coming back are Em, Bm; read them as vi–iii in G or i–v in Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bm → Em (iii → vi in G, v → i in Em): natural-minor cadence — gentle, modal arrival. It closes on Bm, letting the G side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ati242 - 25 Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Ati242Music: Efe Can, Bahattin Ekinci
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