Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Emre Nalbantoğlu - Uçuyorum - Chord
Key C major – A minor Chords C, Fmaj7, G, E7 Easy key G (capo 5)
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Key: C | Am
Capo: 0
C E7 Fmaj7 G C E7 Fmaj7 G Tut elimden sıkı tut sevgilim, gidiyoruz hadi hazırsan C E7 Fmaj7 G İnceden bırak bana kendini, sihir olur bana sarılırsan C E7 Fmaj7 G Yer çekimi yok gibi, uçuuuuuuyorum C E7 Fmaj7 G Başka bi’ yol yok gibi, sana koşuuuuuyorum C G Fmaj7 Başka bi’ dünya var sanki senin sözlerinde C G Fmaj7 Bi’ uçurtmaya atlasam süzülsem gözlerinde C G Fmaj7 Kal benim yanımda bak senin yerin en derinde C G Fmaj7 Masal gibi bi’ güne başlasam pamuk teninde C E7 Fmaj7 G Gel beraber kaçalım sevgilim, minik bi’ kayıkla uzaklara C E7 Fmaj7 G Rengarenk açalım sevgilim, müsaade bütün yasaklara C E7 Fmaj7 G Kanatlarım var gibi, uçuuuuuuyorum C E7 Fmaj7 G Kollarını aç hadi, sana kaaaaaçıyorum C G Fmaj7 Başka bi’ dünya var sanki senin sözlerinde C G Fmaj7 Bi’ uçurtmaya atlasam süzülsem gözlerinde C G Fmaj7 Kal benim yanımda bak senin yerin en derinde C G Fmaj7 Masal gibi bi’ güne başlasam pamuk teninde
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Emre Nalbantoğlu - Uçuyorum Tabs
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Harmony analysis
Emre Nalbantoğlu – Uçuyorum: key and chord analysis
The song opens on C and ends on Fmaj7. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
- #7 = G# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C major side because it opens on C, C is heard 17 times while Am never appears and the major V chord points straight at Am. That is an interpretation, not a rule — hearing the same chords from A minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | 17× |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | — |
| iii | Em | Mediant — a tonic-family shade | E · G · B | — |
| III7 | E7 | Chromatic colour chordoutside the key | E · G# · B · D | 9× |
| IVmaj7 | Fmaj7 | Subdominant — moves away from home | F · A · C · E | 17× |
| V | G | Dominant — strongest pull home | G · B · D | 17× |
| vi | Am | Relative minor — the melancholy side | A · C · E | — |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | — |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | 17× |
| iv | Dm | Subdominant — moves away from home | D · F · A | — |
| v | Em | Minor dominant — soft pull | E · G · B | — |
| V7 | E7 | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B · D | 9× |
| VImaj7 | Fmaj7 | Submediant — warm colour | F · A · C · E | 17× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | 17× |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 4 different chords appear 60 times in total; 3 of them sit naturally inside the shared scale. The major V of Am brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull.
Chord movement
- G C CV → Iauthentic cadence AmVII → III ×9
- Fmaj7 G CIVmaj7 → VIV → V AmVImaj7 → VIIVI → VII ×9
- Fmaj7 C CIVmaj7 → Iplagal cadence AmVImaj7 → III ×7
The move to watch is G → C, heard 9 times. From the C side it reads V → I (authentic cadence: the strongest arrival home); from the Am side it is VII → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over Fmaj7, land on F, A, C — the chord's own tones always sound right on strong beats.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
- When E7 comes, swap the scale's G for G#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
Starting on C, the song gives away its key from the very first bar. C, Fmaj7, G, E7 carry the song: I–IVmaj7–V–III7 relative to C, III–VImaj7–VII–V7 relative to Am. E7 is the interesting twist: in C it is a chromatic chord (III7), while in Am it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on G → C (V → I in C, VII → III in Am): authentic cadence — the strongest arrival home. Ending on Fmaj7, the song seals C as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Emre Nalbantoğlu - Uçuyorum Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Emre NalbantoğluMusic: Emre Nalbantoğlu
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