Muhtar - İçindesin Oyunun - Chord

Key Bb major – G minor Chords Gm, Eb, D7, F, Bb, Dm, C Easy key G (capo 3)

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Capo 0

F                     Bb
Beynimi kemiren küçük fareler
Dm                   C
Dünyamı değiştiren minik eller
F                    Bb
Beni yarına bağlayan o gözler
Dm                       C
Sorarım size neden şimdi gittiler

F            Bb
Bakabilirdim o yüze
Dm                       C
Korkularım olmasaydı çok derinde
F               Bb
Gelmeliydim koşarak sana
Dm                    C
Bedenim arkada ruhum ise kalsaydı
     Gm       Bb       F        Eb  Eb  D7  Gm
Yanında, yanında, yanında, yanında

Gm  Eb  D7  Gm  Eb  D7

Gm                Eb      D7
Ancak bir çocuk anlardı belki
Gm              Eb         D7
Rüyalarımdaki o düşme hissini
Gm                Eb      D7
Ancak bir çocuk anlardı belki
Gm                   Eb           D7
Hayallere daldığım o şekerci vitrini
Gm                Eb      D7
Ancak bir çocuk anlardı belki
Gm                     Eb                 D7
En sevdiğim oyuncağım elimden alınmış gibii

F                      Bb
Sakın korkma içindesin oyunun
Dm                 C
Kazanmak olmasın sakın korkun
F                          Bb
Tam şu anda bırak her şeyi arkada
Dm                C             Gm  Bb  F  Eb  Gm
Kimse yakışmadı senin kadar uğruna

Gm  Eb  D7  Gm  Eb  D7

Gm                Eb      D7
Ancak bir çocuk anlardı belki
Gm              Eb         D7
Rüyalarımdaki o düşme hissini
Gm                Eb      D7
Ancak bir çocuk anlardı belki
Gm                   Eb           D7
Hayallere daldığım o şekerci vitrini
Gm                Eb      D7
Ancak bir çocuk anlardı belki
Gm                     Eb         D7      Gm
En sevdiğim oyuncağım elimden alınmış gibii

End of song Play again?

Muhtar - İçindesin Oyunun Tabs

NotesX

Harmony analysis

Muhtar – İçindesin Oyunun: key and chord analysis

The song opens on F and ends on Gm. Its chords belong to both Bb major and Gm, so every chord below is read both ways.

Major view

Bb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = A (leading tone, pulls home)
4 = Eb (the note that leans on the 3rd)

Minor view

G minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Eb (the minor's melancholy)
b7 = F (natural-minor colour)
#7 = F# (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the G minor side because it comes to rest on Gm, Gm is heard 21 times against 8 for Bb and the major V chord points straight at Gm. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Bb major
Degree	Chord	Role	Notes	In song
I	Bb	Tonic — home	Bb · D · F	8×
ii	Cm	Supertonic — prepares the dominant	C · Eb · G	—
V/V	C	Secondary dominant V/V — leads to Fsecondary dominant	C · E · G	6×
iii	Dm	Mediant — a tonic-family shade	D · F · A	6×
V7/vi	D7	Secondary dominant V/vi — leads to Gmsecondary dominant	D · F# · A · C	17×
IV	Eb	Subdominant — moves away from home	Eb · G · Bb	19×
V	F	Dominant — strongest pull home	F · A · C	8×
vi	Gm	Relative minor — the melancholy side	G · Bb · D	21×
vii°	Adim	Leading-tone chord — tension	A · C · Eb	—

Seen from G minor
Degree	Chord	Role	Notes	In song
i	Gm	Tonic — home	G · Bb · D	21×
ii°	Adim	Supertonic — prepares the dominant	A · C · Eb	—
III	Bb	Relative major — the bright side	Bb · D · F	8×
iv	Cm	Subdominant — moves away from home	C · Eb · G	—
IV	C	Major IV — Dorian / melodic-minor colourmodal colour	C · E · G	6×
v	Dm	Minor dominant — soft pull	D · F · A	6×
V7	D7	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	D · F# · A · C	17×
VI	Eb	Submediant — warm colour	Eb · G · Bb	19×
VII	F	Subtonic — steps back to the tonic	F · A · C	8×

Analysis

The key pair is Bb major and its relative G minor (2 flats). 7 different chords appear 85 times in total; 5 of them sit naturally inside the shared scale. The major V of Gm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Bb, the same D7 is V7/vi, a secondary dominant heading for Gm. C acts as a secondary dominant, briefly pointing at another chord of the key.

Chord movement

D7 Gm BbV7/vi → visecondary resolution GmV7 → iharmonic-minor cadence ×16
F Bb BbV → Iauthentic cadence GmVII → III ×6
Eb Gm BbIV → vi GmVI → iVI → i ×1

The move to watch is D7 → Gm, heard 16 times. From the Gm side it is V7 → i (harmonic-minor cadence: the major V resolves dramatically); from the Bb side it reads V7/vi → vi (secondary resolution: D7 resolves a fourth up to Gm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
Over D7, land on D, F#, A — the chord's own tones always sound right on strong beats.
When D7 comes, swap the scale's F for F#: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Bb major shapes

Capo 1 + A shapes
Capo 3 + G shapes
Capo 6 + E shapes

With G minor shapes

Capo 3 + Em shapes
Capo 5 + Dm shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
2 semitones up

The song's harmonic story

The first chord is F; the ear learns where home is within a second. Gm, Eb, D7, F carry the song: vi–IV–V7/vi–V relative to Bb, i–VI–V7–VII relative to Gm. D7 is the interesting twist: in Bb it is a chromatic chord (V7/vi), while in Gm it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on D7 → Gm (V7/vi → vi in Bb, V7 → i in Gm): harmonic-minor cadence — the major V resolves dramatically. It closes on Gm, letting the Gm side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Muhtar - İçindesin Oyunun Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Muhtar

Music: Muhtar

Arrangement: Muhtar

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