Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Sezen Aksu - Davet - Chord
Key Db major – Bb minor Chords Bbm, Db, C, F7, Ebm, Bb Easy key C (capo 1)
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Key: Db | A#m | Bbm
Capo: 0
Bbm Bbm Bbm Db C Bbm Bbm Bbm Db F7 Bbm
Ebm
Gel, en sevap günah, gel canımın canı
Bb
Sevdaya adanmış, esmer, yasak hırsızı
Ebm
Ah ateşten gömlek, ah oynaşın kurdu
Bb
Aşkla ağulanmış, güzellikler yurdu
Bbm
Tutuşan tenime, zülüflerini sür
F7
Asi, hırçın, hür
Bbm
Arka bahçelerde dişlediğim mür
F7
Gel çıplak ve pür
Bbm
Çıplağına sar beni, toprağına kar beni
Db
Kaynağından dökül gürül gürül
C
Çoğalt ki kendini
Bbm
Dağları seller alsın, selleri yangın sarsın
Bozulsun bahçe bağ
Db C Bbm
Dalda üzüm sarhoş, ben tarumar
End of song Play again?
Sezen Aksu - Davet Tabs
NotesX
Harmony analysis
Sezen Aksu – Davet: key and chord analysis
The song opens on Bbm and ends on Bbm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
- #7 = A (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb minor side because it both starts and finishes on Bbm, Bbm is heard 12 times against 4 for Db and the major V chord points straight at Bbm. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | 4× |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | 2× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | — |
| V7/vi | F7 | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C · Eb | 3× |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | — |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | — |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 12× |
| V/ii | Bb | Secondary dominant V/ii — leads to Ebmsecondary dominant | Bb · D · F | 2× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| V/iii | C | Secondary dominant V/iii — leads to Fmsecondary dominant | C · E · G | 3× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 12× |
| V/iv | Bb | Secondary dominant V/iv — leads to Ebmsecondary dominant | Bb · D · F | 2× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| V/v | C | Secondary dominant V/v — leads to Fmsecondary dominant | C · E · G | 3× |
| III | Db | Relative major — the bright side | Db · F · Ab | 4× |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | 2× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | — |
| V7 | F7 | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C · Eb | 3× |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | — |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | — |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 6 different chords appear 26 times in total; 3 of them sit naturally inside the shared scale. The major V of Bbm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Db, the same F7 is V7/vi, a secondary dominant heading for Bbm. C, Bb act as secondary dominants, briefly pointing at another chord of the key.
Chord movement
- F7 Bbm DbV7/vi → visecondary resolution BbmV7 → iharmonic-minor cadence ×3
The move to watch is F7 → Bbm, heard 3 times. From the Bbm side it is V7 → i (harmonic-minor cadence: the major V resolves dramatically); from the Db side it reads V7/vi → vi (secondary resolution: F7 resolves a fourth up to Bbm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- When F7 comes, swap the scale's Ab for A: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
The opening Bbm lays a solid floor for everything that follows. Bbm, Db, C, F7 carry the song: vi–I–V/iii–V7/vi relative to Db, i–III–V/v–V7 relative to Bbm. C is the interesting twist: in Db it is a chromatic chord (V/iii), while in Bbm it becomes the dominant (V/v) that makes the minor side sound so determined. Keep an ear on F7 → Bbm (V7/vi → vi in Db, V7 → i in Bbm): harmonic-minor cadence — the major V resolves dramatically. Ending on Bbm, the song seals Bbm as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Sezen Aksu - Davet Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Sezen Aksu, Yelda KarataşMusic: Attila ÖzdemiroğluArrangement: Attila Özdemiroğlu
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