Gülden Mutlu - Yok - Chord

Key Eb major – C minor Chords Gm7, Fm7 Easy key C (capo 3)

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Capo 0

Gm7  Fm7  Gm7  Fm7

Gm7             Fm7
Bir an sussan nefes alamam
Gm7             Fm7
Benim sesine zaafım çok
Gm7              Fm7
Bazı şeyler yaşanır anlatılmaz
Gm7           Fm7
Benim sana lisanım yok

Gm7              Fm7
Ah aramam koynundan başka bir yer
        Gm7           Fm7
Benim bu dünyaya hevesim yok
Gm7               Fm7
Sev beni sev inandır her zerrene
         Gm7            Fm7
Benim sende bu gece ölesim yok

Gm7             Fm7
Nasıl doyulur bilmem başka bu şey
Gm7          Fm7
Ben sana çok açım
Gm7          Fm7
Geçer dünya alem önümden
Gm7                Fm7
Ben bir tek sana hayranım

Gm7              Fm7
Ah aramam koynundan başka bir yer
        Gm7           Fm7
Benim bu dünyaya hevesim yok
Gm7               Fm7
Sev beni sev inandır her zerrene
         Gm7            Fm7
Benim sende bu gece ölesim yok

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Gülden Mutlu - Yok Tabs

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Harmony analysis

Gülden Mutlu – Yok: key and chord analysis

The song opens on Gm7 and ends on Fm7. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Eb major and C minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	—
ii7	Fm7	Supertonic — prepares the dominant	F · Ab · C · Eb	18×
iii7	Gm7	Mediant — a tonic-family shade	G · Bb · D · F	18×
III	G	Chromatic colour chordoutside the key	G · B · D	—
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	—
V	Bb	Dominant — strongest pull home	Bb · D · F	—
vi	Cm	Relative minor — the melancholy side	C · Eb · G	—
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	—
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	—
iv7	Fm7	Subdominant — moves away from home	F · Ab · C · Eb	18×
v7	Gm7	Minor dominant — soft pull	G · Bb · D · F	18×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VI	Ab	Submediant — warm colour	Ab · C · Eb	—
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	—

Analysis

The key pair is Eb major and its relative C minor (3 flats). 2 different chords appear 36 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Gm7, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over Fm7, land on F, Ab, C — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
1 semitone down · capo 1 keeps the original pitch

The song's harmonic story

Starting on Gm7, the song gives away its key from the very first bar. The chords that keep coming back are Gm7, Fm7; read them as iii7–ii7 in Eb or v7–iv7 in Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Ending on Fm7, the song seals Eb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.