Patron - Acaba - Chord

Key A major – F# minor Chords Eb, Dm Easy key B

Add to Repertoire

No ratings yet

or your user informations

Capo 0

Eb  Dm  Eb  Dm

     Eb
Yine yandık, ooof
            Dm                        Eb
Yüreğim yaramaz, taşıyor acılar, acılaar
                             Dm
Bilmem, ne zaman unuturum acaba? Acaba (O-o-of)

Eb
Zamanımı bozdurdum ben sabahlara doğru
Dm
Yılanları durdurdum da yalanlara n'oldu? (Ge-ge-ge-gel)
Eb
Sevenleri susturdun da satanlara n’oldu?
Dm
Ölenleri duymuştum ya, kalanlara n'oldu?

Eb  Dm  Eb  Dm
(Aynı akor döngüsü tüm şarkı boyunca devam eder)

Güçlü olmak güçlü gözükmekten farklı
Bu dünya büyüdükçe yalnız (Hey)
Somurtup da baktım, hayat soludukça yaktı
Ama haklıydık hepimiz, yoruldukça kaçtık (Hey)
Olmayan bi' şey için üzülmek gereksiz (Hey)
Şans verdikçe belirdi renkliyle renksiz (Hey)
Artıyla eksi (Hey, o-o-of), eksik ve fazla (Hey, a-ah)
Seksi ve sessiz, sen prestijdеn başla (Hey)
Bu sefer bir umudum var, bеnim kâbusum olma (Ge-gel)
Kurak topraklarımın sen yağmuru ol, gel (Ge-ge-gel)
Bi’ daha dönmem geriye tutarsan ellerimden (Ge-ge-ge-gel)
Bu defa düşmem derine, vazgeçmem gözlerinden (Ge-ge-ge-gel)

You might also like
Tanrım varsan yardım et
Patron, Mikelenjelo, Patron, Patlar, Patron

Oooof, Oooof
(Ge-ge-ge-gel)
Gel, kollarımda yaşa (Ge-ge-ge-gel)

Yine yandık
Yüreğim yaramaz
Taşıyor acılar acılar
Bilmem ne zaman unuturum acaba acaba

End of song Play again?

Patron - Acaba Tabs

NotesX

Harmony analysis

Patron – Acaba: key and chord analysis

The song opens on Eb and ends on Dm. Its chords belong to both A major and F#m, so every chord below is read both ways.

Major view

A major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G# (leading tone, pulls home)
4 = D (the note that leans on the 3rd)

Minor view

F# minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = D (the minor's melancholy)
b7 = E (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between A major and F# minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to A or to F#m; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from A major
Degree	Chord	Role	Notes	In song
I	A	Tonic — home	A · C# · E	—
ii	Bm	Supertonic — prepares the dominant	B · D · F#	—
iii	C#m	Mediant — a tonic-family shade	C# · E · G#	—
III	C#	Chromatic colour chordoutside the key	C# · E# · G#	—
IV	D	Subdominant — moves away from home	D · F# · A	—
iv	Dm	Minor iv — borrowed from the parallel minorborrowed chord	D · F · A	8×
#IV	Eb	Chromatic colour chordoutside the key	Eb · G · Bb	8×
V	E	Dominant — strongest pull home	E · G# · B	—
vi	F#m	Relative minor — the melancholy side	F# · A · C#	—
vii°	G#dim	Leading-tone chord — tension	G# · B · D	—

Seen from F# minor
Degree	Chord	Role	Notes	In song
i	F#m	Tonic — home	F# · A · C#	—
ii°	G#dim	Supertonic — prepares the dominant	G# · B · D	—
III	A	Relative major — the bright side	A · C# · E	—
iv	Bm	Subdominant — moves away from home	B · D · F#	—
v	C#m	Minor dominant — soft pull	C# · E · G#	—
V	C#	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C# · E# · G#	—
VI	D	Submediant — warm colour	D · F# · A	—
vi	Dm	Chromatic colour chordoutside the key	D · F · A	8×
#VI	Eb	Chromatic colour chordoutside the key	Eb · G · Bb	8×
VII	E	Subtonic — steps back to the tonic	E · G# · B	—

Analysis

The key pair is A major and its relative F# minor (3 sharps). 2 different chords appear 16 times in total; 0 of them sit naturally inside the shared scale. Dm is borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

A major pentatonic and F# minor pentatonic are the same five notes (A – B – C# – E – F#): start from A for a brighter phrase, from F# for a bluesier one.
Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
On Dm, follow the chord's notes (D · F · A) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With A major shapes

No capo — open A shapes
Capo 2 + G shapes
Capo 5 + E shapes

With F# minor shapes

Capo 2 + Em shapes
Capo 4 + Dm shapes

Easiest keys on guitar

2 semitones up
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

The first chord is Eb; the ear learns where home is within a second. The backbone is Eb, Dm — #IV–iv from the A side, #VI–vi from the F#m side. Dm briefly darkens the picture: minor iv — borrowed from the parallel minor. It closes on Dm, letting the A side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Patron - Acaba Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

Find something to play next

Ready-made lists by difficulty and mood.

Lyrics: Patron

Music: Arda Gezer

Report error for this content report.

All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.

🎤 Patron Chords

🎲 Random Chords in the Key of A

View All →