Zen-G - Kandıramam (Ahmet Hatipoğlu) - Chord

Key C major – A minor Chords Am, G, F, E7 Easy key G (capo 5)

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Capo 0

Am  G  F  E7

Am                           G
Kandıramam, seni de beni de inandıramam
               F
Kimselere bunu anlatamam
                   E7
Tekrar tekrar bunu kaldıramam

Am
Güzeline denk geldik dedim bu sefer
         G
Tam üzerine basmış gibi bu da azmış gibi
                     F
Yangın yeri bu yüreğime

Derman mısın ki anlar mısın hiç
                       E7
Aşk bu! Bile bile ölümüne, güle güle

Am
Yürümektir, göğsünü gere gere

Bedel ödemektir o kalpte yer etmek
               G
Ne büyük bir şereftir

Kimisi bilmez bile ne demektir
                      F
Değerini bilene şükretmektir 
                     E7
Özlemektir, yol gözlemektir, sevgi emektir

Am
Bilemem bu kaçıncı sefer

Geri dödüren hep beni sana bi neden
             G
Ölümden de beter bana geliyor yeter

Kafamın içindeki sese es veremem
             F
Gize teslim eder bizi resmen hemen

En kral ressam resmedemez bunu
       E7
Hissedemezse böyle keder

Am
Acıya alışmış bir beden

Sanki, benim ki bir neden 
         G
Ara da bulamaz girmeden
                            F
Günahına sakin kalamaz gülmeden

Gül yüzü bana uğramaz
                   E7
Huzur bana ama ölmeden

Ruhumu al da bir başıma
                 Am
Burada yaşatma beni

Am                           G
Kandıramam, seni de beni de inandıramam
               F
Kimselere bunu anlatamam
                   E7
Tekrar tekrar bunu kaldıramam

End of song Play again?

Zen-G - Kandıramam (Ahmet Hatipoğlu) Tabs

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Harmony analysis

Zen-G – Kandıramam (Ahmet Hatipoğlu): key and chord analysis

The song opens on Am and ends on E7. Its chords belong to both C major and Am, so every chord below is read both ways.

Major view

C major

Brightness rank 2/7 (bright)

Characteristic notes

7 = B (leading tone, pulls home)
4 = F (the note that leans on the 3rd)

Minor view

A minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = F (the minor's melancholy)
b7 = G (natural-minor colour)
#7 = G# (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the A minor side because it opens on Am, Am is heard 8 times while C never appears and the major V chord points straight at Am. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from C major
Degree	Chord	Role	Notes	In song
I	C	Tonic — home	C · E · G	—
ii	Dm	Supertonic — prepares the dominant	D · F · A	—
iii	Em	Mediant — a tonic-family shade	E · G · B	—
V7/vi	E7	Secondary dominant V/vi — leads to Amsecondary dominant	E · G# · B · D	7×
IV	F	Subdominant — moves away from home	F · A · C	7×
V	G	Dominant — strongest pull home	G · B · D	7×
vi	Am	Relative minor — the melancholy side	A · C · E	8×
vii°	Bdim	Leading-tone chord — tension	B · D · F	—

Seen from A minor
Degree	Chord	Role	Notes	In song
i	Am	Tonic — home	A · C · E	8×
ii°	Bdim	Supertonic — prepares the dominant	B · D · F	—
III	C	Relative major — the bright side	C · E · G	—
iv	Dm	Subdominant — moves away from home	D · F · A	—
v	Em	Minor dominant — soft pull	E · G · B	—
V7	E7	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	E · G# · B · D	7×
VI	F	Submediant — warm colour	F · A · C	7×
VII	G	Subtonic — steps back to the tonic	G · B · D	7×

Analysis

The key pair is C major and its relative A minor (no sharps or flats). 4 different chords appear 29 times in total; 3 of them sit naturally inside the shared scale. The major V of Am brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from C, the same E7 is V7/vi, a secondary dominant heading for Am.

Chord movement

E7 Am CV7/vi → visecondary resolution AmV7 → iharmonic-minor cadence ×6

The move to watch is E7 → Am, heard 6 times. From the Am side it is V7 → i (harmonic-minor cadence: the major V resolves dramatically); from the C side it reads V7/vi → vi (secondary resolution: E7 resolves a fourth up to Am). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
When E7 comes, swap the scale's G for G#: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With C major shapes

No capo — open C shapes
Capo 3 + A shapes
Capo 5 + G shapes

With A minor shapes

No capo — open Am shapes
Capo 5 + Em shapes
Capo 7 + Dm shapes

Easiest keys on guitar

5 semitones down · capo 5 keeps the original pitch

The song's harmonic story

The first chord is Am; the ear learns where home is within a second. The chords that keep coming back are Am, G, F, E7; read them as vi–V–IV–V7/vi in C or i–VII–VI–V7 in Am. E7 is the interesting twist: in C it is a chromatic chord (V7/vi), while in Am it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on E7 → Am (V7/vi → vi in C, V7 → i in Am): harmonic-minor cadence — the major V resolves dramatically. Ending on E7, the song seals C as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.