Zen-G - Rol - Chord

Key Bb major – G minor Chords Cm7, Dm7 Easy key C

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Capo 0

Cm7  Dm7

Cm7
Gençtik, güzeldik, öğrendik, öğrettik
  Dm7
Sebepsiz şekilde nasıl da bilendik
Cm7
Sevdik çok sevdik

İnandık heves ettik
   Dm7
Bambaşka hislerdi ne çabuk pes ettik

Cm7
Unuttum artık gülmeyi
      Dm7
Hic özlemiyorum istemiyorum bile
Cm7
Savurdum artik külleri
     Dm7
Kavursan ne olur uslanmıyorum yine

Cm7
Yok sana müsemma

Artık bak anlasana
Dm7
Daha ne kadar acır bu can dayanamaz
Cm7
Aslında çok defa düşmüştüm bu hataya
Dm7
Artık uyandım bu rüyadan

                Cm7
Yazarım kendime bi rol yeni bi rol, önemi yok
                Dm7
Çizerim kendime bi yol

Yeni rota yeniden offff
                Cm7
Kızarım kendime bi ton yine bi ton, sebebi çokkk
                 Dm7
Denedim her şeyi ama oluru yok yürümüyor 

Cm7
Çektik çok çektik
                       Dm7
Kahrolduk kahrettik bu filmin sonunda

Hep biz mi kaybettik
Cm7
Eski çok eski bir rüzgardı esti
    Dm7
Her şeyin üstüne çektik tek bir çizgi 

Cm7                         Dm7
Unuttum artık gülmeyi hiç özlemiyorum

İstemiyorum bilee
Cm7                         Dm7
Savurdum artık külleri kavursan ne olur

Uslanmıyorum yinee

                Cm7
Yazarım kendime bi rol yeni bi rol, önemi yok
                Dm7
Çizerim kendime bi yol

Yeni rota yeniden offff
                Cm7
Kızarım kendime bi ton yine bi ton, sebebi çokkk
                 Dm7
Denedim her şeyi ama oluru yok yürümüyor

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Zen-G - Rol Tabs

NotesX

Harmony analysis

Zen-G – Rol: key and chord analysis

The song opens on Cm7 and ends on Dm7. Its chords belong to both Bb major and Gm, so every chord below is read both ways.

Major view

Bb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = A (leading tone, pulls home)
4 = Eb (the note that leans on the 3rd)

Minor view

G minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Eb (the minor's melancholy)
b7 = F (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Bb major and G minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Bb major
Degree	Chord	Role	Notes	In song
I	Bb	Tonic — home	Bb · D · F	—
ii7	Cm7	Supertonic — prepares the dominant	C · Eb · G · Bb	15×
iii7	Dm7	Mediant — a tonic-family shade	D · F · A · C	15×
III	D	Chromatic colour chordoutside the key	D · F# · A	—
IV	Eb	Subdominant — moves away from home	Eb · G · Bb	—
V	F	Dominant — strongest pull home	F · A · C	—
vi	Gm	Relative minor — the melancholy side	G · Bb · D	—
vii°	Adim	Leading-tone chord — tension	A · C · Eb	—

Seen from G minor
Degree	Chord	Role	Notes	In song
i	Gm	Tonic — home	G · Bb · D	—
ii°	Adim	Supertonic — prepares the dominant	A · C · Eb	—
III	Bb	Relative major — the bright side	Bb · D · F	—
iv7	Cm7	Subdominant — moves away from home	C · Eb · G · Bb	15×
v7	Dm7	Minor dominant — soft pull	D · F · A · C	15×
V	D	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	D · F# · A	—
VI	Eb	Submediant — warm colour	Eb · G · Bb	—
VII	F	Subtonic — steps back to the tonic	F · A · C	—

Analysis

The key pair is Bb major and its relative G minor (2 flats). 2 different chords appear 30 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
Over Cm7, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Dm7, land on D, F, A — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Bb major shapes

Capo 1 + A shapes
Capo 3 + G shapes
Capo 6 + E shapes

With G minor shapes

Capo 3 + Em shapes
Capo 5 + Dm shapes

Easiest keys on guitar

2 semitones up
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

Starting on Cm7, the song gives away its key from the very first bar. Cm7, Dm7 carry the song: ii7–iii7 relative to Bb, iv7–v7 relative to Gm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. The final chord is Dm7; the ear comes to rest in Bb.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Zen-G - Rol Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Zen-G

Music: Burak Alkın

Arrangement: Zen-G, Burak Alkın, Can VS

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