Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Can Oflaz - Kolye - Chord
Key Bb major – G minor Chords Dm7, Gm, Ebmaj7, Cm7, F, Am7, Cm, Dm Easy key C
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Key: Bb | Gm
Capo: 0
Gm Dm7
Kayboldum bir anda
Gm Dm7
Unutup sözlerini kayboldum ellerinde
Gm
Aslında zor hala
Dm7 Ebmaj7 F
Aramak başkasını, senden bi’ haber yok
Ebmaj7
Öyle ya
Söylemezsin kimselere
Dm7
Ne yaptın, ne ettin
Ebmaj7
Nerede uyudun dün gece?
Ebmaj7 Am7
Alıştım sensizliğe
Dm7 Gm
Yok, yalaaaan
Gm
Sağımda, solumda
Sen yoksun iyice baktım
Dm7 Cm
Anladım, ağladım
Cm7 Dm7
Duvarlara anlattım
Gm
Evimde unuttuğun
O KOLYE’yi buldum bugün
Dm7
Anladım, ağladım
Cm7 Dm7
Sen yoksun iyice anladım
Gm
Da-ra-ray Da-ra-ray Da-ra-ray-ra
Dm7
Da-ra-ray Da-ra-ray Da-ra-ray-ra
Cm7 Dm7
Sen yoksun iyice anladım
Da-ra-ray Da-ra-ray Da-ra-ray-ra
Da-ra-ray Da-ra-ray Da-ra-ray-ra
Sen yoksun iyice
Gm Dm7
Mecburdun aslında
Gm Dm
Büyütüp düşlerini mecburdun ah gitmeye
Gm
Aklımda bir rüya
Dm7 Ebmaj7 F
Uzanıp kollarına kaybolmak son defa
Ebmaj7
Uzadı mı saçların?
Dm7
Aylar, yıllar geçmek bilmedi sensiz
Güzel bebeğim
End of song Play again?
Can Oflaz - Kolye Tabs
NotesX
Harmony analysis
Can Oflaz – Kolye: key and chord analysis
The song opens on Gm and ends on Dm7. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G minor side because it opens on Gm and Gm is heard 10 times while Bb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | — |
| ii7 | Cm7 | Supertonic — prepares the dominant | C · Eb · G · Bb | 3× |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | 1× |
| iii7 | Dm7 | Mediant — a tonic-family shade | D · F · A · C | 14× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | 1× |
| V/vi | D | Secondary dominant V/vi — leads to Gmsecondary dominant | D · F# · A | — |
| IVmaj7 | Ebmaj7 | Subdominant — moves away from home | Eb · G · Bb · D | 6× |
| V | F | Dominant — strongest pull home | F · A · C | 2× |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | 10× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| vii7 | Am7 | Chromatic colour chordoutside the key | A · C · E · G | 1× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | 10× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| ii7 | Am7 | Chromatic colour chordoutside the key | A · C · E · G | 1× |
| III | Bb | Relative major — the bright side | Bb · D · F | — |
| iv7 | Cm7 | Subdominant — moves away from home | C · Eb · G · Bb | 3× |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | 1× |
| v7 | Dm7 | Minor dominant — soft pull | D · F · A · C | 14× |
| v | Dm | Minor dominant — soft pull | D · F · A | 1× |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VImaj7 | Ebmaj7 | Submediant — warm colour | Eb · G · Bb · D | 6× |
| VII | F | Subtonic — steps back to the tonic | F · A · C | 2× |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 8 different chords appear 38 times in total; 7 of them sit naturally inside the shared scale. Am7 step outside the scale as colour chords.
Chord movement
- Dm7 Gm Bbiii7 → vi Gmv7 → inatural-minor cadence ×7
- Ebmaj7 F BbIVmaj7 → VIV → V GmVImaj7 → VIIVI → VII ×2
- Dm Gm Bbiii → vi Gmv → inatural-minor cadence ×1
The move to watch is Dm7 → Gm, heard 7 times. From the Gm side it is v7 → i (natural-minor cadence: gentle, modal arrival); from the Bb side it reads iii7 → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Dm7, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over Ebmaj7, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 2 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
The first chord is Gm; the ear learns where home is within a second. The chords that keep coming back are Dm7, Gm, Ebmaj7, Cm7; read them as iii7–vi–IVmaj7–ii7 in Bb or v7–i–VImaj7–iv7 in Gm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Dm7 → Gm (iii7 → vi in Bb, v7 → i in Gm): natural-minor cadence — gentle, modal arrival. Ending on Dm7, the song seals Bb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Can Oflaz - Kolye Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Can Oflaz, Merve DenizMusic: Can OflazArrangement: Gürsel Çelik
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