Semicenk - Masal Gibi - Chord

Key F major – D minor Chords Bb, Am Easy key G

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Capo 0

  Bb
Yarın da güneş doğacak
    Am
Ama bende battı çoktan masal gibi
Bb
Kördüğüm bu halim
         Am
Çözülmez bin defa da yaksam
         Bb             Am
Şöyle bi baksam, canımı yaksan
       Bb              Am
Öylece kalsan, nefesim olsan

Bb                       Am
Yağıyor üzerime insafsız yağmur
                     Bb
Derdini dök bir daha doldur
                    Am
Sen keyfini çat ben huzursuzum

Al kadehi doldur
Bb                        Am
Yak sigaranı vur ciğerine yansın
           Bb
Yandıkça hatırlarsın
             Am     
Sana değerini sebebini anlatsın

  Bb
Yarın da güneş doğacak
    Am
Ama bende battı çoktan masal gibi
Bb
Kördüğüm bu halim
         Am
Çözülmez bin defa da yaksam
         Bb             Am
Şöyle bi baksam, canımı yaksan
       Bb              Am
Öylece kalsan, nefesim olsan

End of song Play again?

Semicenk - Masal Gibi Tabs

NotesX

Harmony analysis

Semicenk – Masal Gibi: key and chord analysis

The song opens on Bb and ends on Am. Its chords belong to both F major and Dm, so every chord below is read both ways.

Major view

F major

Brightness rank 2/7 (bright)

Characteristic notes

7 = E (leading tone, pulls home)
4 = Bb (the note that leans on the 3rd)

Minor view

D minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Bb (the minor's melancholy)
b7 = C (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between F major and D minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from F major
Degree	Chord	Role	Notes	In song
I	F	Tonic — home	F · A · C	—
ii	Gm	Supertonic — prepares the dominant	G · Bb · D	—
iii	Am	Mediant — a tonic-family shade	A · C · E	12×
III	A	Chromatic colour chordoutside the key	A · C# · E	—
IV	Bb	Subdominant — moves away from home	Bb · D · F	12×
V	C	Dominant — strongest pull home	C · E · G	—
vi	Dm	Relative minor — the melancholy side	D · F · A	—
vii°	Edim	Leading-tone chord — tension	E · G · Bb	—

Seen from D minor
Degree	Chord	Role	Notes	In song
i	Dm	Tonic — home	D · F · A	—
ii°	Edim	Supertonic — prepares the dominant	E · G · Bb	—
III	F	Relative major — the bright side	F · A · C	—
iv	Gm	Subdominant — moves away from home	G · Bb · D	—
v	Am	Minor dominant — soft pull	A · C · E	12×
V	A	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	A · C# · E	—
VI	Bb	Submediant — warm colour	Bb · D · F	12×
VII	C	Subtonic — steps back to the tonic	C · E · G	—

Analysis

The key pair is F major and its relative D minor (1 flat). 2 different chords appear 24 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With F major shapes

Capo 1 + E shapes
Capo 3 + D shapes
Capo 5 + C shapes

With D minor shapes

No capo — open Dm shapes
Capo 5 + Am shapes

Easiest keys on guitar

2 semitones up
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

The first chord is Bb; the ear learns where home is within a second. Bb, Am carry the song: IV–iii relative to F, VI–v relative to Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Ending on Am, the song seals F as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.