Major view
Gb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F (leading tone, pulls home)
- 4 = Cb (the note that leans on the 3rd)
Semicenk - Hangi Yüzüne Konuşacağım - Chord
Key Gb major – Eb minor Chords Bbm, B, Abm Easy key C (capo 6)
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Key: Gb | D#m | Ebm
Capo: 0
Bbm Bbm B Abm B
Bbm Abm
Bilemedim hangi yüzüne konuşacağım
B
(Bilemedim hangi yüzüne konuşacağım)
Bbm
Seçemedim ayrılığın adını
(Seçemedim ayrılığın adını)
Abm
Değerimi bilmesen de yanarım
B
(Değerimi bilmesen de yanarım)
Bbm
Gel etme gönlüm böyle yaşanır mı?
(Gel etme gönlüüm)
Bbm
Tamam dedim gücüm yeter
Laf anlamaz ve dinlemez
B
Hırs gözlerimde kan ter içinde kaldı
Yalnız düştü bu beden
Bbm
Onlar değerini bilmez
Her gün ayrı safta bekler
B
Dün yarını düşünürken
Geçti günler, bu günler
Bbm
Galiba şimdi uyanıyorum
Kendimle başka çıkamıyorum
B
Son vermeye gün saydığım
Bbm
Kaderime hatıranla güveniyorum
Bbm Abm
Bilemedim hangi yüzüne konuşacağım
B
(Bilemedim hangi yüzüne konuşacağım)
Bbm
Seçemedim ayrılığın adını
(Seçemedim ayrılığın adını)
Abm
Değerimi bilmesen de yanarım
B
(Değerimi bilmesen de yanarım)
Bbm
Gel etme gönlüm böyle yaşanır mı?
(Gel etme gönlüüm)
End of song Play again?
Semicenk - Hangi Yüzüne Konuşacağım Tabs
NotesX
Harmony analysis
Semicenk – Hangi Yüzüne Konuşacağım: key and chord analysis
The song opens on Bbm and ends on Bbm. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.
Minor view
Eb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Cb (the minor's melancholy)
- b7 = Db (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Gb major and Eb minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Gb | Tonic — home | Gb · Bb · Db | — |
| ii | Abm | Supertonic — prepares the dominant | Ab · Cb · Eb | 5× |
| iii | Bbm | Mediant — a tonic-family shade | Bb · Db · F | 12× |
| III | Bb | Chromatic colour chordoutside the key | Bb · D · F | — |
| IV | B | Subdominant — moves away from home | B · D# · F# | 9× |
| V | Db | Dominant — strongest pull home | Db · F · Ab | — |
| vi | Ebm | Relative minor — the melancholy side | Eb · Gb · Bb | — |
| vii° | Fdim | Leading-tone chord — tension | F · Ab · Cb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Ebm | Tonic — home | Eb · Gb · Bb | — |
| ii° | Fdim | Supertonic — prepares the dominant | F · Ab · Cb | — |
| III | Gb | Relative major — the bright side | Gb · Bb · Db | — |
| iv | Abm | Subdominant — moves away from home | Ab · Cb · Eb | 5× |
| v | Bbm | Minor dominant — soft pull | Bb · Db · F | 12× |
| V | Bb | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | Bb · D · F | — |
| VI | B | Submediant — warm colour | B · D# · F# | 9× |
| VII | Db | Subtonic — steps back to the tonic | Db · F · Ab | — |
Analysis
The key pair is Gb major and its relative Eb minor (6 flats). 3 different chords appear 26 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over B, land on B, D#, F# — the chord's own tones always sound right on strong beats.
- Over Abm, land on Ab, Cb, Eb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Gb major shapes
- Capo 2 + E shapes
- Capo 4 + D shapes
- Capo 6 + C shapes
With Eb minor shapes
- Capo 1 + Dm shapes
- Capo 6 + Am shapes
Easiest keys on guitar
- 6 semitones up · capo 6 keeps the original pitch
- 1 semitone up
The song's harmonic story
Starting on Bbm, the song gives away its key from the very first bar. The chords that keep coming back are Bbm, B, Abm; read them as iii–IV–ii in Gb or v–VI–iv in Ebm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Ending on Bbm, the song seals Gb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Semicenk - Hangi Yüzüne Konuşacağım Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: SemicenkMusic: SemicenkArrangement: Semicenk
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