Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Özdemir Erdoğan - Pervane - Chord
Key Bb major – G minor Chords Cm, F7, Gm, D7, Ebmaj7, Bb, G7, Bbmaj7 Easy key C
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Key: Bb | Gm
Capo: 0
Cm F7 Bbmaj7 Ebmaj7 Cm D7 Gm
Cm F7 Bbmaj7 Ebmaj7 Cm D7 Gm G7
Gm Cm
Ben balarısı gibiydim senden önce
F7 Bb
Bak pervanelere döndüm seni görünce
Cm F7
Yana yana kül olsam her an
Bb Ebmaj7
Yine de senden ayrılamam
Cm D7 Gm G7
Yoluna adadım ömrümü ben sensiz olamam
Cm F7
Yana yana kül olsam her an
Bb Ebmaj7
Yine de senden ayrılamam
Cm D7 Gm
Bin yıl yaşasam yine sana doyamam
Bb Cm D7 Gm
Sana gönlümü verdim ey nazlı güzel
Bb Cm F7 Bb G7
Seni almazsam gözlerim açık gider
Cm F7
Bana ellerini ver
Bbmaj7 Ebmaj7
Hayat seni sevince güzel
Cm D7
Yoluna adadım ömrümü ben
Gm G7
Gel kaçma güzel
Cm F7
Bana ellerini ver
Bbmaj7 Ebmaj7
Hayat seni sevince güzel
Cm D7 Gm G7
Sana gönlümü verdim nazlı güzel
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Özdemir Erdoğan - Pervane Tabs
NotesX
Harmony analysis
Özdemir Erdoğan – Pervane: key and chord analysis
The song opens on Cm and ends on G7. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
- #7 = F# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Bb major and G minor because Bb is heard 10 times against 8 for Gm and the major V chord points straight at Gm. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | 6× |
| Imaj7 | Bbmaj7 | Tonic — home | Bb · D · F · A | 4× |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | 15× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | — |
| V7/vi | D7 | Secondary dominant V/vi — leads to Gmsecondary dominant | D · F# · A · C | 7× |
| IVmaj7 | Ebmaj7 | Subdominant — moves away from home | Eb · G · Bb · D | 6× |
| V7 | F7 | Dominant — strongest pull home | F · A · C · Eb | 8× |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | 8× |
| V7/ii | G7 | Secondary dominant V/ii — leads to Cmsecondary dominant | G · B · D · F | 5× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | 8× |
| V7/iv | G7 | Secondary dominant V/iv — leads to Cmsecondary dominant | G · B · D · F | 5× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| III | Bb | Relative major — the bright side | Bb · D · F | 6× |
| IIImaj7 | Bbmaj7 | Relative major — the bright side | Bb · D · F · A | 4× |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | 15× |
| v | Dm | Minor dominant — soft pull | D · F · A | — |
| V7 | D7 | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A · C | 7× |
| VImaj7 | Ebmaj7 | Submediant — warm colour | Eb · G · Bb · D | 6× |
| VII7 | F7 | Subtonic — steps back to the tonic | F · A · C · Eb | 8× |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 8 different chords appear 59 times in total; 6 of them sit naturally inside the shared scale. The major V of Gm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Bb, the same D7 is V7/vi, a secondary dominant heading for Gm. G7 acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- Cm F7 Bbii → V7ii → V Gmiv → VII7 ×8
- D7 Gm BbV7/vi → visecondary resolution GmV7 → iharmonic-minor cadence ×7
- Cm D7 Bbii → V7/vi Gmiv → V7iv → V ×7
- F7 Bbmaj7 BbV7 → Imaj7authentic cadence GmVII7 → IIImaj7 ×4
- F7 Bb BbV7 → Iauthentic cadence GmVII7 → III ×4
- G7 Cm BbV7/ii → iisecondary resolution GmV7/iv → iv ×3
The move to watch is Cm → F7, heard 8 times. From the Bb side it reads ii → V7 (ii → V: the classic preparation of the dominant); from the Gm side it is iv → VII7. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over F7, land on F, A, C — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- When D7 comes, swap the scale's F for F#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 2 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
The opening Cm lays a solid floor for everything that follows. The backbone is Cm, F7, Gm, D7 — ii–V7–vi–V7/vi from the Bb side, iv–VII7–i–V7 from the Gm side. D7 is the interesting twist: in Bb it is a chromatic chord (V7/vi), while in Gm it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on Cm → F7 (ii → V7 in Bb, iv → VII7 in Gm): ii → V — the classic preparation of the dominant. Ending on G7, the song seals Bb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Özdemir Erdoğan - Pervane Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Özdemir ErdoğanMusic: Özdemir Erdoğan
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