Major view
Gb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F (leading tone, pulls home)
- 4 = Cb (the note that leans on the 3rd)
Güncel Gürsel Artıktay - Hasret - Chord
Key Gb major – Eb minor Chords Abm, Bbm, B Easy key C (capo 6)
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Key: Gb | D#m | Ebm
Capo: 0
Bbm Abm Bbm
Ter döküyor dört duvar ter bense beklerim bir gün mutlaka
Abm Bbm
Ters dönecek anahtarlar bir gün elbet çıkacaksın ışığa
Abm B Abm B Abm
Sen aydınlığa ben sana hasret
B Abm Bbm
Gel eritir demirleri bendeki ateş
Bbm Abm
Bir gün açılır açılmaz sandığın kapılar vurunca güneş
Abm Bbm
Bir karanlık daha erişti güne saat neredeyse beş
Abm B Abm B Abm
Sen aydınlığa ben sana hasret
B Abm Bbm
Gel eritir demirleri bendeki ateş
Bbm
Gün bizim güneş bizim, göğsümüzde ateş bizim
Abm Bbm
El ele olduğumuz o gün gülmek bizim
Dün bizim yarın bizim, yana yana sevmek bizim
Abm Bbm
Hasrete vurduğumuz göz göz yürek bizim
Süsledim gelin misali gençliğimi sandığıma kaldırdım
Sensiz geçen yılları sildirdim sana yeni zaman aldırdım
Sen aydınlığa ben sana hasret
Gel eritir demirleri bendeki ateş
End of song Play again?
Güncel Gürsel Artıktay - Hasret Tabs
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Harmony analysis
Güncel Gürsel Artıktay – Hasret: key and chord analysis
The song opens on Bbm and ends on Bbm. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.
Minor view
Eb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Cb (the minor's melancholy)
- b7 = Db (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Gb major and Eb minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Gb | Tonic — home | Gb · Bb · Db | — |
| ii | Abm | Supertonic — prepares the dominant | Ab · Cb · Eb | 14× |
| iii | Bbm | Mediant — a tonic-family shade | Bb · Db · F | 10× |
| III | Bb | Chromatic colour chordoutside the key | Bb · D · F | — |
| IV | B | Subdominant — moves away from home | B · D# · F# | 6× |
| V | Db | Dominant — strongest pull home | Db · F · Ab | — |
| vi | Ebm | Relative minor — the melancholy side | Eb · Gb · Bb | — |
| vii° | Fdim | Leading-tone chord — tension | F · Ab · Cb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Ebm | Tonic — home | Eb · Gb · Bb | — |
| ii° | Fdim | Supertonic — prepares the dominant | F · Ab · Cb | — |
| III | Gb | Relative major — the bright side | Gb · Bb · Db | — |
| iv | Abm | Subdominant — moves away from home | Ab · Cb · Eb | 14× |
| v | Bbm | Minor dominant — soft pull | Bb · Db · F | 10× |
| V | Bb | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | Bb · D · F | — |
| VI | B | Submediant — warm colour | B · D# · F# | 6× |
| VII | Db | Subtonic — steps back to the tonic | Db · F · Ab | — |
Analysis
The key pair is Gb major and its relative Eb minor (6 flats). 3 different chords appear 30 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
- Over Abm, land on Ab, Cb, Eb — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over B, land on B, D#, F# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Gb major shapes
- Capo 2 + E shapes
- Capo 4 + D shapes
- Capo 6 + C shapes
With Eb minor shapes
- Capo 1 + Dm shapes
- Capo 6 + Am shapes
Easiest keys on guitar
- 6 semitones up · capo 6 keeps the original pitch
- 1 semitone up
The song's harmonic story
Starting on Bbm, the song gives away its key from the very first bar. Abm, Bbm, B carry the song: ii–iii–IV relative to Gb, iv–v–VI relative to Ebm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Bbm, letting the Gb side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Güncel Gürsel Artıktay - Hasret Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Aysel GürelMusic: Atilla Özdemiroğlu
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