Sancak - Dünyam - Chord

Key G major – E minor Chords Cmaj7, Em, D Difficulty already in its easiest key

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Capo 0

Cmaj7  Em  D  Cmaj7  Em  D

          Cmaj7
Seni bana sorsan yeter iki kafiye

Yine de doymam yazarım hikayeler
           Em
Bir evim olsa dizinin dibinde
     D
İşim olmaz hiç kimselerle

      Cmaj7
Suçun kaçmak Ege’de bi sahile
                            Em
Bırakıp bu adamı kendi halineee
      D
Bizim evimizde hem de

                 Cmaj7
O günden beri bu dilimden tek dua, Sen’din

Ama bugün ben dört duvar arasındayım
Em
Tek başımayım ama iyi ki vardın
D
Ya da beni senden kurtardın

Cmaj7
Dünyam, dünyam
                          Em
Duyuyorsan inan, deli bu adam
       D
Dünyam ellerinde şu an
Cmaj7
Dünyam, dünyam
                          Em
Hala deliriyorsa sana bu adam
              D
Gemileri yak, şansımız var inan

Cmaj7                       Em       D
Bugün yıktım elimle bu duvarları, yoktun dünyam
Cmaj7                 Em         D
Bugün sustum içimde kalanları, olsun dünyam

End of song Play again?

Sancak - Dünyam Tabs

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Harmony analysis

Sancak – Dünyam: key and chord analysis

The song opens on Cmaj7 and ends on D. Its chords belong to both G major and Em, so every chord below is read both ways.

Major view

G major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F# (leading tone, pulls home)
4 = C (the note that leans on the 3rd)

Minor view

E minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = C (the minor's melancholy)
b7 = D (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the E minor side because Em is heard 9 times while G never appears. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from G major
Degree	Chord	Role	Notes	In song
I	G	Tonic — home	G · B · D	—
ii	Am	Supertonic — prepares the dominant	A · C · E	—
iii	Bm	Mediant — a tonic-family shade	B · D · F#	—
V/vi	B	Secondary dominant V/vi — leads to Emsecondary dominant	B · D# · F#	—
IVmaj7	Cmaj7	Subdominant — moves away from home	C · E · G · B	9×
V	D	Dominant — strongest pull home	D · F# · A	9×
vi	Em	Relative minor — the melancholy side	E · G · B	9×
vii°	F#dim	Leading-tone chord — tension	F# · A · C	—

Seen from E minor
Degree	Chord	Role	Notes	In song
i	Em	Tonic — home	E · G · B	9×
ii°	F#dim	Supertonic — prepares the dominant	F# · A · C	—
III	G	Relative major — the bright side	G · B · D	—
iv	Am	Subdominant — moves away from home	A · C · E	—
v	Bm	Minor dominant — soft pull	B · D · F#	—
V	B	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	B · D# · F#	—
VImaj7	Cmaj7	Submediant — warm colour	C · E · G · B	9×
VII	D	Subtonic — steps back to the tonic	D · F# · A	9×

Analysis

The key pair is G major and its relative E minor (1 sharp). 3 different chords appear 27 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Cmaj7 Em GIVmaj7 → vi EmVImaj7 → iVI → i ×9

The move to watch is Cmaj7 → Em, heard 9 times. From the Em side it is VImaj7 → i (VI → i: falls a half step into home); from the G side it reads IVmaj7 → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
Over Cmaj7, land on C, E, G — the chord's own tones always sound right on strong beats.
Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With G major shapes

No capo — open G shapes
Capo 3 + E shapes
Capo 5 + D shapes

With E minor shapes

No capo — open Em shapes
Capo 2 + Dm shapes
Capo 7 + Am shapes

Easiest keys on guitar

The song is already written in its easiest key for guitar.

The song's harmonic story

The first chord is Cmaj7; the ear learns where home is within a second. Cmaj7, Em, D carry the song: IVmaj7–vi–V relative to G, VImaj7–i–VII relative to Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Cmaj7 → Em (IVmaj7 → vi in G, VImaj7 → i in Em): VI → i — falls a half step into home. It closes on D, letting the G side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.