Pinhani - Kimse Görmesin Seni - Chord

Key C major – A minor Chords Em, Am, C, D Difficulty already in its easiest key

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Capo 0

Em
Benden başka kimseler

Üzerini örtmesin
Am
Bardağındaki suyu
C
Başka biri içmesin

Em
Sen geleceksen eğer

Misafirin gelmesin
Am
İki gece görmesem
C
Özlüyorum ben seni

Em
Gece bitmesin, gündüz olmasın
                                Am
Geceler bitmesin, sabahlar olmasın

Em  C  D

Em
Kimse görmesin seni, kimse görmesin seni

Hayran olurlar sana, hayran olurlar sana
Am
Ecel almasın bizi, ecel almasın bizi
C                   D
Ben doyamadım sana, doyamadım ben sana

End of song Play again?

Pinhani - Kimse Görmesin Seni Tabs

NotesX

Harmony analysis

Pinhani – Kimse Görmesin Seni: key and chord analysis

The song opens on Em and ends on D. Its chords belong to both C major and Am, so every chord below is read both ways.

Major view

C major

Brightness rank 2/7 (bright)

Characteristic notes

7 = B (leading tone, pulls home)
4 = F (the note that leans on the 3rd)

Minor view

A minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = F (the minor's melancholy)
b7 = G (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between C major and A minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from C major
Degree	Chord	Role	Notes	In song
I	C	Tonic — home	C · E · G	4×
ii	Dm	Supertonic — prepares the dominant	D · F · A	—
II	D	Chromatic colour chordoutside the key	D · F# · A	2×
iii	Em	Mediant — a tonic-family shade	E · G · B	5×
V/vi	E	Secondary dominant V/vi — leads to Amsecondary dominant	E · G# · B	—
IV	F	Subdominant — moves away from home	F · A · C	—
V	G	Dominant — strongest pull home	G · B · D	—
vi	Am	Relative minor — the melancholy side	A · C · E	4×
vii°	Bdim	Leading-tone chord — tension	B · D · F	—

Seen from A minor
Degree	Chord	Role	Notes	In song
i	Am	Tonic — home	A · C · E	4×
ii°	Bdim	Supertonic — prepares the dominant	B · D · F	—
III	C	Relative major — the bright side	C · E · G	4×
iv	Dm	Subdominant — moves away from home	D · F · A	—
IV	D	Major IV — Dorian / melodic-minor colourmodal colour	D · F# · A	2×
v	Em	Minor dominant — soft pull	E · G · B	5×
V	E	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	E · G# · B	—
VI	F	Submediant — warm colour	F · A · C	—
VII	G	Subtonic — steps back to the tonic	G · B · D	—

Analysis

The key pair is C major and its relative A minor (no sharps or flats). 4 different chords appear 15 times in total; 3 of them sit naturally inside the shared scale. D step outside the scale as colour chords.

Chord movement

Em Am Ciii → vi Amv → inatural-minor cadence ×4

The move to watch is Em → Am, heard 4 times. From the C side it reads iii → vi; from the Am side it is v → i (natural-minor cadence: gentle, modal arrival). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
Over C, land on C, E, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With C major shapes

No capo — open C shapes
Capo 3 + A shapes
Capo 5 + G shapes

With A minor shapes

No capo — open Am shapes
Capo 5 + Em shapes
Capo 7 + Dm shapes

Easiest keys on guitar

The song is already written in its easiest key for guitar.

The song's harmonic story

The opening Em lays a solid floor for everything that follows. The chords that keep coming back are Em, Am, C, D; read them as iii–vi–I–II in C or v–i–III–IV in Am. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Em → Am (iii → vi in C, v → i in Am): natural-minor cadence — gentle, modal arrival. It closes on D, letting the C side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.