Eskitilmiş Yaz - Gece Saklar Bizi - Chord

Key Eb major – C minor Chords Cm, Bb, Ab, Gm, Fm, Gb Easy key G

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Capo 0

Cm  Gm  Fm  Cm

Cm         Gm
Düşmüşüz olmazlara
     Fm             Cm
Yine kalmışız başka kollara
                    Gm
Asfalt yollar hiç bırakmıyor
     Fm           Cm
Sonu ayrılık sana gitmiyor

Bb       Fm
Yazmadın hiç
     Ab           Bb
Bana kalsan, bana kalsan

Cm  Gm  Fm  Cm
Cm  Gm  Fm  Ab  Bb

Cm      Gb
Yoksan olur mu
     Ab       Bb
Gece saklar gelirsen
      Cm     Gm
Yakın olsak uyurken
    Ab
Durulur mu

Cm      Gb
Yoksan olur mu
     Ab       Bb
Gece saklar seversen
       Cm     Gm
Rüzgar olsak eserken
    Ab
Duyulur mu

Cm           Gm
Geçmişe bi bilet çıksa
      Fm            Cm
Serin yazlara senin kuytuna
Cm                       Gm
Yalnız bir kıyı eski filmler gibi
     Fm             Cm
Gece tekneler saklardı bizi

Bb       Fm
Yazmadın hiç
     Ab           Bb
Bana kalsan, bana kalsan

Cm      Gb
Yoksan olur mu
     Ab       Bb
Gece saklar gelirsen
      Cm     Gm
Yakın olsak uyurken
    Ab
Durulur mu

Cm      Gb
Yoksan olur mu
     Ab       Bb
Gece saklar seversen
       Cm     Gm
Rüzgar olsak eserken
    Ab
Duyulur mu

Cm  Bb  Cm  Bb  Cm  Bb  Ab

Cm        Bb  Cm      Bb
Yalnız kaldım düşlerimde
Cm        Bb    Ab
Sen yapmıştın ellerinle
Cm        Bb  Cm      Bb
Bir yaz geçse gözlerinle
Cm        Bb    Ab
Düşmezdim hiç dertlerime

End of song Play again?

Eskitilmiş Yaz - Gece Saklar Bizi Tabs

NotesX

Harmony analysis

Eskitilmiş Yaz – Gece Saklar Bizi: key and chord analysis

The song opens on Cm and ends on Ab. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because it opens on Cm and Cm is heard 29 times while Eb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	—
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	9×
bIII	Gb	Borrowed from the parallel minorborrowed chord	Gb · Bb · Db	4×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	11×
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	—
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	14×
V	Bb	Dominant — strongest pull home	Bb · D · F	18×
vi	Cm	Relative minor — the melancholy side	C · Eb · G	29×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	29×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	—
iv	Fm	Subdominant — moves away from home	F · Ab · C	9×
#IV	Gb	Chromatic colour chordoutside the key	Gb · Bb · Db	4×
v	Gm	Minor dominant — soft pull	G · Bb · D	11×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VI	Ab	Submediant — warm colour	Ab · C · Eb	14×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	18×

Analysis

The key pair is Eb major and its relative C minor (3 flats). 6 different chords appear 85 times in total; 5 of them sit naturally inside the shared scale. Gb is borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

Bb Cm EbV → videceptive cadence CmVII → iAeolian arrival ×13
Ab Bb EbIV → VIV → V CmVI → VIIVI → VII ×7
Fm Cm Ebii → vi Cmiv → iminor plagal ×6
Ab Cm EbIV → vi CmVI → iVI → i ×6

The move to watch is Bb → Cm, heard 13 times. From the Cm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the Eb side it reads V → vi (deceptive cadence: expected Eb, lands on Cm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
On Gb, follow the chord's notes (Gb · Bb · Db) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

4 semitones up
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

Starting on Cm, the song gives away its key from the very first bar. The backbone is Cm, Bb, Ab, Gm — vi–V–IV–iii from the Eb side, i–VII–VI–v from the Cm side. Gb briefly darkens the picture: borrowed from the parallel minor. Keep an ear on Bb → Cm (V → vi in Eb, VII → i in Cm): Aeolian arrival — rises a whole tone into home. It closes on Ab, letting the Eb side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Eskitilmiş Yaz - Gece Saklar Bizi Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Sava Savaş

Music: Barış Can Uç

Arrangement: Eskitilmiş Yaz

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