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Kaan Tangöze - Kıyamet - Chord

Key C major – A minor Chords F, Am, Dm, G, C, Bm7b5 Easy key G (capo 5)

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Capo 0
Am  F  Am  F  Am  F  Am  F

Am                   F
Onu da yapsan olmaz, bunu da yapsan olmaz
Am                    F
Hergün çabalarsın ama uğraşmaya değmez
Am               F
Adalet mi kalmış dünyada be kardeş
Am                  F
Onu da yapsan olmaz bunu da yapsan olmaz
 
Am              F
İfade özgürlüğü özgürlük ifadesi
Am                F
Açlıktan ölüyolar oğlum yok mu bi çaresi
Am                  F
Onu da yapsan olmaz bunu da yapsan olmaz
Am                      F
Evrim teorisi mi, yoksa devrim mi kardeş
 
Am              F
Fırsat eşekliği eşeklerin fırsatı
Am                      F
Dalai Lama'ya sorsak ya neymiş bunun fıtratı
Am                  F
Onu da yapsan olmaz bunu da yapsan olmaz
Am                     F
Cenneti bilmem ama cehennem buradır kardeş
 
Dm              G
En büyük alamet insana ihanet
C         Bm7b5    F
Dünya dönüyo paran varsa şayet
Dm              G
Aynı nefret hep aynı vahşet
C          Bm7b5    F
Nerden kopucaksa kopsun kıyamet

Dm  G  C           F
       E olmadı ya olmadı yarabbim
Dm  G  C            F
       E kopmadı ya kopmadı yarabbim
Dm  G	  C 
	 Şu kıyamet
 
Am                  F
Onu da yapsan olmaz bunu da yapsan olmaz
Am                 F
Mazlum piramidinin tavanına yine yetmez
Am                F
Cehalet mi dersin bilmem ne ekersin
Am                      F
Ama onu da yapsan olmaz bunu da yapsan olmaz
 
Am                    F
Kuzuların sessizliği, sessizliğin kuzuları
Am                 F
Melemekten aciz mi bu ovanın koyunları
Am                  F
Onu da yapsan olmaz bunu da yapsan olmaz
Am                       F
Pavlov'un köpekleri bile havlıyo akşamları
 
Dm              G
En büyük alamet insana ihanet
C         Bm7b5    F
Dünya dönüyo paran varsa şayet
Dm              G
Aynı nefret hep aynı vahşet
C          Bm7b5    F
Nerden kopucaksa kopsun kıyamet

Dm  G  C           F
       E olmadı ya olmadı yarabbim
Dm  G  C            F
       E kopmadı ya kopmadı yarabbim
Dm  G	  C 
	 Şu kıyamet

End of song Play again?

Kaan Tangöze - Kıyamet Tabs

NotesX

Harmony analysis

Kaan Tangöze – Kıyamet: key and chord analysis

The song opens on Am and ends on C. Its chords belong to both C major and Am, so every chord below is read both ways.

Major view

C major

Brightness rank 2/7 (bright)

Characteristic notes

  • 7 = B (leading tone, pulls home)
  • 4 = F (the note that leans on the 3rd)

Minor view

A minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

  • b6 = F (the minor's melancholy)
  • b7 = G (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between C major and A minor because it comes to rest on C, it opens on Am and Am is heard 24 times against 10 for C. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from C major
Degree Chord Role Notes In song
I C Tonic — home C · E · G 10×
ii Dm Supertonic — prepares the dominant D · F · A 10×
iii Em Mediant — a tonic-family shade E · G · B —
V/vi E Secondary dominant V/vi — leads to Amsecondary dominant E · G# · B —
IV F Subdominant — moves away from home F · A · C 32×
V G Dominant — strongest pull home G · B · D 10×
vi Am Relative minor — the melancholy side A · C · E 24×
viiø7 Bm7b5 Leading-tone chord — tension B · D · F · A 4×
Seen from A minor
Degree Chord Role Notes In song
i Am Tonic — home A · C · E 24×
iiø7 Bm7b5 Supertonic — prepares the dominant B · D · F · A 4×
III C Relative major — the bright side C · E · G 10×
iv Dm Subdominant — moves away from home D · F · A 10×
v Em Minor dominant — soft pull E · G · B —
V E Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor E · G# · B —
VI F Submediant — warm colour F · A · C 32×
VII G Subtonic — steps back to the tonic G · B · D 10×

Analysis

The key pair is C major and its relative A minor (no sharps or flats). 6 different chords appear 90 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

  1. F Am CIV → vi AmVI → iVI → i ×22
  2. G C CV → Iauthentic cadence AmVII → III ×10
  3. Dm G Cii → Vii → V Amiv → VII ×10

The move to watch is F → Am, heard 22 times. From the C side it reads IV → vi; from the Am side it is VI → i (VI → i: falls a half step into home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

  • C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
  • Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
  • Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
  • Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

  • Played in the song — chord of the key
  • Played — the minor's harmonic V or a secondary dominant
  • Played — borrowed or outside chord
  • Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

    Capo and easier keys

    With C major shapes

    • No capo — open C shapes
    • Capo 3 + A shapes
    • Capo 5 + G shapes

    With A minor shapes

    • No capo — open Am shapes
    • Capo 5 + Em shapes
    • Capo 7 + Dm shapes

    Easiest keys on guitar

    • 5 semitones down · capo 5 keeps the original pitch
    • 2 semitones up

    The song's harmonic story

    The first chord is Am; the ear learns where home is within a second. F, Am, Dm, G carry the song: IV–vi–ii–V relative to C, VI–i–iv–VII relative to Am. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on F → Am (IV → vi in C, VI → i in Am): VI → i — falls a half step into home. Ending on C, the song seals C as home.

    This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

    Kaan Tangöze - Kıyamet Chords on Guitar, Ukulele and Piano

    Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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    Lyrics: Kaan Tangöze
    Music: Kaan Tangöze

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