İdo Tatlıses - Kehanet - Chord

Key Ab major – F minor Chords Bbm, Fm Easy key G (capo 1)

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Capo 0

Bbm  Bbm  Fm  Fm

               Bbm
Gecelerin de tadı yok bur bir lanet

Hatırlatır bana seni bu virane
         Fm
Kalır anılar olur efsane

Başrolüm benim ama yok sahne
             Bbm
Gece beni darlıyor bir esaret

Aramaya gerekiyor cesaret
            Fm
Olmasın ama sonumuz da felaket

Yazıldıysa bozulsun bu kehanet

               Bbm
Ben bulabildim bir yol ama işte gidesim yok

Gösterebildin bir yol bana kayıtlarımda yok
         Fm
Artık unuturum zor bu ilk değil ne son

İçiyoz aman ama bi de senelere sor
       Bbm
Girsen af yine gece uykularımı

Restore yokki kılan duygularımı
       Fm
Bilsen çok sakladım kuytularımı

Pandora gibi kutulara sıra sıra

Bbm
Önümüzü görmeden

Bize göre değil sevmeler
           Fm
Silip yine özümüze dönmeden

Bize göre değil gitmeler
       Bbm
Gitsem yok olmaz yol bitmez
                                    Fm
Sonsuzluk zor yine söz sende söz sende

               Bbm
Gecelerin de tadı yok bur bir lanet

Hatırlatır bana seni bu virane
         Fm
Kalır anılar olur efsane

Başrolüm benim ama yok sahne
             Bbm
Gece beni darlıyor bir esaret

Aramaya gerekiyor cesaret
            Fm
Olmasın ama sonumuz da felaket

Yazıldıysa bozulsun bu kehanet

        Bbm
Eksilen yok içimden bi senden

Eskiden zordu şimdi dümenden
        Fm
Üzülüp iki güne tebessümlerden

Selam alıp yoluna devam edenden
           Bbm
Bir gecede yok öyle etmek beni alaborası

Götür beni karakola
             Fm
Ne ilk ne de son yenileri gelir sıra sıra

Ne hikmetse boş gelir ara sıra

Bbm
Önümüzü görmeden

Bize göre değil sevmeler
           Fm
Silip yine özümüze dönmeden

Bize göre değil gitmeler
       Bbm
Gitsem yok olmaz yol bitmez
                                    Fm
Sonsuzluk zor yine söz sende söz sende

               Bbm
Gecelerin de tadı yok bur bir lanet

Hatırlatır bana seni bu virane
         Fm
Kalır anılar olur efsane

Başrolüm benim ama yok sahne
             Bbm
Gece beni darlıyor bir esaret

Aramaya gerekiyor cesaret
            Fm
Olmasın ama sonumuz da felaket

Yazıldıysa bozulsun bu kehanet

End of song Play again?

İdo Tatlıses - Kehanet Tabs

NotesX

Harmony analysis

İdo Tatlıses – Kehanet: key and chord analysis

The song opens on Bbm and ends on Fm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G (leading tone, pulls home)
4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Db (the minor's melancholy)
b7 = Eb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the F minor side because it comes to rest on Fm and Fm is heard 16 times while Ab never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree	Chord	Role	Notes	In song
I	Ab	Tonic — home	Ab · C · Eb	—
ii	Bbm	Supertonic — prepares the dominant	Bb · Db · F	16×
iii	Cm	Mediant — a tonic-family shade	C · Eb · G	—
V/vi	C	Secondary dominant V/vi — leads to Fmsecondary dominant	C · E · G	—
IV	Db	Subdominant — moves away from home	Db · F · Ab	—
V	Eb	Dominant — strongest pull home	Eb · G · Bb	—
vi	Fm	Relative minor — the melancholy side	F · Ab · C	16×
vii°	Gdim	Leading-tone chord — tension	G · Bb · Db	—

Seen from F minor
Degree	Chord	Role	Notes	In song
i	Fm	Tonic — home	F · Ab · C	16×
ii°	Gdim	Supertonic — prepares the dominant	G · Bb · Db	—
III	Ab	Relative major — the bright side	Ab · C · Eb	—
iv	Bbm	Subdominant — moves away from home	Bb · Db · F	16×
v	Cm	Minor dominant — soft pull	C · Eb · G	—
V	C	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G	—
VI	Db	Submediant — warm colour	Db · F · Ab	—
VII	Eb	Subtonic — steps back to the tonic	Eb · G · Bb	—

Analysis

The key pair is Ab major and its relative F minor (4 flats). 2 different chords appear 32 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Bbm Fm Abii → vi Fmiv → iminor plagal ×15

The move to watch is Bbm → Fm, heard 15 times. From the Fm side it is iv → i (minor plagal: deep and melancholic); from the Ab side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Ab major shapes

Capo 1 + G shapes
Capo 4 + E shapes
Capo 6 + D shapes

With F minor shapes

Capo 1 + Em shapes
Capo 3 + Dm shapes

Easiest keys on guitar

1 semitone down · capo 1 keeps the original pitch
4 semitones up

The song's harmonic story

The opening Bbm lays a solid floor for everything that follows. Bbm, Fm carry the song: ii–vi relative to Ab, iv–i relative to Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bbm → Fm (ii → vi in Ab, iv → i in Fm): minor plagal — deep and melancholic. The final chord is Fm; the ear comes to rest in Fm.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.