Rei - Gökyüzüm - Chord

Key Eb major – C minor Chords Abmaj7, Fm, Cm, Eb Easy key G

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Capo 0

Yeni versiyonda ton Bbm-Db

Abmaj7  Fm  Cm  Eb

Abmaj7     Fm
 Yıldızlar, beynimin içinde
Cm               Eb
 Aklımı çelen bu düşünceler bile kaybolur içince
Abmaj7     Fm
 Yalnızlık, hep benim içimde
Cm               Eb
 Kaçıyorken bile yakalıyor hayatın en ince yerinde

Abmaj7          Fm
 Yağmurum oldun, güneşim soldu
Cm               Eb
 Sürekli gerçeği söylüyordum sana dinlemez oldun
Abmaj7        Fm
 Öldürüyordun, beni öldürüyordun
Cm                       Eb
 Sihirli(zehirli) gözlerine gitme diye yalvarıyordum

     Abmaj7
Sana söyleyebileceğim her şeyi söyledim
Fm
İyileşemiyordu bu aciz kalbim
Cm
Geldim, gördüm, yendim, sevdim
Eb
Sana kelebeğim derdim

Abmaj7
 Bir şarkı çalıyor içimde hep
Fm
 Gökyüzü mavi ve denizlere
Cm
 Sürekli beynime takıldı bu
Eb
 Seni de beni de alıyor hep

Abmaj7  Fm  Cm  Eb

Abmaj7                     Fm
Masmavi geceyi bile bile üstüme yıktın
                    Cm
Beni zorladın ayrılalım dedin anladım
                 Eb
her yere dağıldı parçalarım bir de gökyüzüm ağladı

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Rei - Gökyüzüm Tabs

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Harmony analysis

Rei – Gökyüzüm: key and chord analysis

The song opens on Abmaj7 and ends on Eb. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Eb major side because it comes to rest on Eb. That is an interpretation, not a rule — hearing the same chords from C minor is just as valid and teaches you something different.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	9×
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	9×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	—
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	—
IVmaj7	Abmaj7	Subdominant — moves away from home	Ab · C · Eb · G	9×
V	Bb	Dominant — strongest pull home	Bb · D · F	—
vi	Cm	Relative minor — the melancholy side	C · Eb · G	9×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	9×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	9×
iv	Fm	Subdominant — moves away from home	F · Ab · C	9×
v	Gm	Minor dominant — soft pull	G · Bb · D	—
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VImaj7	Abmaj7	Submediant — warm colour	Ab · C · Eb · G	9×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	—

Analysis

The key pair is Eb major and its relative C minor (3 flats). 4 different chords appear 36 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Fm Cm Ebii → vi Cmiv → iminor plagal ×9

The move to watch is Fm → Cm, heard 9 times. From the Eb side it reads ii → vi; from the Cm side it is iv → i (minor plagal: deep and melancholic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Abmaj7, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

4 semitones up
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

The first chord is Abmaj7; the ear learns where home is within a second. The chords that keep coming back are Abmaj7, Fm, Cm, Eb; read them as IVmaj7–ii–vi–I in Eb or VImaj7–iv–i–III in Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Fm → Cm (ii → vi in Eb, iv → i in Cm): minor plagal — deep and melancholic. It closes on Eb, letting the Eb side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.