Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Karamel Makiyato - Dur Bidakka Bişey Söylemem Gerek - Chord
Key Db major – Bb minor Chords Db, Gb, Bbm, Ab Easy key G (capo 6)
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Key: Db | A#m | Bbm
Capo: 0
Db Gb
Tüm zamanların en kırılgan
Ab
Ruhu hiç anlaşılmayan
Db
Sen insanı yıkar gidersin
Gb
Hep uğraştım benim ol diye
Ab
Gözlerinden düşüp ölmeye
Db
Gerek yok böyle sevmeye
Gb Db
Ama dur bi dakka
Bbm Db
Bir şey söylemem gerek, gelmeyecek misin?
Gb Db
Ama dur bi dakka
Bbm Db
Bir şey söylemem gerek, hiç mi sevmedin?
Gb Db Bbm Db
aaaaaaaaaaaaaaa
Db Gb Db Gb
Merhaba
Seninle konuşmak istediğim bazı şeyler var
Ama nerden başlayacağımı hiç bilmiyorum
Yada başlamalımıyım onuda bilmiyorum, neyse
Aslında hiç gitmeni istemedim
Sen giderken sesde etmedim
Böyle bi yıkımı hiç görmemiştim daha önce
Kendimi kaybettim resmen
Özlediğim çok zaman oldu
Baya bi özledim yani
En boş şeyleri bile
Konuştuğumuz bi sürü kelimeyi
Sürekli aklımda tutmaya çalışıyorum
Unutmayayım diye uğraşıyorum
Seni gerçekten seni ve anılarımızı unuttuğumda gideceksin gibi hissediyorum
Aslında uzaktan baktığında psikopatlaşmış bi hale benziyor
Ama değil ya
Sanırım çok seviyorum
Ve bi gün gelirsin diye düşünüyorum
Ki bence gelirsin neden gelmeyeceksin ki
Artık Karamel Makiyato ısmarlamamada gerek yok
Çok iyi Karamel Makiyato yapmayı öğrendim
Hakkını veriyorum yani bazı şeylerin
O yüzden gel sana bi Karamel Makiyato yapayım
Gb Db
Ama dur bi dakka
Bbm Db
Bir şey söylemem gerek, gelmeyecek misin?
Gb Db
Ama dur bi dakka
Bbm Db
Bir şey söylemem gerek, hiç mi sevmedin?
End of song Play again?
Karamel Makiyato - Dur Bidakka Bişey Söylemem Gerek Tabs
NotesX
Harmony analysis
Karamel Makiyato – Dur Bidakka Bişey Söylemem Gerek: key and chord analysis
The song opens on Db and ends on Db. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Db major side because it both starts and finishes on Db and Db is heard 15 times against 5 for Bbm. That is an interpretation, not a rule — hearing the same chords from Bb minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | 15× |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | — |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | — |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | — |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | 9× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | 2× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 5× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 5× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | 15× |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | — |
| v | Fm | Minor dominant — soft pull | F · Ab · C | — |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | 9× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | 2× |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 4 different chords appear 31 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Gb Db DbIV → Iplagal cadence BbmVI → III ×6
- Ab Db DbV → Iauthentic cadence BbmVII → III ×2
- Gb Ab DbIV → VIV → V BbmVI → VIIVI → VII ×2
The move to watch is Gb → Db, heard 6 times. From the Db side it reads IV → I (plagal cadence: the soft 'amen' ending); from the Bbm side it is VI → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 6 semitones up · capo 6 keeps the original pitch
- 1 semitone up
The song's harmonic story
The first chord is Db; the ear learns where home is within a second. Db, Gb, Bbm, Ab carry the song: I–IV–vi–V relative to Db, III–VI–i–VII relative to Bbm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gb → Db (IV → I in Db, VI → III in Bbm): plagal cadence — the soft 'amen' ending. The final chord is Db; the ear comes to rest in Db.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Karamel Makiyato - Dur Bidakka Bişey Söylemem Gerek Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Fatih Aldemir Music: Fatih Aldemir
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