Ersay Üner - Seni Soruyorlar - Chord

Key C major – A minor Chords Em7, Dm7, Cmaj7 Difficulty already in its easiest key

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Capo 0

Em7  Dm7  Em7  Dm7

Em7              Dm7
Nasıl sığdırayım üç beş söze
Em7                 Dm7
Yeter mi ki bir kaç cümle bize
Em7               Dm7
Az değil ay değil sene sene
Em7               Dm7
Bir de ayrılmışız seve seve

Em7               Dm7
Sanki anlattığımı anlayacaklar
Em7                 Dm7
Beni de durduk yere ağlatacaklar
Em7             Dm7
Onlar tamam da, kalpteki sesler
Em7                Dm7
Söyle nasıl susacaklar

Em7
Bugün biter de
Dm7
Yarın bir yerde
Cmaj7  Dm7        Em7
Yine hatırlatacaklar


Em7              Dm7
Gözüme baka baka seni soruyorlar
Em7              Dm7
Bizi soruyorlar, ateş ediyorlar
Em7            Dm7
İçime atılanı, kaderde yazılanı
Em7              Dm7
Bölünen uykuları bilmiyorlar

End of song Play again?

Ersay Üner - Seni Soruyorlar Tabs

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Harmony analysis

Ersay Üner – Seni Soruyorlar: key and chord analysis

The song opens on Em7 and ends on Dm7. Its chords belong to both C major and Am, so every chord below is read both ways.

Major view

C major

Brightness rank 2/7 (bright)

Characteristic notes

7 = B (leading tone, pulls home)
4 = F (the note that leans on the 3rd)

Minor view

A minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = F (the minor's melancholy)
b7 = G (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C major side because C is heard 1 times while Am never appears. That is an interpretation, not a rule — hearing the same chords from A minor is just as valid and teaches you something different.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from C major
Degree	Chord	Role	Notes	In song
Imaj7	Cmaj7	Tonic — home	C · E · G · B	1×
ii7	Dm7	Supertonic — prepares the dominant	D · F · A · C	16×
iii7	Em7	Mediant — a tonic-family shade	E · G · B · D	16×
III	E	Chromatic colour chordoutside the key	E · G# · B	—
IV	F	Subdominant — moves away from home	F · A · C	—
V	G	Dominant — strongest pull home	G · B · D	—
vi	Am	Relative minor — the melancholy side	A · C · E	—
vii°	Bdim	Leading-tone chord — tension	B · D · F	—

Seen from A minor
Degree	Chord	Role	Notes	In song
i	Am	Tonic — home	A · C · E	—
ii°	Bdim	Supertonic — prepares the dominant	B · D · F	—
IIImaj7	Cmaj7	Relative major — the bright side	C · E · G · B	1×
iv7	Dm7	Subdominant — moves away from home	D · F · A · C	16×
v7	Em7	Minor dominant — soft pull	E · G · B · D	16×
V	E	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	E · G# · B	—
VI	F	Submediant — warm colour	F · A · C	—
VII	G	Subtonic — steps back to the tonic	G · B · D	—

Analysis

The key pair is C major and its relative A minor (no sharps or flats). 3 different chords appear 33 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
Over Em7, land on E, G, B — the chord's own tones always sound right on strong beats.
Over Dm7, land on D, F, A — the chord's own tones always sound right on strong beats.
Over Cmaj7, land on C, E, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With C major shapes

No capo — open C shapes
Capo 3 + A shapes
Capo 5 + G shapes

With A minor shapes

No capo — open Am shapes
Capo 5 + Em shapes
Capo 7 + Dm shapes

Easiest keys on guitar

The song is already written in its easiest key for guitar.

The song's harmonic story

The first chord is Em7; the ear learns where home is within a second. Em7, Dm7, Cmaj7 carry the song: iii7–ii7–Imaj7 relative to C, v7–iv7–IIImaj7 relative to Am. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Dm7, letting the C side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.