Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Ercüment Vural - Rüyalar (Eski) - Chord
Key Eb major – C minor Chords Cm, Fm, Bb, Ab, G7, Eb, Cm7 Easy key G
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Key: Eb | Cm
Capo: 0
Cm Cm Ab Bb Cm Ab Bb Rüyalara daldım senin için Cm Ab Bb Hatıralar topladım bir sürü Cm Ab Bb Kapılar, odalar açtım yavaşça Cm Ab Bb Ne yaptıysam ah kapatamadım Fm Cm Rüyalara daldım senin için Fm Cm Seni aradım her yerde Fm Cm Tuhaf bir telaşım vardı üstümde Fm G7 Kaybettim sandım seni Cm Fm G7 Rüyalar rüyalar ahh bu rüyalar Cm Fm G7 Geceler bitmez sensiz rüyalar Cm Fm Bb Eb Aklımı çeler, koynuma girer Fm Bb Eb Kokunla yandığım bitmez rüyalar Cm Fm Bb Eb Şeytana uyar ah koynuma girer Fm G7 Cm7 Canına yandığım sonsuz rüyalar
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Ercüment Vural - Rüyalar (Eski) Tabs
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Harmony analysis
Ercüment Vural – Rüyalar (Eski): key and chord analysis
The song opens on Cm and ends on Cm7. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
- #7 = B (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it both starts and finishes on Cm, Cm is heard 14 times against 3 for Eb and the major V chord points straight at Cm. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | 3× |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | 10× |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | — |
| V7/vi | G7 | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D · F | 4× |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 5× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | 8× |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 13× |
| vi7 | Cm7 | Relative minor — the melancholy side | C · Eb · G · Bb | 1× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 13× |
| i7 | Cm7 | Tonic — home | C · Eb · G · Bb | 1× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | 3× |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | 10× |
| v | Gm | Minor dominant — soft pull | G · Bb · D | — |
| V7 | G7 | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D · F | 4× |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 5× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | 8× |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 7 different chords appear 44 times in total; 6 of them sit naturally inside the shared scale. The major V of Cm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Eb, the same G7 is V7/vi, a secondary dominant heading for Cm.
Chord movement
- Ab Bb EbIV → VIV → V CmVI → VIIVI → VII ×5
- Bb Cm EbV → videceptive cadence CmVII → iAeolian arrival ×4
- Fm G7 Ebii → V7/vi Cmiv → V7iv → V ×4
- G7 Cm EbV7/vi → visecondary resolution CmV7 → iharmonic-minor cadence ×3
- Bb Eb EbV → Iauthentic cadence CmVII → III ×3
- Fm Cm Ebii → vi Cmiv → iminor plagal ×3
The move to watch is Ab → Bb, heard 5 times. From the Cm side it is VI → VII (VI → VII: the rising step that heads for the tonic); from the Eb side it reads IV → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- When G7 comes, swap the scale's Bb for B: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 4 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
The first chord is Cm; the ear learns where home is within a second. Cm, Fm, Bb, Ab carry the song: vi–ii–V–IV relative to Eb, i–iv–VII–VI relative to Cm. G7 is the interesting twist: in Eb it is a chromatic chord (V7/vi), while in Cm it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on Ab → Bb (IV → V in Eb, VI → VII in Cm): VI → VII — the rising step that heads for the tonic. Ending on Cm7, the song seals Cm as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ercüment Vural - Rüyalar (Eski) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Ercüment VuralMusic: Ercüment Vural
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