Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Dünyada Ne Varsa - Sen Misin (Ankara) - Chord
Key Ab major – F minor Chords Fm, Eb, Bbm, Db, Ab, Cm Easy key G (capo 1)
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Key: Ab | Fm
Capo: 0
Fm Ab Eb Eb
Fm Bbm Fm
Çaren, sevdiğin olsam
Bbm Db Ab Eb
Bu derin yara onmaz mı
Fm Bbm Fm
İçten elini tutsam
Bbm Db Ab Eb
Bu rezil zaman durmaz mı
Bbm Fm Cm
Fm Bbm Fm
Hayat sana ve bana
Bbm Db Ab Eb
Bize yan yana uymaz mı
Fm Bbm Fm
Şart mı ölmek hasretten
Bbm Db Ab Eb
Bu şehir sensiz olmaz mı
Bbm Fm Cm Eb
Db Eb Fm
Ankara mı bu burnumda tüten
Bbm Db
Yoksa sen misin neden
Eb Fm
Gidiyorum ama yanarak
Db Eb Fm
Ankara mı bu kalbimde yanan
Bbm Db
Yoksa ben miyim kalan
Eb Fm
Öyle geçmişime bakarak
Fm Ab Eb Eb
Fm Bbm Fm
Bazen nefesim gider
Bbm Db Ab Eb
İçerim keder dolmaz mı
Fm Bbm Fm
Senden gelecek güzel
Bbm Db Ab Eb
Bir haber veren çıkmaz mı
Bbm Fm Cm Eb
Db Eb Fm
Ankara mı bu burnumda tüten
Bbm Db
Yoksa sen misin neden
Eb Fm
Gidiyorum ama yanarak
Db Eb Fm
Ankara mı bu kalbimde yanan
Bbm Db
Yoksa ben miyim kalan
Eb Fm
Öyle geçmişime bakarak
Db Eb Fm
Ankara mı bu burnumda tüten
Eb Db
Yoksa sen misin gülen
Bbm Fm
Acılarına dayanarak
Db Eb Fm
Ankara mı bu göğsümde atan
Bbm Db
Sen misin kanat çırpan
Eb Fm
Uçarak uzaklaşan
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Dünyada Ne Varsa - Sen Misin (Ankara) Tabs
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Harmony analysis
Dünyada Ne Varsa – Sen Misin (Ankara): key and chord analysis
The song opens on Fm and ends on Fm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it both starts and finishes on Fm and Fm is heard 29 times against 8 for Ab. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | 8× |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 21× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 3× |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | — |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 18× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 24× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 29× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 29× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | 8× |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 21× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 3× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VI | Db | Submediant — warm colour | Db · F · Ab | 18× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 24× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 6 different chords appear 103 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×16
- Db Eb AbIV → VIV → V FmVI → VIIVI → VII ×11
- Bbm Fm Abii → vi Fmiv → iminor plagal ×10
- Db Ab AbIV → Iplagal cadence FmVI → III ×6
- Cm Fm Abiii → vi Fmv → inatural-minor cadence ×1
The move to watch is Eb → Fm, heard 16 times. From the Fm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the Ab side it reads V → vi (deceptive cadence: expected Ab, lands on Fm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 4 semitones up
The song's harmonic story
Starting on Fm, the song gives away its key from the very first bar. The backbone is Fm, Eb, Bbm, Db — vi–V–ii–IV from the Ab side, i–VII–iv–VI from the Fm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Eb → Fm (V → vi in Ab, VII → i in Fm): Aeolian arrival — rises a whole tone into home. It closes on Fm, letting the Fm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Dünyada Ne Varsa - Sen Misin (Ankara) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Ülkem ErcinMusic: Ülkem Ercin
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