Sezen Aksu - Kurşuni Renkler - Chord

Key Db major – Bb minor Chords Fm, Bbm, Ebm, Gbmaj7, Ab, Abm Easy key C (capo 1)

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Capo 0

 
Bbm  Bbm  Ebm  Ebm  Fm  Ab  Ebm  Ebm

Bbm                 Ebm    Bbm
 Bir sabah saçlarımı okşayıpta rüzgar
Abm               Gbmaj7   Fm
 İzlerini sürüp de gidecek beyaz beyaz
Bbm                 Ebm       Bbm
 Ve güneş aynaya baktığımda çizgilerden
Abm                 Gbmaj7     Fm
  Yeni bir yüz gösterecek üzülerek biraz

Bbm              Ab
 Yok olmaz erken daha
                    Gbmaj7
Biraz geç kalın ne olur
                    Fm
Hiç hazır değilim henüz

Bbm             Fm
 Ne olur baharlarımı
              Ebm
Bırakın bir süre daha
              Fm
Tanıdık değil bana güz

Bbm             Ebm
Yok olamaz dur, dur gidemezsin
Fm                
Gözlerimin rengi dur
Ebm      Fm
Bulutlara dönemezsin
Bbm            Ebm
Yok alamazsın, beni deli zaman
Fm              Ebm          Fm       Gbmaj7
Dur ömrüme o kurşuni renkleri süremezsin

Bbm              Ab
 Yok olmaz erken daha
                    Gbmaj7
Biraz geç kalın ne olur
                    Fm
Hiç hazır değilim henüz

Bbm             Fm
 Ne olur baharlarımı
              Ebm
Bırakın bir süre daha
              Fm
Tanıdık değil bana güz

Bbm  Ebm  Fm  Ebm

Bbm                Ebm      Bbm
 O gün başka renkte ağaracak biliyorum
Abm                  Gbmaj7      Fm
 Ve zorla değil ya o rengi hiç sevmiyorum
Bbm                 Ebm         Bbm
 Ne olur sanki biraz daha zaman verseniz
Abm                  Gbmaj7   Fm
 Yıllar öfkenizi hiç mi hiç anlamıyorum

Bbm              Ab
 Yok olmaz erken daha
                    Gbmaj7
Biraz geç kalın ne olur
                    Fm
Hiç hazır değilim henüz

Bbm             Fm
 Ne olur baharlarımı
              Ebm
Bırakın bir süre daha
              Fm
Tanıdık değil bana güz

Bbm             Ebm
Yok olamaz dur, dur gidemezsin
Fm                
Gözlerimin rengi dur
Ebm      Fm
Bulutlara dönemezsin
Bbm            Ebm
Yok alamazsın, beni deli zaman
Fm              Ebm          Fm       Gbmaj7
Dur ömrüme o kurşuni renkleri süremezsin

Bbm              Ab
 Yok olmaz erken daha
                    Gbmaj7
Biraz geç kalın ne olur
                    Fm
Hiç hazır değilim henüz

Bbm             Fm
 Ne olur baharlarımı
              Ebm
Bırakın bir süre daha
              Fm
Tanıdık değil bana güz

Bbm  Ebm  Fm  Ebm  Bbm

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Sezen Aksu - Kurşuni Renkler Tabs

NotesX

Harmony analysis

Sezen Aksu – Kurşuni Renkler: key and chord analysis

The song opens on Bbm and ends on Bbm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.

Major view

Db major

Brightness rank 2/7 (bright)

Characteristic notes

7 = C (leading tone, pulls home)
4 = Gb (the note that leans on the 3rd)

Minor view

Bb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Gb (the minor's melancholy)
b7 = Ab (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Bb minor side because it both starts and finishes on Bbm and Bbm is heard 25 times while Db never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Db major
Degree	Chord	Role	Notes	In song
I	Db	Tonic — home	Db · F · Ab	—
ii	Ebm	Supertonic — prepares the dominant	Eb · Gb · Bb	24×
iii	Fm	Mediant — a tonic-family shade	F · Ab · C	27×
V/vi	F	Secondary dominant V/vi — leads to Bbmsecondary dominant	F · A · C	—
IVmaj7	Gbmaj7	Subdominant — moves away from home	Gb · Bb · Db · F	10×
V	Ab	Dominant — strongest pull home	Ab · C · Eb	5×
v	Abm	Chromatic colour chordoutside the key	Ab · Cb · Eb	4×
vi	Bbm	Relative minor — the melancholy side	Bb · Db · F	25×
vii°	Cdim	Leading-tone chord — tension	C · Eb · Gb	—

Seen from Bb minor
Degree	Chord	Role	Notes	In song
i	Bbm	Tonic — home	Bb · Db · F	25×
ii°	Cdim	Supertonic — prepares the dominant	C · Eb · Gb	—
III	Db	Relative major — the bright side	Db · F · Ab	—
iv	Ebm	Subdominant — moves away from home	Eb · Gb · Bb	24×
v	Fm	Minor dominant — soft pull	F · Ab · C	27×
V	F	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	F · A · C	—
VImaj7	Gbmaj7	Submediant — warm colour	Gb · Bb · Db · F	10×
VII	Ab	Subtonic — steps back to the tonic	Ab · C · Eb	5×
vii	Abm	Chromatic colour chordoutside the key	Ab · Cb · Eb	4×

Analysis

The key pair is Db major and its relative Bb minor (5 flats). 6 different chords appear 95 times in total; 5 of them sit naturally inside the shared scale. Abm step outside the scale as colour chords.

Chord movement

Fm Bbm Dbiii → vi Bbmv → inatural-minor cadence ×14
Ebm Bbm Dbii → vi Bbmiv → iminor plagal ×7
Gbmaj7 Bbm DbIVmaj7 → vi BbmVImaj7 → iVI → i ×2

The move to watch is Fm → Bbm, heard 14 times. From the Bbm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Db side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Db major shapes

Capo 1 + C shapes
Capo 4 + A shapes
Capo 6 + G shapes

With Bb minor shapes

Capo 1 + Am shapes
Capo 6 + Em shapes

Easiest keys on guitar

1 semitone down · capo 1 keeps the original pitch
6 semitones up · capo 6 keeps the original pitch

The song's harmonic story

The first chord is Bbm; the ear learns where home is within a second. The chords that keep coming back are Fm, Bbm, Ebm, Gbmaj7; read them as iii–vi–ii–IVmaj7 in Db or v–i–iv–VImaj7 in Bbm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Fm → Bbm (iii → vi in Db, v → i in Bbm): natural-minor cadence — gentle, modal arrival. The final chord is Bbm; the ear comes to rest in Bbm.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Sezen Aksu - Kurşuni Renkler Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Sezen Aksu

Music: Onno Tunç

Arrangement: Aytuğ Yargıç

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